Ce qu'il faut pour vivre (2008)

User Rating:

7.9/10   

Director:

Benoît Pilon

Writer:

Bernard Émond (screenwriter)

Genre:

Drama

Plot:

In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City...

Plot Keywords:

Tuberculosis | Inuit | Sanatorium | Northern Canada | Eskimo

Awards:

14 wins & 7 nominations

Cast

Denis Bernard	...	Père Millaire
Antoine Bertrand
Paul-André Brasseur	...	Kaki
Éveline Gélinas	...	Carole
Elisapie Isaac	...	Femme inuite
Louise Marleau
Vincent-Guillaume Otis	...	Joseph
Luc Proulx
Guy Thauvette
Natar Ungalaaq	...	Tiivii

Also Known As:

Inuujjutiksaq (International)
The Necessities of Life (International: English title)

Runtime:

Canada:102 min

Country:

Canada

Language:

French | Inuktitut

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby SR

Certification:

Canada:PG | USA:PG

Filming Locations:

Iqaluit, Nunavut, Canada

Company:

Association Coopérative des Productions Audio-Visuelles (ACPAV)

Trivia:

Canada's contender for the 2009 foreign language Oscar.

Moving

Review: The Necessities of Life/Ce qu'il faut pour vivre 9*/10

It's a tale of hopelessness, terror, confusion and desperation, and Ungalaaq makes you feel all of that. The Necessities of Life has done well on the festival circuit and was Canada's entry for Best Foreign Language Film Oscar this year, although it didn't make the final cut to be in the running Sunday.

Language barriers are no problem with sub-titles, but even without them I think the film would still work just in how Ungalaaq manages to get so much across with expression and pitch. Éveline Gélinas as a sympathetic nurse is also very good, as the relationship between her and Tivii shows that common language is not an impediment to either friendship or understanding. I also liked Denis Bernard in a small role as a sympathetic priest that tries to help Tivii adapt an orphaned Inuit that's also a patient in the hospice; some genuine laughs are mined out of their visit to the monsignor.

This proves that things aren't all black and white in the story. The actions of the government are not driven by I think some imperialist mentality, but by the notion that they were genuinely doing all right by the Inuit by taking them far from home and treating them in spite of everything. Their self-deluded altruism may have blinded them to certain facts on the ground, but Necessities isn't a story about the right-or-wrong of government policy. It's the story of one man's struggle to get some semblance of control of his situation, and whether or not he can maintain a sense of self so far from home. It's a simply powerful story that works its magic in small and unexpected ways.

At times filled with humor and warmth and at others feeling compounded by isolation and a hint of claustrophobia, Necessities of Life reaches out from the past and across cultures to remind us how fragile we are in a number of equally important ways. Is one's health worth a trip hundreds of miles away from home and being thrown into the deep end of some strange culture? It's a tough question, and while I think I know my answer, it's up to the audience to make up there own minds as to whether Tivii's journey made him the worse for ware, or worn for the better

In examining what constitutes the necessities of life, Pilon presents a variety of options – communication, belonging, acceptance and family. But chief among them is dignity.

Seen at the Palm Springs International Film Festival.