| Luke Perry | ... | Matt Austin | |
| C. Thomas Howell | ... | Horn | |
| Kim Coates | ... | Tate | |
| Jaclyn DeSantis | ... | Amaya | |
| Francesco Quinn | ... | Sheriff | |
| Jorge Pallo | ... | Samuel (as Jorge-Luis Pallo) | |
| Wyatt Smith | ... | Billy | |
| Nicholas Guest | ... | Vaughn | |
| Alex Paez | ... | Eddie | |
| Johann Urb | ... | Lars Anderson | |
| Daniel Wisler | ... | Hank | |
| James Keane | ... | Preacher | |
| Chip Sickler | ... | Hogan | |
| Jeffrey Markle | ... | Bartender | |
| Lisa Brenner | ... | Gail Austin | |
| Franc Ross | ... | Sheriff | |
| rest of cast listed alphabetically: | |||
| Jordan Timsit | ... | Jacob Austin | |
| Miranda Cunha | ... | Fellini Prostitute (uncredited) | |
| Laci Greenfield | ... | Suzy (uncredited) | |
| Laura Molina | ... | Saloon Girl (uncredited) | |
| Arne Starr | ... | Town Resident (uncredited) | |
Directed by | |||
| Armand Mastroianni | |||
Writing credits(WGA) | ||
| Jim Byrnes | (written by) | |
Produced by | |||
| Albert T. Dickerson III | .... | producer | |
| H. Daniel Gross | .... | co-executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Larry Levinson | .... | executive producer | |
| Nick Lombardo | .... | co-executive producer | |
| Michael Moran | .... | co-executive producer | |
| Traceigh Scottel | .... | co-producer | |
Original Music by | |||
| Nathan Furst | |||
Cinematography by | |||
| James W. Wrenn | (director of photography) | ||
Film Editing by | |||
| Colleen Halsey | |||
Casting by | |||
| Brooke Davis | |||
| Penny Perry | |||
| Amy Beth Reece | (as Amy Reece) | ||
Production Design by | |||
| Yuda Acco | |||
Costume Design by | |||
| Heather Hershman | |||
Makeup Department | |||
| Rhonda Dobbins | .... | additional makeup artist | |
| Kristy Horiuchi | .... | key makeup artist | |
| Starr Jones | .... | makeup department head | |
| William Starr Jones | .... | makeup artist | |
| Rachel Lee | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Crisoforo Aguilar | .... | key second assistant director | |
| Valerie Johnson | .... | second second assistant director | |
| Alan Steinman | .... | first assistant director | |
Sound Department | |||
| Reginald Bryant | .... | sound mixer | |
| Josh Eckberg | .... | sound recordist | |
| Mark Ettel | .... | sound effects mixer | |
| Mark Ettel | .... | sound re-recording mixer | |
| Ivy Lindsey | .... | boom operator | |
Visual Effects by | |||
| Eric Acsell | .... | digital compositor | |
Stunts | |||
| Robert Bias | .... | stunts | |
| John Branagan | .... | stunts | |
| Richard Bucher | .... | stunts | |
| Richard Drucker | .... | stunts | |
| Brian Duffy | .... | stunts | |
| Jayson Dumenigo | .... | stunt coordinator | |
| Jayson Dumenigo | .... | stunts | |
| Dennis Fitzgerald | .... | stunts | |
| Clint Lilley | .... | stunt coordinator | |
| Frank Lloyd | .... | stunts | |
| Norman Mull | .... | stunt double: Tate | |
| Norman Mull | .... | stunts | |
| David Rowden | .... | stunts | |
| Stan Tinay | .... | stunt double | |
| Jose L. Vasquez | .... | stunt double: Samuel (as Jose Vasquez) | |
Camera and Electrical Department | |||
| Corey Giann Antonio | .... | gaffer: re-shoots | |
| Emily L.G. Goodwin | .... | camera loader | |
| Tom Heigl | .... | second assistant camera | |
| Rex Kenney | .... | electrician | |
| J. Lamar King | .... | gaffer (as Jason King) | |
| Marc Korgie | .... | lighting technician | |
| Justin M. Lubin | .... | still photographer | |
| Aaron Marquette | .... | second assistant camera | |
| Zachary Sieffert | .... | first assistant camera: second unit | |
| Bernie Smith | .... | first assistant camera | |
| Kirk F. Smith II | .... | film loader | |
| Jessica Szejn | .... | electrician | |
| Matthew Thiemann | .... | electrician | |
| Bas Tiele | .... | first assistant camera: "a" camera | |
| Vincent Wrenn | .... | camera operator: "b" camera | |
Casting Department | |||
| Christine Babayans | .... | casting associate | |
| Jesse Lafferty | .... | casting assistant | |
| Lindsey Samilian | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lisa Goldman | .... | costumer | |
| Kelly Kwon | .... | set costumer | |
| Emily Plummer | .... | costume supervisor | |
Editorial Department | |||
| Krishna Devine | .... | post-production coordinator | |
| Frank Sharp | .... | post-production coordinator | |
| Yuka Shirasuna | .... | assistant editor | |
| Mike Witting | .... | on-line editor | |
Music Department | |||
| Nathan Furst | .... | music supervisor | |
| Ronald J. Webb | .... | music editor | |
Transportation Department | |||
| Jon Gearhart | .... | transportation coordinator | |
| Michael Kellerman | .... | transportation captain | |
| Richard Purgill | .... | driver | |
Other crew | |||
| Susan Bambara | .... | script supervisor | |
| Erik J. Carpenter | .... | set production assistant | |
| William Clark Coit III | .... | location manager | |
| Christiane Covington | .... | script supervisor | |
| Matt Fitzsimons | .... | production executive | |
| Warren T. Goz | .... | financial consultant | |
| Sonny Grand | .... | production assistant | |
| Blaine G. Houserman | .... | production accountant | |
| Angie Kern | .... | set medic | |
| Marisa La Tour | .... | production associate | |
| Lorenzo Manetti | .... | assistant production coordinator | |
| Paul Mastroianni | .... | production assistant | |
| Stewart McMichael | .... | financial consutlant | |
| Amanda Phillips | .... | director of development | |
| Laura Sherman | .... | production coordinator | |
| Ryan Witherspoon | .... | assistant accountant | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
A classic western plot -- a bad guy wants to grab off a small landowner's land and only a laconic wanderer can save the pretty ranch owner -- having killed her man by accident -- runs along in its well-greased way. Luke Perry is fine as the scruffy, squinty, hoarse hero. Jaclyn DeSantis is good as the woman he tries to help and while there are few surprises in this one, it plays nicely to the strengths of the classic western, including some fine camera work by James Wrenn.
It is the old-fashioned camera work that is most notable about this picture, and the color choices that hearken back to silent days, with blue tints for night scenes, an overall sepia wash to the day scenes and an amber touch to the interiors. There are lingering shots when people are riding horses, giving a leisurely but inevitable air to the entire proceedings. A very pleasant TV movie.