| Photos (see all 7 | slideshow) | Videos (see all 9 NEW) |
| Andrew Garfield | ... | Jack Burridge | |
| Peter Mullan | ... | Terry | |
| Siobhan Finneran | ... | Kelly | |
| Alfie Owen | ... | Eric Wilson | |
| Victoria Brazier | ... | Teacher | |
| Skye Bennett | ... | Angela | |
| Madeleine Rakic-Platt | ... | Schoolgirl | |
| Josef Altin | ... | Bully | |
| Dudley Brewis | ... | 2nd Bully | |
| Leigh Symonds | ... | Eric's Dad | |
| Maria Gough | ... | Eric's Mum | |
| Taylor Doherty | ... | Philip Craig | |
| Jeremy Swift | ... | Dave | |
| Shaun Evans | ... | Chris | |
| Carlene Hanson | ... | Waitress | |
| Katie Lyons | ... | Michelle | |
| James Young | ... | Zeb | |
| Anthony Lewis | ... | Steve | |
| John Catterall | ... | Man in Club | |
| Tilly Vosburgh | ... | Shopkeeper | |
| Philip Rowson | ... | Policeman (as Phil Rowson) | |
| Luke Broughton | ... | Policeman | |
| Paul-Michael Giblin | ... | Photographer | |
| Helen Wilding | ... | Carol | |
| Steven Pacey | ... | Prosecution Barrister | |
| Jared Garfield | ... | Guy 1 | |
| Cyriack Stevenson | ... | Council Officer | |
| Tom Cottle | ... | Reporter | |
| Nathan Kershaw | ... | Reporter | |
| Josh Moran | ... | Ticket Collector | |
| Iris Sharple | ... | Woman in Train | |
| rest of cast listed alphabetically: | |||
| Jessica Mullins | ... | Catherine Thompson (uncredited) | |
Directed by | |||
| John Crowley | |||
Writing credits | ||
| Jonathan Trigell | (novel) | |
| Mark O'Rowe | (screenplay) | |
Produced by | |||
| Sue Calverley | .... | line producer | |
| Tally Garner | .... | producer | |
| Lynn Horsford | .... | producer | |
| Liza Marshall | .... | executive producer | |
| Nick Marston | .... | producer | |
Original Music by | |||
| Paddy Cunneen | |||
Cinematography by | |||
| Rob Hardy | (director of photography) | ||
Film Editing by | |||
| Lucia Zucchetti | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Jon Henson | |||
Art Direction by | |||
| Andrea Hughes | |||
Set Decoration by | |||
| Anita Gupta | |||
| Robert Wischhusen-Hayes | |||
Costume Design by | |||
| Julian Day | |||
Makeup Department | |||
| Sarah Campbell | .... | hair stylist | |
| Sarah Campbell | .... | makeup artist | |
| Janet Horsfield | .... | hair stylist | |
| Janet Horsfield | .... | makeup artist | |
| Juliet Jackson | .... | hair stylist | |
| Juliet Jackson | .... | makeup artist | |
| Jessica Taylor | .... | hair designer | |
| Jessica Taylor | .... | makeup designer | |
Production Management | |||
| Helen de Winter | .... | post-production supervisor | |
| Kevin Jackson | .... | unit manager | |
| Amanda Wasey | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Laura Coggan | .... | second assistant director | |
| Gemma Nunn | .... | third assistant director | |
| Dan Winch | .... | first assistant director | |
| Jen Leng | .... | additional third assistant director (uncredited) | |
| Dominic Threlfall | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Caroline Barclay | .... | stand-by art director | |
| Will Cann | .... | prop hand | |
| Gareth Cousins | .... | assistant art director | |
| David Ede | .... | scenic artist | |
| Neil Glyn | .... | stand-by props (as Neil Glynn) | |
| Patrick Henshaw | .... | dressing props | |
| Tony Henshaw | .... | property master | |
| Paul Mitchell | .... | prop hand | |
| Susan Ross | .... | scenic artist | |
| Kevin Smith | .... | stand-by carpenter | |
Sound Department | |||
| Antonia Bates | .... | dialogue editor | |
| Owen Bleasdale | .... | foley recordist editor | |
| Paula Boram | .... | foley artist | |
| Paul Davies | .... | supervising sound editor | |
| Jim Greenhorn | .... | sound mixer | |
| Gareth Llewellyn | .... | assistant sound mixer | |
| Christine Morton | .... | sound trainee | |
| Chu Li Shewring | .... | assistant sound editor (as Chu-Li Shewring) | |
| Jack Stew | .... | foley artist | |
| Andrew Stirk | .... | sound re-recording mixer | |
| Graeme Stoten | .... | adr recordist | |
| Jason Swanscott | .... | foley artist | |
| David Turner | .... | sound project coordinator (as Dave Turner) | |
| Justin Wilkinson | .... | sound maintenance engineer | |
| Thom Berryman | .... | assistant dubbing mixer (uncredited) | |
| Thom Berryman | .... | sound transfer engineer (uncredited) | |
Visual Effects by | |||
| Barney Jordan | .... | visual effects: The Farm | |
Stunts | |||
| Gary Connery | .... | stunt coordinator | |
| Ben Cooke | .... | stunt performer | |
| Aldonio Danny Freitas | .... | stunt performer (as Aldonio Freitas) | |
| Gareth Milne | .... | stunt coordinator | |
| Justin Pearson | .... | stunt performer | |
| Charles Ramsay | .... | stunt performer (as Charlie Ramsey) | |
| Andy Wareham | .... | stunt performer | |
| William Willoughby | .... | stunt performer (as Will Willoughby) | |
| Andy Wareham | .... | stunt double: Boy A @ 17 (uncredited) | |
Camera and Electrical Department | |||
| Richie Donnelly | .... | focus puller | |
| Steve Gartside | .... | electrician | |
| Richard Griffiths | .... | grip | |
| Lee Howarth | .... | stand-by rigger | |
| Tony Hughes | .... | electrician | |
| Ian Jackson | .... | rigging gaffer | |
| Wayne Mansell | .... | generator operator | |
| Ed Miller | .... | still photographer | |
| Daniel Nightingale | .... | camera assistant (as Dan Nightingale) | |
| Daniel Nightingale | .... | camera trainee (as Dan Nightingale) | |
| Matilda Smith | .... | clapper loader | |
| Laurie Sparham | .... | still photographer | |
| John Taylor | .... | Steadicam operator | |
| Roger Tooley | .... | Steadicam operator | |
| William Tracey | .... | gaffer | |
| Anthony Ward | .... | grip | |
| David Williamson | .... | video playback operator | |
Casting Department | |||
| Alice Searby | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Shahida Day | .... | costume supervisor (as Shaida Day) | |
| Victoria Lambe | .... | costume trainee | |
| Jane Marcantonio | .... | costume assistant | |
Editorial Department | |||
| Tonia Cohen | .... | negative checker: Reel Skill Film Cutting | |
| Andrew Dearnley | .... | digital film supervisor | |
| Ian Dood | .... | digital intermediate director of production: The Farm | |
| Aidan Farrell | .... | colorist: The Farm | |
| Marya Goga | .... | editorial administrator: Channel Four | |
| David Klafkowski | .... | digital intermediate technical director: The Farm | |
| Justin Lanchbury | .... | film transfer consultant | |
| Alan Pritt | .... | film transfer coordinator | |
| Fiona DeSouza | .... | first assistant editor (uncredited) | |
| Clyde Kellett | .... | on-line editor (uncredited) | |
Music Department | |||
| Simon Allen | .... | musician | |
| Arthur Dick | .... | musician | |
| Liz Gallacher | .... | music supervisor | |
| Paul Higgs | .... | musician | |
| Steve Parr | .... | music re-recording mixer | |
| Joe Townshend | .... | musician | |
Other crew | |||
| James Armitage | .... | legal services: Lee & Thompson | |
| Andrew Braithwaite | .... | paramedic | |
| Marianne P. Buckland | .... | legal and compliance: Channel Four | |
| Andrew Buglass | .... | floor runner | |
| Stephen Cheers | .... | location scout | |
| Julie Clyne | .... | paramedic | |
| Martin Conisbee | .... | chef (as Marti Consibee) | |
| Anna Davis | .... | finance director: Cuba Pictures | |
| Craig Dickson | .... | head of legal: Cuba Pictures | |
| Jeremy Gawade | .... | legal services: Lee & Thompson | |
| Tammy Gouldesbrough | .... | chaperone | |
| Claire Harrison | .... | assistant accountant | |
| Elaine Harrison | .... | production accountant | |
| Julie Hodgson | .... | chaperone | |
| Rachel Jones | .... | production secretary | |
| Valerie Jones | .... | chaperone | |
| John Kerron | .... | title designer: The Farm | |
| Helene Lenszner | .... | location manager | |
| Colin Lewin | .... | finance director: Cuba Pictures | |
| Shelley Love | .... | choreographer | |
| Paul McCallister | .... | clips: Channel Four | |
| Bronwyn McConville | .... | assistant to commercial affairs: Channel Four | |
| Sarah McWhinney | .... | finance director: Cuba Pictures | |
| Alison Morrison | .... | chef | |
| James Muirhead | .... | location scout | |
| Claire Newton | .... | assistant location manager | |
| Claire Oakley | .... | assistant: John Crowley | |
| Rebecca O'Connor | .... | commercial affairs: Channel Four | |
| Tracey Pearce | .... | chaperone | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Sue Bruce Smith | .... | commercial development: Channel Four, Film4 (as Sue Bruce-Smith) | |
| Hilary Stewart | .... | commercial affairs: Channel Four | |
| Emma Thomas | .... | script supervisor | |
| Selina Ukwuoma | .... | finance director: Cuba Pictures | |
| Kathryn Williams | .... | head of commercial affairs: Channel Four | |
| Jenny Winston | .... | runner | |
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| Die Blechtrommel | The Kite Runner | Notes on a Scandal | Mysterious Skin | La hija del caníbal |
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A young man is released from prison after being incarcerated since he was a child. His attempts to adjust to the outside world aren't always successful.
This isn't a feel good movie about a struggle for redemption or the effects of rehabilitation. This is a dark, gritty and realistic view of how things could be for a person newly released after a horrible crime.
There isn't a lot of graphic bloodshed; most of that is implied instead of being played for shock value. That's good; this movie doesn't need any more shock value than is already portrayed. You aren't particularly encouraged to sympathize with the ex-con, nor are you encouraged to condemn him. Instead the film makes you an objective observer to his trials and tribulations, his attempts to get into society with as little trouble as possible, the reactions of people who know and work with him.