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Meet the Spartans (2008)
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Overview
User Rating:
Directors:
Writers (WGA):
Release Date:
25 January 2008 (USA)
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Tagline:
The Bigger the Hit, The Harder They Fall more
Plot:
Awards:
5 nominations
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NewsDesk:
(32 articles)
Exclusive: 'Transylmania' Unveils New Scenes, Hopes to Dazzle Twilighters This Weekend
(From MTV Movies Blog. 4 December 2009, 12:00 PM, PST)
'The 40 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It' is Sadly Real and Has a Trailer
(From Cinematical. 3 December 2009, 12:42 PM, PST)
(From MTV Movies Blog. 4 December 2009, 12:00 PM, PST)
'The 40 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It' is Sadly Real and Has a Trailer
(From Cinematical. 3 December 2009, 12:42 PM, PST)
User Comments:
Seen it all before
more (364 total)
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Jason Friedberg | |||
| Aaron Seltzer | |||
Writing credits(WGA) | ||
| Jason Friedberg | (written by) & | |
| Aaron Seltzer | (written by) | |
Produced by | |||
| Marc S. Fischer | .... | line producer: additional photography | |
| Jason Friedberg | .... | producer | |
| W. Mark McNair | .... | co-producer (as Mark McNair) | |
| Arnon Milchan | .... | executive producer | |
| Hal Olofsson | .... | co-producer | |
| Peter Safran | .... | producer | |
| Aaron Seltzer | .... | producer | |
Original Music by | |||
| Christopher Lennertz | |||
Cinematography by | |||
| Shawn Maurer | (director of photography) | ||
Film Editing by | |||
| Peck Prior | |||
Casting by | |||
| Eyde Belasco | |||
| Lisa Mae Fincannon | |||
Production Design by | |||
| William A. Elliott | |||
Art Direction by | |||
| William Ladd Skinner | |||
Set Decoration by | |||
| Teresa Visinare | |||
Costume Design by | |||
| Frank Helmer | |||
Production Management | |||
| Giovanni Lovatelli | .... | unit production manager: additional shoot | |
| Jen Wall | .... | production supervisor | |
Sound Department | |||
| Christopher Assells | .... | sound effects editor | |
| Gregory Black | .... | utility sound technician | |
| Zane D. Bruce | .... | foley artist | |
| Kenny Delbert | .... | utility sound technician | |
| Don Givens | .... | foley mixer | |
| Jeffrey Haupt | .... | sound mixer | |
| Ruby C. Haupt | .... | boom operator | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Anna MacKenzie | .... | supervising sound editor | |
| Joseph T. Sabella | .... | foley artist | |
| Greg Steele | .... | adr mixer | |
| Orest Sushko | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist | |
| Greg Zimmerman | .... | adr recordist | |
| Gary Raymond | .... | Pro Tools music playback and recording (uncredited) | |
Special Effects by | |||
| Larz Anderson | .... | special effects supervisor | |
| William Boggs | .... | special effects | |
| Matt Corrigan | .... | special effects technician and on-set coordinator | |
| Val Crawford | .... | hair/fabrication: Creature FX | |
| Pete Kelley | .... | special effects artist | |
| Julian Ledger | .... | creature effects technician | |
| Ali Miki | .... | special effects: Creature Effects Inc | |
| Todd Minobe | .... | creature engineer | |
| Todd Minobe | .... | puppeteer | |
| J. Michael O'Brien | .... | special effects | |
| Scott Oshita | .... | special effects mechanical designer | |
| Mark Rappaport | .... | creature effects supervisor | |
| Mike Rotella | .... | special effects technician: W.M. Creations | |
| Carly Sertic | .... | special effects p.a. | |
| Kai Shelton | .... | special effects | |
Visual Effects by | |||
| Mandy Arnold | .... | digital effects artist | |
| Donnie Creighton | .... | digital intermediate producer | |
| Ryan Helsley | .... | digital intermediate producer | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Pency Kinnard | .... | digital compositor | |
| Vincent Lavares | .... | data manager: Laser Pacific | |
| Steven Lloyd | .... | digital effects artist | |
| Bruce Mann | .... | digital compositor | |
| Daniel Mellitz | .... | compositor | |
| Robert Rowles | .... | digital compositor | |
| Neal Sopata | .... | digital artist | |
| Mai Suzuki | .... | digital restoration artist | |
| Karen A. White | .... | visual effects editor | |
| David Yrisarri | .... | visual effects producer | |
Casting Department | |||
| Mark Fincannon | .... | location casting | |
| Dorian Frankel | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Wendy Talazac | .... | extras casting | |
Costume and Wardrobe Department | |||
| Donna Chance | .... | key set costumer | |
| Emily Dominguez | .... | costumer | |
| Allyson Garro | .... | costume assistant | |
| Jennifer Kamrath | .... | set costumer | |
| Terri Middleton | .... | costumer | |
| Rachel Parkin | .... | costumer | |
| Ann Walters | .... | key set costumer | |
| Lesley D. Wickham | .... | seamstress | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Miguel Calvento | .... | editorial production assistant | |
| Ryan Helsley | .... | digital intermediate producer | |
| Sarah Lucky | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| David M. Perkins | .... | colorist: dailies | |
| Siobhan Prior | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate colorist | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Bodin Draskoci | .... | orchestra contractor | |
| Film Orchestra Belgrade | .... | orchestra | |
| J.J. George | .... | supervising music editor | |
| Corey A. Jackson | .... | composer: additional music | |
| Sasha Jankovic | .... | assistant music sound engineer | |
| Dave Jordan | .... | music supervisor | |
| Andrew Kinney | .... | orchestrator | |
| Michael John Mollo | .... | music assistant | |
| Larry Rench | .... | orchestrator | |
| Brandon Roberts | .... | orchestrator | |
| Rebekah Touma | .... | music coordinator | |
| Jojo Villanueva | .... | music supervisor | |
| Philip White | .... | assistant to composer | |
Transportation Department | |||
| Doug Dovichi | .... | transportation coordinator | |
| Vinny Dovichi | .... | driver | |
| John McLaughlin | .... | transportation captain | |
| Larry Stelling | .... | driver | |
Production CompaniesDistributors
- 20th Century Fox Netherlands (2008) (Netherlands) (theatrical)
- 20th Century Fox (2008) (Singapore) (theatrical)
- 20th Century Fox of Germany (2008) (Germany) (theatrical)
- Fox-Warner (2008) (Switzerland) (theatrical)
- Twentieth Century Fox C.I.S. (2008) (Russia) (theatrical)
- Twentieth Century Fox Film Company (2008) (UK) (theatrical)
- Twentieth Century-Fox Film Corporation (2008) (USA) (theatrical)
- 20th Century Fox Home Entertainment (2008) (USA) (DVD)
- 20th Century Fox de Argentina (2008) (Argentina) (all media)
- FS Film Oy (2008) (Finland) (all media)
- Gativideo (2008) (Argentina) (DVD)
- Twentieth Century Fox Home Entertainment Germany (2008) (Germany) (DVD)
- Twentieth Century Fox Home Entertainment (2009) (Netherlands) (DVD)
- Creature Effects (prosthetic makeup and creatures)
- W.M. Creations (additional prosthetics effects)
- Pixel Magic (visual effects)
- Belgrade Film Orchestra orchestra
- Chapman/Leonard Studio Equipment camera cranes
- Chapman/Leonard Studio Equipment camera dollies
- Chapman/Leonard Studio Equipment hydrascope telescoping crane arm
- Chapman/Leonard Studio Equipment remote camera systems
- Chapman/Leonard Studio Equipment stabilized remote camera systems
- Erik Kabik Photography still photography
- Global Tactical Services security services
- Hollywood Trucks entertainment transportation
- Laser Pacific digital intermediate services
- Leonetti Company lighting equipment provided by
- Location Catering catering
- Louisiana Media Productions production services
- New Orleans Film Commission, The film commission
- Pacific Title end titles by
- Soundelux sound editorial services
- Todd-AO Hollywood adr stage
- Todd-AO Studios (West) mixing services
- Worldwide Movie Animals animals provided by
Additional Details
Also Known As:
13 Spartans (USA) (working title)
Epic Movie 2 (USA) (working title)
Epic Movie 2: A Story of Spartans (USA) (working title)
Hunting and Fishing (USA) (working title)
Not Another Scary Epic Teen Date Movie (USA) (working title)
more
Epic Movie 2 (USA) (working title)
Epic Movie 2: A Story of Spartans (USA) (working title)
Hunting and Fishing (USA) (working title)
Not Another Scary Epic Teen Date Movie (USA) (working title)
more
MPAA:
Rated PG-13 for crude and sexual content throughout, language and some comic violence.
Parents Guide:
Runtime:
Argentina:86 min | UK:84 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
USA:PG-13 |
UK:12A |
Malaysia:18PL |
Australia:M |
Singapore:NC-16 |
Ireland:15A |
Germany:12 |
Brazil:14 |
Philippines:G (MTRCB) |
Finland:K-13 |
Norway:11 |
Sweden:11 |
Portugal:M/12 |
Netherlands:12 |
Argentina:13 |
New Zealand:M |
South Korea:15 |
Iceland:L
Filming Locations:
Company:
Fun Stuff
Trivia:
WILHELM SCREAM: Persian warrior falling off a cliff.
more
Goofs:
Continuity: In the scene where Leonidas asks Queen Margo to marry him by writing "Marry Me" on her chest with a sharpie pen, the camera changes positions a couple times during the scene and you can see the words magically disappear each time the camera switches to the wider shot.
more
Quotes:
Soundtrack:
Spartans vs. Persians
more
FAQ
A Note Regarding SpoilersHow much sex, violence, and profanity are in this movie?
What is the difference between the theatrical and unrated editions of "Meet The Spartans"?
more
more (364 total)
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This was easily one of the worst films i've seen so far this year. I was obviously made very cheaply and it really shows on the screen. The jokes are extremely childish yet I wouldn't recommend it for children as some bits are somewhat offencive..they have really missed the mark on this one which I was really hoping would be good as I usually love this style of film. Most of the gags in the film have been seen time and time again and by the end the audience was really switching off and the younger members of the audience just started throwing popcorn around as it was so bad. In short if you have to go to the cinema this weekend see something else.