| Eve Babitz | ... | Herself | |
| John Baldessari | ... | Himself | |
| Larry Bell | ... | Himself | |
| Billy Al Bengston | ... | Himself | |
| Edmond Bereal | ... | Himself | |
| Irving Blum | ... | Himself | |
| Jeff Bridges | ... | Himself - Narrator | |
| Charles Brittin | ... | Himself | |
| William Claxton | ... | Himself | |
| Donald Factor | ... | Himself | |
| Sonia Gechtoff | ... | Herself | |
| Frank O. Gehry | ... | Himself (as Frank Gehry) | |
| Hal Glicksman | ... | Himself | |
| Peter Goulds | ... | Himself | |
| Elyse Grinstein | ... | Herself | |
| Stanley Grinstein | ... | Himself | |
| Henry Hopkins | ... | Himself | |
| Dennis Hopper | ... | Himself | |
| Walter Hopps | ... | Himself | |
| Robert Irwin | ... | Himself | |
| Ivan Karp | ... | Himself | |
| Craig Kauffman | ... | Himself | |
| David Lafaille | ... | Himself | |
| David Meltzer | ... | Himself | |
| Ed Moses | ... | Himself | |
| Shirley Neilsen Blum | ... | Herself | |
| Jim Newman | ... | Himself | |
| Peter Plagens | ... | Himself | |
| Ken Price | ... | Himself | |
| Vivian Rowan | ... | Herself | |
| Edward Ruscha | ... | Himself (as Ed Ruscha) | |
| Dean Stockwell | ... | Himself | |
| Andy Warhol | ... | Himself (archive footage) |
Directed by | |||
| Morgan Neville | |||
Writing credits(in alphabetical order) | ||
| Kristine Mckenna | writer | |
| Morgan Neville | writer | |
Produced by | |||
| Terry Chatkupt | .... | associate producer | |
| Lois Chiles | .... | co-executive producer | |
| David Davis | .... | executive producer: OPB | |
| Sally Jo Fifer | .... | executive producer: OPB | |
| Stephanie J. Henderson | .... | associate producer (as Stephanie Henderson) | |
| Kristine Mckenna | .... | producer | |
| Cedd Moses | .... | executive producer | |
| Dylan Robertson | .... | co-producer | |
| Brenna Sanchez | .... | supervising producer | |
Original Music by | |||
| Dan Crane | |||
| William Ungerman | |||
Film Editing by | |||
| Chris Perkel | |||
| Dylan Robertson | |||
Production Management | |||
| Steven M. Bass | .... | executive in charge of production: OPB (as Steven Bass) | |
| Robby Fahey | .... | production manager: ITVS | |
Sound Department | |||
| Michael Kowalski | .... | sound mixer | |
| Odin Shafer | .... | sound mixer | |
Visual Effects by | |||
| Neil Berkley | .... | graphics | |
| Jay Gammill | .... | additional graphics | |
| Scott Grossman | .... | graphics | |
Camera and Electrical Department | |||
| Morgan Neville | .... | camera operator | |
| Chris Perkel | .... | camera operator | |
| Dylan Robertson | .... | camera operator | |
Editorial Department | |||
| Howard Beckerman | .... | post-production | |
| Jason Fischman | .... | assistant editor | |
| Stephanie Hernstadt | .... | assistant editor | |
| Odin Shafer | .... | assistant editor | |
Music Department | |||
| Chris Bautista | .... | musician | |
| Joe Berardi | .... | musician | |
| Michael Boito | .... | musician | |
| Dan Crane | .... | musician | |
| Chris Heckman | .... | music engineer | |
| Ravi Knypstra | .... | musician | |
| Willie McNeil | .... | musician | |
| David Ralicke | .... | musician | |
Other crew | |||
| Claire Adamsick | .... | promotion | |
| Cheri Arbini | .... | program manager | |
| Paul Beattie | .... | archive and stills | |
| Billy Al Bengston | .... | archive and stills | |
| Charles Brittin | .... | archive and stills | |
| Aaron Burns | .... | production assistant | |
| William Claxton | .... | archive and stills | |
| Patricia Faure | .... | archive and stills | |
| Sonia Gechtoff | .... | archive and stills | |
| Merrill Greene | .... | archive and stills | |
| Dennis Hopper | .... | archive and stills | |
| Harvey Hopps | .... | archive and stills | |
| Robert Irwin | .... | archive and stills | |
| Frank Lobdell | .... | archive and stills | |
| Malcolm Lubliner | .... | archive and stills | |
| Jerry McMillan | .... | archive and stills | |
| Ed Moses | .... | archive and stills | |
| Billy Name | .... | archive and stills | |
| Charles Phoenix | .... | archive and stills | |
| Ken Price | .... | archive and stills | |
| Nancy Reddin Keinholz | .... | archive and stills | |
| Seymour Rosen | .... | archive and stills | |
| Edward Ruscha | .... | archive and stills (as Ed Ruscha) | |
| Steve Shapiro | .... | archive and stills | |
| Hassel Smith | .... | archive and stills | |
| Russ Tamblyn | .... | archive and stills | |
| Roberta Thomson | .... | archive and stills | |
| Howard Wise | .... | archive and stills | |
Thanks | |||
| Liz Armstrong | .... | thanks | |
| Stephanie Barron | .... | thanks | |
| Billy Al Bengston | .... | special thanks | |
| Wendy Bengston | .... | special thanks | |
| Robert Berman | .... | special thanks | |
| Shirley Berman | .... | special thanks | |
| Tosh Berman | .... | special thanks | |
| Lara Day | .... | special thanks | |
| Leslie Denk | .... | thanks | |
| Michelle Deziel | .... | thanks | |
| Patricia Faure | .... | special thanks | |
| Dennis Hopper | .... | special thanks | |
| Caroline Huber Hopps | .... | special thanks | |
| Lisa Melandri | .... | thanks | |
| Ed Moses | .... | special thanks | |
| Marcia Neville | .... | special thanks | |
| Maurice Neville | .... | special thanks | |
| Phloe Pontaoe | .... | special thanks | |
| Ken Price | .... | special thanks | |
| Nancy Reddin Kienholz | .... | special thanks | |
| Seymour Rosen | .... | special thanks | |
| Sarah Schrank | .... | thanks | |
| Rani Singh | .... | thanks | |
| Lesley Taplin | .... | special thanks | |
| Bill Turner | .... | special thanks | |
| Billie Weissman | .... | special thanks | |
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| Beautiful Losers | Clash of Cultures | Alice Neel | Respect Yourself: The Stax Records Story | Shotgun Freeway: Drives Through Lost L.A. |
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You REALLY, REALLY have to be an art lover to like this documentary. I mean, I thought after the glacial pacing that maybe I would learn something new about art and I did. But not enough to slog through after the first 10 - 15 minutes. I just couldn't take it anymore. Yes, I agree these guys/gals made their artistic bones on the west coast and need to be recognized but they deserved a better presentation as a whole. Even the celebrity cameos felt limp. I was more interested in the brand of cigars they were smoking than in the subject they were discussing. I flipped back to view what I had recorded from the History Channel to finish my night.