Death Proof (2007)

Director:

Quentin Tarantino

Writer:

Quentin Tarantino (written by)

Release Date:

31 May 2007 (Hungary)

Genre:

Action | Crime | Thriller

Tagline:

A White-Hot Juggernaut At 200 Miles Per Hour!

Plot:

Two separate sets of voluptuous women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.

Plot Keywords:

Stuntman | Revenge | Female Bonding | Face Ripping Off | Dark Humor

Awards:

3 nominations

Cast

Kurt Russell	...	Stuntman Mike
Zoe Bell	...	Herself (as Zoë Bell)
Rosario Dawson	...	Abernathy
Vanessa Ferlito	...	Arlene
Sydney Tamiia Poitier	...	Jungle Julia (as Sydney Poitier)
Tracie Thoms	...	Kim
Rose McGowan	...	Pam
Jordan Ladd	...	Shanna
Mary Elizabeth Winstead	...	Lee
Quentin Tarantino	...	Warren
Marcy Harriell	...	Marcy
Eli Roth	...	Dov
Omar Doom	...	Nate
Michael Bacall	...	Omar
Monica Staggs	...	Lanna Frank

Also Known As:

Grindhouse Presents: Quentin Tarantino's Death Proof (USA) (DVD title)
Grindhouse: Death Proof (International: English title)
Quentin Tarantino's Death Proof (USA) (complete title)
Quentin Tarantino's Thunder Bolt (USA) (informal alternative title)
Quentin Tarantino's Thunder Bolt! (USA) (working title)
Thunder Bolt (USA) (working title)

Runtime:

114 min (international version) | Japan:113 min | USA:90 min (edited version)

Country:

USA

Language:

English

Color:

Color | Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS | SDDS

Certification:

Norway:15 | Finland:K-18 | Singapore:M18 (cut) | France:-12 | UK:18 | Italy:VM14 | Ireland:18 | Hong Kong:IIB | Australia:MA | Australia:MA (2007) | Portugal:M/16 | Germany:16 | Hungary:18 | Sweden:15 | South Korea:18 | Canada:13+ (Quebec) | Brazil:16 | Japan:R-15 | Philippines:R-13 (MTRCB) | Spain:18 | New Zealand:R16 | USA:R (No. 43396) | Australia:MA (Original rating) | Canada:18A (Canadian Home Video rating) | Netherlands:16 | South Africa:16LV | Argentina:16 | Iceland:16

Filming Locations:

Austin, Texas, USA

Company:

Dimension Films

Trivia:

The complete list of songs contained in the jukebox is as follows: 01. Isaac Hayes - Theme from Shaft / Ellie's Love Theme (From Shaft (1971)) 02. Barry White - You're the First, the Last, My Everything / Can't Get Enough 03. Bob Dylan - George Jackson (Acoustic) / George Jackson (Big Band) 04. Stevie Wonder - Lately / If It's Magic 05. The Chi-Lites - Have You Seen Her / Oh Girl 06. The THP Orchestra - Theme from S.W.A.T., Pt. 1 / Oh Girl 07. Stevie Wonder - I Ain't Gonna Stand for It / Knocks Me off My Feet 08. Bloodstone - Natural High / This Thing is Heavy ("Natural High" is heard in Jackie Brown (1997)) 09. Don McLean - American Pie, Pt. 1 / American Pie, Pt. 2 10. Sweet - Little Willy / Man from Mecca 11. The Isley Brothers - Take Me to the Next Phase, Pt. 1 / Take Me to the Next Phase, Pt. 2 12. The Miracles - Love Machine, Pt. 1 / Love Machine, Pt. 2 13. Bob Dylan - Subterranean Homesick Blues / She Belongs to Me 14. Honey Cone - Stick Up / V.I.P. 15. Earth Wind & Fire - Shining Star / Yearning, Learning 16. Amii Stewart - Knock on Wood / When You Are Beautiful 17. Honey Cone - Want Ads / We Belong Together 18. Kool & The Gang - Hollywood Swinging / Jungle Boogie ("Jungle Boogie" is heard in Pulp Fiction (1994)) 19. Bob Dylan - Band of the Hand / Theme from Joe's Death (From Band of the Hand (1986)) 20. The Sweet - Wig-Wam-Bam / New York Connection 21. Friends of Distinction - Grazing in the Grass / I Really Hope You Do 22. 'Marvin Gaye (I)' - Trouble Man / Don't Mess With Mr. T (From Trouble Man (1972)) 23. Bob Dylan - Stuck Inside of Mobile with the Memphis Blues Again / Rita May 24. Pacific Gas & Electric - Are You Ready? / Staggolee 25. Donna Summer - Love to Love you Baby / Need-A-Man Blues 26. Michael Zager Band - Let's All Chant / Love Express 27. Santa Esmeralda - Don't Let Me Be Misunderstood / You're My Everything ("Don't Let Me Be Misunderstood" is heard in Kill Bill: Vol. 1 (2003)) 28. Jigsaw - Sky High / Brand New Love Affair 29. George Baker Selection - Little Green Bag / Pretty Little Dreamer ("Little Green Bag" is heard in Reservoir Dogs (1992)) 30. The Sweet - Blockbuster / Need a Lot of Lovin' 31. Eddie Floyd - Good Love, Bad Love / Things Get Better 32. Joe Tex - The Love You Save / If Sugar Was as Sweet as You 33. Bob Dylan - Gotta Serve Somebody (Long Version) / Gotta Serve Somebody (Short Version) 34. Dick Dale - Misirlou / Eight Till Midnight ("Miserlou" is heard in Pulp Fiction (1994)) 35. Lee Williams - They Told a Lie / I'm Tore Up 36. William Bell - Formula of Love / You Don't Miss Your Water 37. Dinah Washington - Mad About the Boy / Stormy Weather 38. The Box Tops - Cry Like a Baby / The Door You Closed to Me 39. The Checkmates Ltd. - Black Pearl / Lazy Susan 40. The Sweet - Fox on the Run / Miss Demeanor 41. The Delfonics - Didn't I (Blow Your Mind This Time) / La-La Means I Love You ("Didn't I" is heard in Jackie Brown (1997)) 42. Brothers Johnson - Get the Funk Outta Ma Face / Tomorrow 43. Bob Dylan - Hurricane, Pt. 1 / Hurricane, Pt. 2 44. Abba - Waterloo / Watch Out 45. 'T. Rex (I)' - Jeepster / Life's a Gas 46. Melanie - What Have They Done to My Song Ma? / Ruby Tuesday 47. Commander Cody - Hot Rod Lincoln / Beat Me Daddy Eight to the Bar 48. Robert Mitchum - The Ballad of Thunder Road / The Tip of My Fingers ("Ballad" is the theme from Thunder Road (1958)) 49. Dean Martin - Rio Bravo / My Rifle My Pony and Me (From Rio Bravo (1959)) 50. Dave Dee, Dozy, Beaky, Mick & Tich - Hold Tight! / You Know What I Want.

Goofs:

Errors in geography: The driving scene through South Austin, when the girls are en route to Guero's, contains dozens of continuity flaws. The scene was filmed along a three-mile stretch of Austin's Congress and S. Congress Avenues. Although ostensibly a continuous conversation, the backgrounds at different shooting angles change back and forth from the northbound to southbound lanes on Congress and S. Congress, and to parts of the street miles apart.

Quotes:

[first lines]
Arlene: [shouting to Jungle Julia] Hold on, I gotta come up! I gotta take the world's biggest fuckin' piss!

Movie Connections:

References Overboard (1987)

Soundtrack:

It's So Easy

Remembrance cinema at its best!

This is an absolutely brilliant film and a film that I could watch over and over. Written and directed by Quentin Tarantino this film seems to have divided audiences like no other, it has been adored and despised in many quarters and there seems to be no middle ground for opinion. It is cited, by Tarantino himself, as being a remembrance to the B movies of the 60s and 70s through the guise of Grindhouse cinema. In order to fully appreciate what Tarantino has done then I would agree that you must be at least familiar (on some level) with the films of that genre and era and familiar with Grindhouse cinema and its workings. It is not an absolute necessity to be fully aware of this type of film-making but it helps if you want to completely appreciate this film.

Grindhouse cinema was never revered in its day and many have questioned its reprisal. For an audience to require adequate knowledge of such a minnow in cinema history is regarded by many critics as asking too much and is adduced as being a major factor in its downfall. This is due to the belief that Tarantino has made a film for too niche a market, and as a consequence it should be of no surprise that it flopped at the box office. This is something that I whole heartedly disagree with because, to the contrary, I believe that Tarantino has made his most selfish film to date, he has made something that he wanted to... that no studio dictated... no executive planned and no audience asked for, this film is 100 percent his and it just so happens that not that many people like it, all great directors make films that fit into this category.

A major critique of Death Proof has been that it contains a lot of dialogue, but I feel that this should be expected as it is a remembrance to Grindhouse cinema and these types of movies are notorious for the amount of talk they can contain and the amount of "build up" they might have and Tarantino himself is recognised as being a writer that emphasises the dialogue in his films. Modern cinema goers are likely to not have the patience for such an offering and thus dismiss its significance and become agitated at a lack of "action" and this is evident from some of the reviews on this website.

The film is about two separate sets of voluptuous women who are stalked by a stuntman called Mike that uses his death proof cars to execute the women. The essence of the story at the heart of Death Proof is that it's impeccably nostalgic as it insinuates to the very essence of cult, it is a forged story because of its countless renditions and numerous re-tellings by the way of novels, films and tales. Being familiar with such a story allows for an ease in understanding and following of narrative – a common attribute in cult films. The voluptuous women, or female characters, in the film are all so similar in appearance yet all so different in disposition, because the film is essentially split into two parts we witness the floundering of one set of female characters and the resurgence in dominance of another. The female empowerment in Death Proof is symbolic to a desire for masculinity which is so wonderfully conveyed by their attempt in "taming" the car (I shouldn't need to mention what the car is symbolic of). It's often perceived that in these films masculinity must be achieved in order to succeed, which in itself is a direct reference to the inspired B movies of Russ Meyer.

On a personal level I was happy to watch a film that accomplishes its stunt work without any CGI and re-live many of the films I dismissed too eagerly in my youth. Being a homage the film is littered with references, the most notable of which being the casting of Kurt Russell – a deliberate nod to the master of cult (and horror) John Carpenter (the shirt worn by Jack Burton, from Big Trouble In Little China, is visible on the wall in the bar), The Dodge Challenger driven by Stuntman Mike has the plate numbers OA5599, which correspond to the white Dodge Challenger from the heavily referenced film Vanishing Point. The film also contains lots of Tarantino-esquire moments, from the copious amount of foot shots to re-appearance of Sheriff Earl McGraw, and there are some moments of pure Tarantino ingenuity i.e. the four-shot death scene, the reversed hospital set, the lap dance, the shot of the car in the rain, Stuntman Mikes nod to the third person and the wonderfully constructed soundtrack. Upon seeing Death Proof I immediately watched it again as I felt it deserved it. Enjoy.