Mogari no mori (2007)

Director:

Naomi Kawase

Writer:

Naomi Kawase (writer)

Release Date:

23 June 2007 (Japan)

Genre:

Drama

Plot:

A caregiver at a small retirement home takes one of her patients for drive to the country, but the two wind up stranded in a forest where they embark on an exhausting and enlightening two-day journey. |

Plot Keywords:

Retirement Home | Nature | Death | Old Man | Forest

Awards:

2 wins & 1 nomination

Cast

Yoichiro Saito	...	Machiko's husband
rest of cast listed alphabetically:
Kanako Masuda	...	Mako
Machiko Ono	...	Machiko
Shigeki Uda	...	Shigeki
Makiko Watanabe	...	Wakako

Directed by
Naomi Kawase

Writing credits (in alphabetical order)
Naomi Kawase		writer

Produced by
Christian Baute	....	associate producer
Christian Baute	....	producer
Shunji Dodo	....	associate producer
Naomi Kawase	....	producer
Hengameh Panahi	....	executive producer

Original Music by
Masamichi Shigeno

Cinematography by
Hideyo Nakano

Film Editing by
Tina Baz
Yuji Oshige

Production Design by
Toshihiro Isomi

Art Direction by
Toshihiro Isomi

Makeup Department
Yuka Sumimoto	....	key makeup artist

Sound Department
Shigetake Ao	....	sound
Vincent Mauduit	....	sound re-recording mixer
David Vranken	....	supervising sound editor

Camera and Electrical Department
Masami Imura	....	gaffer

Production Companies

• Celluloid Dreams
• Centre National de la Cinématographie (CNC)
• Kumie
• Visual Arts College

Distributors

• CDI Films (2008) (Argentina) (theatrical)
• Haut et Court (2007) (France) (theatrical)
• Kumie (2007) (Japan) (theatrical)
• NHK BS Hi-Vision (2007) (Japan) (TV)
• NHK (2007) (Japan) (TV) (original airing)
• Seven Films (2007) (Greece) (all media)
• Seven Films (2008) (Greece) (theatrical)

Other Companies

• Celluloid Dreams  international sales
• Dolby Laboratories  sound mix
• Dreamachine  worldwide sales
• Japanese Agency for Cultural Affairs  funding
• Kumie  advertising

Also Known As:

Forêt de Mogari, La (France)
The Forest of Mogari (International: English title) (literal title)
The Mourning Forest (International: English title) (festival title)

Runtime:

Japan:97 min | Argentina:97 min

Country:

France | Japan

Language:

Japanese

Color:

Color

Sound Mix:

Dolby SR

Certification:

South Korea:All | Switzerland:10 (canton of Geneva) | Argentina:13 | Switzerland:10 (canton of Vaud)

Filming Locations:

Nara, Japan

Company:

Celluloid Dreams

Gaijin-san sure like strange movies

This movie won the Grand Prize in Cannes Film Festival. I didn't get it, as usual.

"Discovering your true self through a journey" is in fact my favorite plot for movies, and this film at first seemed very promising with interesting characters and beautiful sceneries of the forest. However, as the movie progressed, I became more and more confused. I'm sure this is one of those movies that's supposed to make you think, but way too little information was given even for audience to use their imagination.

I actually went back to read the plot synopsis after I finished watching the film (all confused), and realized for the first time the nurse had previously lost her child. There was a scene where an unknown man saying it's all your fault. Now that I think of it, he is probably her ex-husband blaming her for the dead child. No matter how you think about it, any movie that requires the audience to read plot synopsis to understand the plot is unacceptable as a film. There were many other things in this film that was just outright puzzling, but the movie ended without even attempting to explain any of it. I absolutely did not connect with any of the characters. While this film had an extremely beautiful cinematography, that alone is not enough to make it a great film as a whole. The screen also shook far too much. I understand this director used to be a documentary filmmaker, but that is totally unnecessary for a movie of this genre.

I actually really liked the female lead actress Ono Machiko, but the male lead had too much age difference that I just couldn't see them as a couple. That "campfire" scene was completely incomprehensible for me.

It is very well-known that Japanese films which win prizes in Cannes rarely fit the typical Japanese tastes. I guess movies, especially at film festivals are considered to be art, so perhaps truly amazing works are not meant to be understood by an average viewer like me. Or maybe Western audiences simply see the Japanese as a mysterious group of people, and liked the mysterious couple in this film behaving erratically in the enigmatic forest.

This film, like many other Japanese Cannes prize-winners, had disastrous user review ratings in Japanese movie sites. I really need to start heeding their advice and not expect too much from these movies.