| Photos (see all 198 | slideshow) | Videos (see all 28 NEW) |
| Sarah Jessica Parker | ... | Carrie Bradshaw | |
| Kim Cattrall | ... | Samantha Jones | |
| Kristin Davis | ... | Charlotte York | |
| Cynthia Nixon | ... | Miranda Hobbes | |
| Chris Noth | ... | Mr. Big | |
| Candice Bergen | ... | Enid Frick | |
| Jennifer Hudson | ... | Louise | |
| David Eigenberg | ... | Steve Brady | |
| Evan Handler | ... | Harry Goldenblatt | |
| Jason Lewis | ... | Jerry 'Smith' Jerrod | |
| Mario Cantone | ... | Anthony Marentino | |
| Lynn Cohen | ... | Magda | |
| Willie Garson | ... | Stanford Blatch | |
| Joanna Gleason | ... | Therapist | |
| Joseph Pupo | ... | Brady Hobbes | |
| Alexandra Fong | ... | Lily York Goldenblatt | |
| Parker Fong | ... | Lily York Goldenblatt | |
| Kerry Bishé | ... | Twenty-Something Girl Dreaming | |
| Polina Frantsena | ... | Twenty-Something Girl #1 | |
| Kate Rockwell | ... | Twenty-Something Girl #2 | |
| Amy Flanagan | ... | Twenty-Something Girl #3 | |
| Celina Carvajal | ... | Twenty-Something Girl #4 | |
| Amanda Setton | ... | Slapping Girl | |
| Ching Valdes-Aran | ... | Carol - Real Estate Agent | |
| Malcolm Gets | ... | Building Agent | |
| Lorna Kelly | ... | Auctioneer | |
| Daphne Rubin-Vega | ... | Baby Voiced Woman | |
| Patrick DeMarchelier | ... | Vogue Fashion Photographer | |
| André Leon Talley | ... | Vogue Executive | |
| Plum Sykes | ... | Vogue Writer | |
| Lawren Howell | ... | Vogue Fashion Editor | |
| Gucci Westman | ... | Vogue Makeup Artist | |
| Serge Normant | ... | Vogue Hairstylist | |
| Mary Howard | ... | Vogue Set Dresser | |
| Dave Bradford | ... | Flower Delivery Guy | |
| Gilles Marini | ... | Dante | |
| Monica Mayhem | ... | Dante's Girl #1 | |
| Gilbert Cruz | ... | Raoul | |
| Damian Young | ... | Karl | |
| Rick Aiello | ... | Angry Driver (as Ricky Aiello) | |
| Rogelio T. Ramos | ... | Paulo (as Rogelio Ramos) | |
| Rene L. Moreno | ... | Felix | |
| Nati Cano's Mariachi Los Camperos | ... | Themselves - Mariachi Band | |
| Ricardo Molina | ... | Resort Worker | |
| Annaleigh Ashford | ... | Spoiled Label Queen | |
| Bridget Everett | ... | Drunk Party Girl | |
| Peter Y. Kim | ... | Business Guy (as Peter Kim) | |
| Gidget Gormley | ... | Baby the Dog | |
| Suzanne Cryer | ... | Dog Rescue Woman | |
| Josh Henry | ... | Will | |
| Henriette Mantel | ... | Activist #1 | |
| Nancy Shayne | ... | Activist #2 | |
| Kim Shaw | ... | Valentine's Night Waitress | |
| Michelle M. Kim | ... | Dante's Girl #2 (as Michelle Minjung Kim) | |
| Erica K. Evans | ... | Dante's Girl #3 (as Aricka Evans) | |
| Roxi Devill | ... | Dante's Girl #4 (as Roxy De Ville) | |
| Van Hughes | ... | Cater Waiter | |
| Sara Gettelfinger | ... | Flight Attendant | |
| Bridget Regan | ... | Hostess | |
| Dreama Walker | ... | Upper East Side Waitress | |
| Ruby E. Crawford | ... | Louise's Sister | |
| Henry Strozier | ... | Judge | |
| Lisa Kron | ... | Junior's Waitress | |
| rest of cast listed alphabetically: | |||
| Autumn Anderson | ... | Model (uncredited) | |
| Fabio Anzolin | ... | Mexican waiter (uncredited) | |
| Cass Asher | ... | Business Guy (uncredited) | |
| Joey Auzenne | ... | Waiter (uncredited) | |
| Jazmine Bezerra | ... | Wedding Attendee (uncredited) | |
| Cornelia Brouder | ... | Woman walking towards elevator (uncredited) | |
| Scott Burn | ... | Gucci Salesman (uncredited) | |
| Sara DeRosa | ... | Socialite (uncredited) | |
| Kim Donovan | ... | Woman on bridge (uncredited) | |
| Anna-Karin Eskilsson | ... | Charlotte's Girlfriend (uncredited) | |
| Julie Halston | ... | Bitsy von Muffling (uncredited) | |
| Katherine Hoskins Mackey | ... | Charlotte's friend (uncredited) | |
| Patty Hughes | ... | Fashion show attendee (uncredited) | |
| Caterina Jadresic | ... | Beautiful Girl in Salon (uncredited) | |
| Philip E Jones | ... | Waiter with angel wings (uncredited) | |
| Landon Kerric | ... | Waiter (uncredited) | |
| Chris Kerson | ... | Valentine's Day Date (uncredited) | |
| Tuesday Knight | ... | Runway Model (uncredited) | |
| S. Lee Knorr | ... | Louise's Grandmother (uncredited) | |
| RJ Konner | ... | Upscale Businessman (uncredited) | |
| Maria Leto | ... | Fashionista (uncredited) | |
| Lana May | ... | Party Guest (uncredited) | |
| April McCullough | ... | Photographer (uncredited) | |
| Rebecca Merle | ... | Christie's Auction House Employee (uncredited) | |
| Lin-Manuel Miranda | ... | Felix (uncredited) | |
| Chris Miskiewicz | ... | Party Guest (uncredited) | |
| Adam S. Phillips | ... | Driver (uncredited) | |
| Ben Rindner | ... | Waiter (uncredited) | |
| Bethany Roinestad | ... | Party Guest (uncredited) | |
| Isaac Schinazi | ... | Businessman on street (uncredited) | |
| Stella Stark | ... | Russian Bride (uncredited) | |
| Naomi Steinhagen | ... | Hostess (uncredited) | |
| Carmella Stolyar | ... | Auction Bidder (uncredited) | |
| Tom Stratford | ... | Elaine's Friend (uncredited) | |
| Koji Wada | ... | Anaka (uncredited) | |
| Philipp Wolter | ... | Married Man (uncredited) | |
Directed by | |||
| Michael Patrick King | |||
Writing credits(WGA) | ||
| Michael Patrick King | (written by) | |
| Candace Bushnell | (book) | |
| Darren Star | (television series creator) | |
Original Music by | |||
| Tuesday Knight | (music written and performed by) | ||
| Aaron Zigman | |||
Cinematography by | |||
| John Thomas | (director of photography) | ||
Film Editing by | |||
| Michael Berenbaum | |||
Casting by | |||
| Tiffany Little Canfield | |||
| Bernard Telsey | |||
Production Design by | |||
| Jeremy Conway | |||
Art Direction by | |||
| Ed Check | |||
Set Decoration by | |||
| Lydia Marks | |||
Costume Design by | |||
| Patricia Field | |||
| Molly Rogers | (co-costume designer) | ||
| Danny Santiago | (co-costume designer) | ||
Makeup Department | |||
| Anita Brabec | .... | makeup artist | |
| Judy Chin | .... | personal makeup artist: Sarah Jessica Parker | |
| Marjorie Durand | .... | makeup department head | |
| Kris Evans | .... | makeup: Los Angeles | |
| Donna Marie Fischetto | .... | hair stylist: Cynthia Nixon | |
| Valerie Gladstone-Hapel | .... | hair stylist | |
| Thom Gonzales | .... | hair stylist | |
| Persefone Karakosta | .... | key makeup artist | |
| Colleen LaBaff | .... | hair stylist | |
| Mandy Lyons | .... | personal hair stylist: Sarah Jessica Parker | |
| Suzy Mazzarese-Allison | .... | hair department head | |
| Kyra Panchenko | .... | personal makeup artist: Kim Cattrall | |
| Kerrie R. Plant | .... | makeup artist | |
| Lorna Reid | .... | hair stylist | |
| Anita Roganovic | .... | hair stylist | |
| Rondi Scott | .... | makeup intern | |
| Nuria Sitja | .... | personal makeup artist: Kristin Davis | |
| Vincent Schicchi | .... | additional makeup (uncredited) | |
Second Unit Director or Assistant Director | |||
| Guy Efrat | .... | additional second second assistant director | |
| Jessica Faires | .... | dga trainee: Los Angeles | |
| Andrew Fiero | .... | key second assistant director | |
| Bettiann Fishman | .... | first assistant director | |
| Aaron D. Forste | .... | second second assistant director (as Aaron David Forste) | |
| Alexander James | .... | additional second assistant director | |
| Stephen W. Moore | .... | second second assistant director: Los Angeles (as Steve Moore) | |
| Aurora Warfield | .... | additional second second assistant director | |
| Andrew T. Wood | .... | dga trainee (as Drew Wood) | |
| Danny Aiello III | .... | second unit director (uncredited) | |
| Michael Pitt | .... | first assistant director: second unit (uncredited) | |
| Aurora Warfield | .... | second assistant director: second unit (uncredited) | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects supervisor | |
| Nathanial Brotherhood | .... | special effects coordinator (as Nathanael Brotherhood) | |
| Mark R. Byers | .... | special effects coordinator: Los Angeles | |
| Chris Jordan | .... | special effects | |
| Johann Kunz | .... | special effects | |
| Peter Kunz | .... | special effects foreman | |
Visual Effects by | |||
| William L. Arance | .... | digital effects artist | |
| Ulysses Argetta | .... | digital compositor | |
| Randall Balsmeyer | .... | visual effects supervisor | |
| Ella Boliver | .... | digital compositor | |
| Brent M. Bowen | .... | digital compositor | |
| Leslie Chung | .... | rotoscope artist | |
| Patrick Clancey | .... | digital opticals | |
| J. John Corbett | .... | digital compositor | |
| Crystal Dowd | .... | executive visual effects producer: Pacific Title and Art Studio | |
| Harry Eisenstein | .... | digital compositor | |
| Christian Ericsson | .... | 3D modeler | |
| Gaspard Giroud | .... | 3D modeler | |
| Alicia Johnson | .... | visual effects coordinator | |
| Pertti Kainulainen | .... | match mover | |
| Ali Kocar | .... | digital compositor (as Alison Kocar) | |
| David Marte | .... | rotoscope artist | |
| Mimi Medel | .... | visual effects executive | |
| Alejandro Monzon | .... | rotoscope artist | |
| Nicholas Onstad | .... | roto artist | |
| Mitch Paulson | .... | digital colorist assist | |
| Bethany Pederson | .... | rotoscope artist | |
| David Piombino | .... | digital compositor | |
| Elmar Pohl | .... | rotoscope artist | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Lesley Robson-Foster | .... | visual effects supervisor | |
| Steven J. Scott | .... | supervising digital colorist: EFILM | |
| Daniel Southgate | .... | 3D modeler | |
| Adrienne Winterhalter | .... | visual effects producer | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunt coordinator | |
| John Cenatiempo | .... | stunt performer | |
| Vince Cupone | .... | stunt double | |
| Vince Cupone | .... | stunt performer | |
| Chad Guerrero | .... | utility stunts | |
| Buddy Joe Hooker | .... | stunts (as Buddy Jo Hooker) | |
| Kimmy Suzuki | .... | stunts | |
| Anthony Vincent | .... | stunt double: Chris Noth | |
Animation Department | |||
| Michael Figge | .... | animator | |
Casting Department | |||
| Bess Fifer | .... | casting assistant | |
| Tony Hobbs | .... | extras casting: Los Angeles | |
| Jennifer Sabel | .... | extras casting associate | |
| Arthur Dutkanicz | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Pam Aaron | .... | set costumer | |
| Mark Agnes | .... | costume supervisor | |
| Debbe DuPerrieu | .... | set costumer | |
| Marta Font | .... | costume assistant | |
| Felicity Gifford | .... | costumer: to Ms. Davis | |
| Michael Growler | .... | costumer: to Ms. Nixon (as Growler) | |
| Kevin Mark Harris | .... | costumer: to Ms. Catrall | |
| Mei Lai Hippisley Coxe | .... | costumer: to Sarah Jessica Parker | |
| Bryan Mathison | .... | costumer | |
| Alethea McElroy | .... | additional costumer | |
| Jacqueline Oknaian | .... | costume coordinator | |
| Leila Wolford | .... | costume assistant | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Beth Dewey | .... | digital intermediate producer | |
| Gardner Gould | .... | editorial production assistant | |
| Michael Hatzer | .... | digital intermediate colorist: Efilm (as Mike Hatzer) | |
| Marc Lulkin | .... | digital color assist | |
| Nicole Means | .... | post-production assistant | |
| Harry Muller | .... | color timer | |
| Mitch Paulson | .... | digital colorist assist | |
| Robert E. Phillips | .... | digital intermediate assistant producer: EFILM | |
| Carrie Puchkoff | .... | first assistant editor | |
| Ira Schweitzer | .... | colorist: high definition dailies | |
| Steven J. Scott | .... | supervising digital colorist | |
| Stuart Sperling | .... | assistant editor: avid | |
| Joe Violante | .... | dailies supervisor | |
Music Department | |||
| Paul Broucek | .... | executive in charge of music | |
| Christy Carew | .... | arranger: additional music | |
| Emily H. Cummins | .... | apprentice music editor (as Emily Cummins) | |
| Douglas J. Cuomo | .... | composer: main theme | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Sierra Drucker | .... | music coordinator | |
| Jerry Hey | .... | orchestrator | |
| Steve Juliani | .... | music preparation | |
| Patrick Kirst | .... | additional orchestrator | |
| Mateo Laboriel | .... | electronic music programmer | |
| Jason Linn | .... | soundtrack executive | |
| David Metzner | .... | assistant music editor | |
| Julia Michels | .... | music consultant | |
| Salaam Remi | .... | executive music producer | |
| Peter Rotter | .... | music contractor | |
| Angie Rubin | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Erin Scully | .... | music executive | |
| Lori Silfen | .... | music business affairs | |
| Frank Socorro | .... | additional score engineer (as Franklin Emmanuel Socorro) | |
| Michael Stern | .... | music recording engineer | |
| Michael Stern | .... | music scoring mixer | |
| Margarita Sullivan | .... | music clearances | |
| Jeremy Sweet | .... | composer: stock music | |
| Jesse Voccia | .... | electronic music programmer | |
| John F.X. Walsh | .... | music business affairs | |
| Brad Warnaar | .... | additional orchestrator | |
| Aaron Zigman | .... | conductor | |
| Aaron Zigman | .... | orchestrator | |
Transportation Department | |||
| Phil Balani | .... | production driver: Los Angeles | |
| James Fanning | .... | transportation captain | |
| Brenda Ryan | .... | transportation: Los Angeles | |
| Sarah Lynn Schmitt | .... | driver: cast: Los Angeles | |
| John 'Detroit' White | .... | driver: honeywagon | |
| Recent Posts (updated daily) | User |
|---|---|
| Whores in the City | Chasehater90210 |
| Aidan | willowgoth |
| louis Vuitton | midev |
| Carrie...how selfish? | kim_2512 |
| That's So Not Mexico | goldenskies |
| The title's of Carrie's books? | mbuck32 |
|
|
|
|
|
| The Devil Wears Prada | Ma femme est une actrice | Sideways | Before Sunrise | Choses secrètes |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
I learn something new everyday. Here I thought the feature adaptation of the immensely popular HBO show "Sex and the City" was written and directed by its creator Michael Patrick King. After a little research, I come to find that King was only a producer on the show, with only 31 writing credits as opposed to the full 94 for real creator Darren Star and literary basis Candace Bushnell. Despite this, though, it would seem that King is now the driving force behind Carrie Bradshaw and friends, becoming the voice of middle-aged women everywhere. Isn't it a bit strange that a man has written these women to be as pop culture iconic as they are? Kudos to him, because Bradshaw's opening monologue to the Sex and the City movie is very appropriatethis story is about labels and love in New York City. Thankfully, that's not all its about; in the end, the tale is actually intelligently written and quite witty, causing this cynical male to laugh and smile more times than he ever could have imagined.
Sarah Jessica Parker truly does embody Bradshaw to perfection. Being that it all happens through her point of view, (even when she isn't present at the event on screen, she is still the one narrating; believable I guess since this quartet tells each other EVERYTHING), it is crucial that her character lives and breathes reality. A writer of moderate success, she is happily in love with manfriend Mr. Big, (I do enjoy Chris Noth, I don't know why, never seen "Law and Order", his smugness just makes me smile though), and threatens to throw her whole existence out the window with the biggest business deal she's ever shook on, with him as a partnermarriage.
The whole will they or won't they, stay together/break-up/get married, is actually the most conventional and boring part of the film. This storyline is the quintessential chick flick cliché and it does what it does without surprise. Spanning over a year in time, I did enjoy the six months these two lovebirds are apart, because that is when the proverbial sh*t hits the fan in all their lives. Parker shows some very nice range as the downtrodden, heartbroken waif attempting to pull herself back up and become that strong woman so many viewers idolize and hope to be. But this isn't the Carrie Bradshaw story, thankfully, because that would have been torture. It is about four women and the different places their lives are at; how they help each other; and how they balance being the women they've strived to be while still having a relationship with equally successful males. It's these stories that truly captivated me into accepting the fact that, while Sex and the City is not my genre, topic, or even sphere of consciousness of choice, it did engross me enough to be happy to have seen it.
Kristin Davis is very enjoyable as Charlotte, the youngster of the bunch in her mid-thirties. With such a bubbly and childlike demeanor and attitude, her zeal for life is contagious and something I think everyone strives for. Being that her mid-movie meltdown concerns having too much good happen to her, making the "inevitable" fall too daunting to imagine, you can see how truly happy she is, especially with husband Evan Handler, (one of the gems in "Californication" and unfortunately wasted here, much like Willie Garson's Stanford who is nothing more than a prop for the background). Cynthia Nixon, on-the-other-hand, is the exact opposite. A lover of sex and promiscuity, she finds herself in a relationship with a younger male that loves her dearly, but the monogamy is too much to deal with. She isn't ready to realize that being with one man in a relationship does not mean she has become dependant on him. The need for multiple men, to be in full control, is so ingrained that she must find a love for herselfa balance with her bodybefore she can ever commit to someone else. How can one love if unable to love oneself? It is the age-old question and one that she needs to come to grips with soon, as she turns 50either to accept or change.
The storyline that really grabbed my attention, though, was of Miranda Hobbes, played wonderfully by Cynthia Nixon. Here is a career-driven lawyer that has compromised herself in order to make a life with husband Steve and child Brady. Whoa, I just realized the husband is Steve Brady and the son Brady Hobbes guess you have to watch the show to understand that one. Anyways, it is their intriguing evolution as a couple that I found myself wanting to be resolved the most. Whether the two got back together, after a short separation due to his indiscretion, or not, I found myself invested in the subplot. The acting, on the part of both characters, was real and palpable. The love mixed with a loss of trust shone through and you will find yourself pulling for them in the end. Why you ask? Because this film isn't only about labels and lovejust don't tell Jennifer Hudson since her Louise cares only about eachbut also forgiveness.
This isn't high school where grudges rule and you most likely will move on to never see any of your classmates again; this is a professional world with intelligent and capable women. Life is too messy and too short to go through it with hatred and regret. Bad things happen and you can either walk away, letting them despite what you feel, or fight tooth and nail for everything you want and deserve. Sometimes those tough patches are merely bumps in the road to true bliss, but you have to be willing to find out for sure. And that, I believe, is the real moral behind this storyhappiness does come with a price, and even though it may cost a fortune, it most definitely will be worth every penny.