| Videos (see all 3 NEW) |
| Georgia Mackenzie | ... | Kathy | |
| Mark Wilson | ... | Wade | |
| Pascal Langdale | ... | Robert | |
| Julia Ballard | ... | Nicole | |
| Joanna Bobin | ... | Pamela | |
| Annabelle Wallis | ... | Melanie | |
| Adam Rayner | ... | Adam | |
| Frank Maier | ... | Number One Fan | |
| rest of cast listed alphabetically: | |||
| Kellie Jaxson | ... | Girl (uncredited) | |
Directed by | |||
| Luis Cámara | |||
Writing credits(in alphabetical order) | ||
| Luis Cámara | writer | |
| Gabrielle Galanter | writer | |
Produced by | |||
| Daniel Baur | .... | producer | |
| Pierre David | .... | co-executive producer | |
| Florian Puchert | .... | junior producer | |
| Oliver Simon | .... | producer | |
| Dirk K. van den Berg | .... | executive producer | |
Original Music by | |||
| Florian Moser | |||
Cinematography by | |||
| Patrick Popow | |||
Film Editing by | |||
| Wolfgang Weigl | |||
Casting by | |||
| Carrie Hilton | |||
| Tamara Notcutt | |||
Art Direction by | |||
| Tim Pannen | |||
Makeup Department | |||
| Uta Bucklitsch | .... | special makeup effects crew | |
| Anna Kagerbauer | .... | special makeup effects crew | |
| Johanna Koch | .... | special makeup effects crew | |
| Nicola Pandel | .... | special makeup effects supervisor | |
| Jörg Runk | .... | special makeup effects crew | |
| Vanessa Schneider | .... | makeup artist | |
| Sarah Wirtz | .... | key makeup artist | |
Production Management | |||
| Nathalie Cloidt | .... | post-production supervisor | |
| Lieza Formuly | .... | assistant production manager | |
| Philipp Knauss | .... | additional production manager | |
| Sascha Kollotzek | .... | set manager | |
| Georg Thorwarth | .... | set manager | |
| Sascha Verhey | .... | production manager | |
| Sebastian Voppmann | .... | assistant production manager | |
Art Department | |||
| Michael Kalden | .... | property master | |
| Marian Kolodziejczyk | .... | additional constructor | |
| Patrick Lebrun | .... | additional constructor | |
| Annika Lodo | .... | trainee | |
| Sabine Steudter | .... | set dresser | |
| Muhammet Tüfekci | .... | trainee | |
| Falk Wenzel | .... | set construction | |
Sound Department | |||
| André Bendocchi-Alves | .... | sound designer | |
| André Bendocchi-Alves | .... | sound re-recording mixer | |
| André Bendocchi-Alves | .... | supervising sound editor | |
| João Da Costa Pinto | .... | sound editor | |
| Claudia Enzmann | .... | sound editor | |
| Michael Felber | .... | production sound mixer | |
| Frank Klement | .... | additional sound assistant | |
| Sven Mevissen | .... | sound re-recording mixer | |
| Jörn Poetzl | .... | foley artist | |
| Oliver Schoessler | .... | sound assistant | |
| Achim Strommenger | .... | additional sound mixer | |
| Benjamin Wolf | .... | foley recordist | |
Visual Effects by | |||
| Nikolaus Logothetis | .... | visual effects | |
| Daniel Stuebner | .... | visual effects | |
Stunts | |||
| Ernst Reimann | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Raul Combé | .... | electrician | |
| Marco Dreckmann | .... | first assistant camera | |
| Michael Koch | .... | electrician | |
| Claudia Melcher | .... | second assistant camera | |
| Nico Nitsche | .... | gaffer | |
| Daniel Schellhase | .... | best boy | |
| Sylvia Schwab | .... | lighting trainee | |
| Urs Zimmermann | .... | key grip | |
Casting Department | |||
| Victor Jenkins | .... | casting associate | |
Costume and Wardrobe Department | |||
| Elena Braun | .... | additional costumes | |
| Inga Cuypers | .... | wardrobe | |
| Eugenia Leis | .... | additional wardrobe | |
| Ilka Stoye | .... | assistant costume designer | |
Editorial Department | |||
| Julian Heidiger | .... | color grader | |
Music Department | |||
| José Manuel Aguirre | .... | composer: dance music | |
| Florian Lüttich | .... | composer: dance music | |
| Joshua Welsh | .... | musician | |
Other crew | |||
| Sabine Bentenrieder | .... | assistant to producers | |
| Wolfgang Böhm | .... | making-of | |
| Nathalie Cloidt | .... | production coordinator | |
| Karoline Gallasz | .... | script consultant | |
| Georg Haas | .... | mastering | |
| Sander Jain | .... | set runner | |
| Stefan Jung | .... | assistant production office | |
| Thiemo Kloss | .... | runner | |
| Bettina Kluge | .... | production accountant | |
| Thorsten Kuegler | .... | title designer | |
| Heike Manzke | .... | continuity | |
| Lucas Meyer-Hentschel | .... | location manager | |
| Florian Puchert | .... | making-of | |
| Carsten Vosskuehler | .... | set runner | |
| Ralf Wertmann | .... | catering | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Germany section |
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I had been curious about "Steel Trap" for a long time. Because with a name like "Steel Trap", you would think it would either be a bad "Saw" knock-off, or a good "Saw" knock-off if that. So when I went to watch it for the first 10 minutes I began to get a little discouraged. Like I don't particularly like it in horror films(with some exceptions) where for the first 10-15 minutes they immediately introduce the main characters and try WAY to hard for them to automatically be likable. In "Steel Trap" for the first few minutes it unfortunately is that way. So I sat there expecting it to be a very slow movie. However as it gets more into the story it becomes more entertaining, or at least enough to keep you watching. When it went off I must say that I was satisfied, and that it over passed my original judgment from the first 15 minutes. However the main problem with "Steel Trap" is it's dullness, and even if you did like it, you have to admit it was a bit dull overall. Like the writing is just a little rushed, and it tries WAY to hard to make it seem original, likable, and good. Unfortunately the pacing, and timing is wrong. Also the story had it's good share of flaws, and it was filled with predictability at times. Plus even if the plot holes were to be fixed, you know they would fix the logical things with cliché'ed stuff. The acting is nothing to brag about either, but it was passable. My last argument is that the writer and/or writers just made almost everyone of the characters faceless, and bipolar. Like the couple for instance one minute they fine, next minute they were boastful, and arrogant, in situations that didn't call for it. However I must admit the resolution to "Steel Trap" while it's very simple, is still very good, and very sinister, and for me pretty much made up almost any problem I had with it, to where it is no big deal. Overall even though I might have expected a little too much from "Steel Trap" it nevertheless is pretty mediocre, so would I truly recommend it? No. Would I say it's worth a shot at watching? Yeah, why not?