| Rosanna Arquette | ... | Herself | |
| Jamie Babbit | ... | Herself | |
| Fenton Bailey | ... | Himself | |
| Jami Bernard | ... | Herself | |
| Bruce Cohen | ... | Himself | |
| Martha Coolidge | ... | Herself | |
| Lee Daniels | ... | Himself | |
| Alonso Duralde | ... | Himself | |
| Bilge Ebiri | ... | Himself | |
| Sarah Jacobs | ... | Herself - Curator, Museum of Sex | |
| Charles Lyons | ... | Himself | |
| John Cameron Mitchell | ... | Himself | |
| Peter Sarsgaard | ... | Himself | |
| Matt Singer | ... | Himself | |
| Jason Solomons | ... | Himself | |
| Dana Stevens | ... | Herself | |
| Guinevere Turner | ... | Herself | |
| Dita Von Teese | ... | Herself | |
| Stephanie Zacharek | ... | Herself |
Directed by | |||
| Lesli Klainberg | |||
Produced by | |||
| Alison Palmer Bourke | .... | executive producer | |
| Debbie Demontreux | .... | executive producer | |
| Lesli Klainberg | .... | producer | |
| Christine Lubrano | .... | executive producer | |
| Amy Nieporent | .... | associate producer (as Amy Neiporent) | |
| Tammie Rhee | .... | co-producer | |
| Evan Shapiro | .... | executive producer | |
| Chandra Simon | .... | associate producer | |
| Kate Walker | .... | associate producer | |
Original Music by | |||
| Douglas J. Cuomo | |||
Cinematography by | |||
| Peter Nelson | |||
| Ruben O'Malley | |||
| John Tanzer | |||
Film Editing by | |||
| Judd Blaise | |||
| Hope Litoff | |||
Makeup Department | |||
| Elena George | .... | makeup artist | |
| Celeste Loft | .... | makeup artist | |
| Audie Metcalf | .... | makeup artist | |
Art Department | |||
| Terence Taylor | .... | graphic designer (as Terrence Taylor) | |
Sound Department | |||
| Travis Call | .... | sound post-production coordinator | |
| Arun Chaudhary | .... | production sound | |
| Judy Karp | .... | production sound | |
| Cory Melious | .... | sound editor | |
| Cory Melious | .... | sound re-recording mixer | |
| Caleb Mose | .... | sound | |
| David Renner | .... | production sound (as Dave Renner) | |
| J.T. Takagi | .... | production sound (as J.T. Tagaki) | |
| Tony Volante | .... | supervising re-recording mixer | |
| David Weinstock | .... | production sound mixer | |
| Steve Wytas | .... | production sound | |
Camera and Electrical Department | |||
| Shaka Brookes | .... | grip (as Tshaka Brookes) | |
| Sean Herlihy | .... | grip | |
| Dan Kanes | .... | grip | |
| Tammie Rhee | .... | additional cinematographer | |
| Jennifer Scarlata | .... | grip (as Jenny Scarlata) | |
Editorial Department | |||
| Jake Diamond | .... | on-line editor | |
| Joanna Jurewicz | .... | assistant editor | |
Music Department | |||
| Kevin Aviance | .... | composer: main title music | |
Other crew | |||
| Damian Bellino | .... | intern | |
| Jami Bernard | .... | project consultant | |
| Robert S. Birchard | .... | archive and stills (as Bob Birchard) | |
| Patrick Bohan | .... | intern | |
| Amanda Bonavita | .... | production coordinator | |
| Lisa Callif | .... | legal services (as Lisa A. Callif) | |
| Samantha Chaplin | .... | intern | |
| Barnett Cohen | .... | intern | |
| Joe Conzo | .... | archive and stills | |
| Bobby Cox | .... | intern | |
| Andrea Derricks | .... | intern | |
| Aymeric Contat Desfontaines | .... | intern | |
| Michael Donaldson | .... | legal services (as Michael C. Donaldson) | |
| Dave Donars | .... | production coordinator | |
| Matt Evans | .... | intern | |
| Ryan Garnier | .... | intern | |
| Lisa Grossman | .... | intern | |
| Debra Kozee | .... | insurance | |
| Patty Lo Kallan | .... | intern | |
| Rebecca Lundgren | .... | intern | |
| Erika Millman | .... | intern | |
| Christopher Lloyd Mitchell | .... | archive and stills | |
| Divya Pathak | .... | intern | |
| Michael Thomas | .... | intern | |
| John Torres | .... | intern | |
| Zaindria Yarborough | .... | intern | |
Thanks | |||
| Lisa Ades | .... | special thanks | |
| Eric Batt | .... | special thanks (as Erik Batt) | |
| Bianca Biscano | .... | special thanks (as Bianca Biscaino) | |
| Jane Chotard Wheeler | .... | special thanks | |
| Gregg Diller | .... | special thanks | |
| Grace Garrison | .... | special thanks | |
| Elektra Gray | .... | special thanks | |
| Theodore Leuci | .... | special thanks | |
| Karen Mock | .... | special thanks | |
| Erika Palumbo | .... | special thanks | |
| Richard Wagner | .... | special thanks (as Dr. Richard Wagner) | |
| Jessica Wolfson | .... | special thanks | |
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| Iraq: A Tale of Censorship | Complicated Women | Comic Book Superheroes Unmasked | Larry Flynt: The Right to Be Left Alone | Not Quite Hollywood: The Wild, Untold Story of Ozploitation! |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
This movie has some merit in that it follows the history of sex and censorship in the movies. But ultimately its crap. Much of the film is directors, actors, critics and industry folk opining about censorship, freedom of speech, artistic license, etc. While some of these folks have something to say the overall effect is the same obnoxious, blathering excuse we have heard from prostitutes, pimps, pornographers, etc., since the dawn of time: "The body is beautiful and must be appreciated."....."Sex is natural and we want to be natural"....","Other people should not decide what we can do."..."Freedom of speech is important!", yadda, yadda, yadda. You've heard the same drivel before.
The impact of the movie clearly implies that censorship is bad, the omnipotent "they" or "big brother is in control,and that rating systems cannot be fairly or effectively applied. There's little counterpoint. I wanted to say to some of the film's commentators: "Maybe censorship DOES protect our children" (one guy does go into such), "Maybe the 'they' (vague censors) are really US and maybe a majority of us don't care for explicit sex.", "Maybe MOST sex on screen isn't for artistic reasons but to sell tickets.", "Maybe screen sex is popular BECAUSE its a vice; i.e., just because we appear to want something doesn't mean its good!"
Again, the majority of the commentators are interesting and I'm guessing they were edited to fit the film makers intended bleating about liberation. Jami Bernard, however, truly believes she knows who we are, what we think and what is best for us and she epitomizes the problem with this poor documentary. Lets hope somebody does the subject better some time soon.