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| Jodi Benson | ... | Ariel (voice) | |
| Samuel E. Wright | ... | Sebastian (voice) | |
| Jim Cummings | ... | King Triton / Shelbow (voice) | |
| Sally Field | ... | Marina Del Ray (voice) | |
| Parker Goris | ... | Flounder (voice) | |
| Tara Strong | ... | Adella / Andrina (voice) | |
| Jennifer Hale | ... | Alana (voice) | |
| Grey DeLisle | ... | Aquata / Arista (voice) | |
| Jeff Bennett | ... | Benjamin / Guards (voice) | |
| Kari Wahlgren | ... | Attina (voice) | |
| Lorelei Hill Butters | ... | Queen Athena (voice) | |
| Kevin Michael Richardson | ... | Cheeks / Ray Ray (voice) | |
| Rob Paulsen | ... | Ink Spot / Swifty (voice) |
Directed by | |||
| Peggy Holmes | |||
Writing credits(in alphabetical order) | ||
| Robert Reece | writer | |
| Evan Spiliotopoulos | writer | |
Produced by | |||
| Kendra Halland | .... | producer | |
| Mary Thorne | .... | unit producer | |
Original Music by | |||
| James Dooley | |||
Film Editing by | |||
| John Royer | |||
Art Direction by | |||
| Tony Pulham | |||
Production Management | |||
| Bill Bloom | .... | production manager | |
| Peiyu H. Foley | .... | post-production supervisor | |
| Kip Lewis | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Pieter Lommerse | .... | unit director | |
Art Department | |||
| Peter J. DeLuca | .... | workbook artist | |
| Nicholas Filippi | .... | storyboard artist | |
| Holly Forsyth | .... | storyboard artist | |
| Michael Gorospe | .... | background supervisor | |
| Chris Hubbard | .... | storyboard artist | |
| Dana Landsberg | .... | characters designer | |
| Stephen G. Lumley | .... | workbook supervisor (as Stephen Lumley) | |
| Tron Mai | .... | storyboard artist | |
| Armen Melkonian | .... | workbook artist | |
| David Prince | .... | storyboard artist | |
| Donald Reich | .... | workbook artist | |
| Tom Shannon | .... | workbook artist | |
| Ray Shenusay | .... | storyboard artist | |
| Robert Souza | .... | storyboard artist | |
| Colette Van Mierlo | .... | location designer | |
| Marty Warner | .... | prop designer | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| John T. Cucci | .... | foley artist | |
| Mark D. Fleming | .... | sound re-recording mixer | |
| Ryan Heiferman | .... | dialogue recordist | |
| Nancy MacLeod | .... | foley editor | |
| Donald J. Malouf | .... | supervising sound editor | |
| Dan O'Connell | .... | foley artist | |
Visual Effects by | |||
| William Allen Blyth | .... | animator | |
| Noe Garcia | .... | animator | |
| Dan Lund | .... | effects designer | |
| David 'Joey' Mildenberger | .... | animation supervisor | |
| Mark Myer | .... | animator | |
| Amanda Normington | .... | effects assistant (as Amanda J. Talbot) | |
| Masa Oshiro | .... | animator | |
| Marvin Petilla | .... | effects director | |
| Philip Pignotti | .... | animator | |
| Van Shirvanian | .... | effects assistant | |
| Phillip Vigil | .... | animator | |
Animation Department | |||
| Carol Berke | .... | digital ink & paint | |
| Jamie Kezlarian Bolio | .... | character design cleanup | |
| Brook Bonus | .... | animator | |
| Omar Cinco | .... | animator | |
| Dan Haskett | .... | character designer | |
| Cynthia Javier | .... | animator | |
| Chris Keene | .... | cg modeler | |
| Dana Landsberg | .... | character designer | |
| Christina Long | .... | color stylist | |
| Gabriel Mase | .... | animator | |
| Armen Melkonian | .... | layout artist | |
| Jenny North | .... | supervising color stylist | |
| Scott T. Petersen | .... | animator | |
| Donna Prince | .... | background artist | |
| Eugene Salandra | .... | character designer | |
| Steven K. Thompson | .... | character designer | |
| Noel Villano | .... | animator | |
| Andreas Wessel-Therhorn | .... | animation co-supervisor | |
| Theresa Wiseman | .... | timing director | |
Casting Department | |||
| Jason Henkel | .... | manager of talent casting | |
| Benjamin G. Malbrough | .... | casting assistant | |
| Jamie Thomason | .... | voice casting | |
| Ned Lott | .... | additional casting (uncredited) | |
Editorial Department | |||
| John Currin | .... | assistant editor | |
| Karen Hathaway | .... | second editor | |
| Timothy Vila | .... | assistant editor (as Tim Vila) | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| Kevin Babuder | .... | orchestrator | |
| Dominick Certo | .... | music editor | |
| Rossano Galante | .... | orchestrator | |
| Steven Gizicki | .... | music supervisor | |
| Kevin Globerman | .... | digital score recordist | |
| Greg Hayes | .... | assistant music engineer | |
| Andy Kay | .... | assistant to composer | |
| Andrew Kinney | .... | orchestrator | |
| Matthew Margeson | .... | additional music arranger | |
| Matthew Margeson | .... | composer: additional music | |
| Dana Niu | .... | supervising orchestrator | |
| Jason Poss | .... | music transcription | |
| Peter Rotter | .... | music contractor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Brad Warnaar | .... | orchestrator | |
| Nathan Whitehead | .... | assistant to composer | |
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| The Little Mermaid II: Return to the Sea | Pooh's Heffalump Movie | Charlotte's Web 2: Wilbur's Great Adventure | Brother Bear 2 | Raggedy Ann & Andy: A Musical Adventure |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
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Ever since Disney's "sequels" department has been under new management, there has been a HUGE upgrade in quality. There have only been two animated releases so far, Cinderella III and The Little Mermaid: Ariel's Beginning. I am not sure if any more sequels are in production.
Consistent between both films is the very high quality animation. TLM:AB keeps CGI to a minimum and much effort has been made to keep the characters close to the original character models (and in many cases, character models have heavily improved over the original). This is probably as good as it will get without the original team of animators.
What saves this film is the fantastic hand-drawn animation in the age of ugly CGI and lazy flash-drawn cartoons. I would go as far as to say that the animation here is on-par or higher than the original 1989 release (the original was plagued with off-model animation). Unfortunately, the story is only so-so. The plot is very weak but effort has been made to develop all of the sisters' personalities, which I really appreciate (they are believable sister to sister relationships). I think Disney recognised that without Alan Menken, the music for TLM would not have charm or beauty. Disney did the right thing for this film by keeping songs short and to a minimum.
This film highly deserves a chance to be seen by many, unlike the rushed and horrible Little Mermaid II: Return to the Sea.