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| Mon. Nov. 16 | 10:30 AM | DISN |
| Jodi Benson | ... | Ariel (voice) | |
| Samuel E. Wright | ... | Sebastian (voice) | |
| Jim Cummings | ... | King Triton / Shelbow (voice) | |
| Sally Field | ... | Marina Del Ray (voice) | |
| Parker Goris | ... | Flounder (voice) | |
| Tara Strong | ... | Adella / Andrina (voice) | |
| Jennifer Hale | ... | Alana (voice) | |
| Grey DeLisle | ... | Aquata / Arista (voice) | |
| Jeff Bennett | ... | Benjamin / Guards (voice) | |
| Kari Wahlgren | ... | Attina (voice) | |
| Lorelei Hill Butters | ... | Queen Athena (voice) | |
| Kevin Michael Richardson | ... | Cheeks / Ray Ray (voice) | |
| Rob Paulsen | ... | Ink Spot / Swifty (voice) |
Directed by | |||
| Peggy Holmes | |||
Writing credits(in alphabetical order) | ||
| Robert Reece | writer | |
| Evan Spiliotopoulos | writer | |
Produced by | |||
| Kendra Halland | .... | producer | |
| Mary Thorne | .... | unit producer | |
Original Music by | |||
| James Dooley | |||
Film Editing by | |||
| John Royer | |||
Art Direction by | |||
| Tony Pulham | |||
Production Management | |||
| Bill Bloom | .... | production manager | |
| Peiyu H. Foley | .... | post-production supervisor | |
| Kip Lewis | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Pieter Lommerse | .... | unit director | |
Art Department | |||
| Peter J. DeLuca | .... | workbook artist | |
| Nicholas Filippi | .... | storyboard artist | |
| Holly Forsyth | .... | storyboard artist | |
| Michael Gorospe | .... | background supervisor | |
| Chris Hubbard | .... | storyboard artist | |
| Dana Landsberg | .... | characters designer | |
| Steve Lumley | .... | workbook supervisor (as Stephen Lumley) | |
| Tron Mai | .... | storyboard artist | |
| Armen Melkonian | .... | workbook artist | |
| David Prince | .... | storyboard artist | |
| Donald Reich | .... | workbook artist | |
| Tom Shannon | .... | workbook artist | |
| Ray Shenusay | .... | storyboard artist | |
| Robert Souza | .... | storyboard artist | |
| Colette Van Mierlo | .... | location designer | |
| Marty Warner | .... | prop designer | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| John T. Cucci | .... | foley artist | |
| Mark D. Fleming | .... | sound re-recording mixer | |
| Ryan Heiferman | .... | dialogue recordist | |
| Nancy MacLeod | .... | foley editor | |
| Donald J. Malouf | .... | supervising sound editor | |
| Dan O'Connell | .... | foley artist | |
Visual Effects by | |||
| William Allen Blyth | .... | animator | |
| Noe Garcia | .... | animator | |
| Dan Lund | .... | effects designer | |
| David 'Joey' Mildenberger | .... | animation supervisor | |
| Mark Myer | .... | animator | |
| Amanda Normington | .... | effects assistant (as Amanda J. Talbot) | |
| Masa Oshiro | .... | animator | |
| Marvin Petilla | .... | effects director | |
| Philip Pignotti | .... | animator | |
| Van Shirvanian | .... | effects assistant | |
| Phillip Vigil | .... | animator | |
Animation Department | |||
| Carol Berke | .... | digital ink & paint | |
| Jamie Kezlarian Bolio | .... | character design cleanup | |
| Brook Bonus | .... | animator | |
| Omar Cinco | .... | animator | |
| Dan Haskett | .... | character designer | |
| Cynthia Javier | .... | animator | |
| Chris Keene | .... | cg modeler | |
| Dana Landsberg | .... | character designer | |
| Christina Long | .... | color stylist | |
| Gabriel Mase | .... | animator | |
| Armen Melkonian | .... | layout artist | |
| Jenny North | .... | supervising color stylist | |
| Scott T. Petersen | .... | animator | |
| Donna Prince | .... | background artist | |
| Eugene Salandra | .... | character designer | |
| Steven K. Thompson | .... | character designer | |
| Noel Villano | .... | animator | |
| Andreas Wessel-Therhorn | .... | animation co-supervisor | |
| Theresa Wiseman | .... | timing director | |
Casting Department | |||
| Jason Henkel | .... | manager of talent casting | |
| Benjamin G. Malbrough | .... | casting assistant | |
| Jamie Thomason | .... | voice casting | |
| Ned Lott | .... | additional casting (uncredited) | |
Editorial Department | |||
| John Currin | .... | assistant editor | |
| Karen Hathaway | .... | second editor | |
| Timothy Vila | .... | assistant editor (as Tim Vila) | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| Kevin Babuder | .... | orchestrator | |
| Dominick Certo | .... | music editor | |
| Rossano Galante | .... | orchestrator | |
| Steven Gizicki | .... | music supervisor | |
| Kevin Globerman | .... | digital score recordist | |
| Greg Hayes | .... | assistant music engineer | |
| Andy Kay | .... | assistant to composer | |
| Andrew Kinney | .... | orchestrator | |
| Matthew Margeson | .... | additional music arranger | |
| Matthew Margeson | .... | composer: additional music | |
| Dana Niu | .... | supervising orchestrator | |
| Jason Poss | .... | music transcription | |
| Peter Rotter | .... | music contractor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Brad Warnaar | .... | orchestrator | |
| Nathan Whitehead | .... | assistant to composer | |
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| The Little Mermaid II: Return to the Sea | Pooh's Heffalump Movie | Charlotte's Web 2: Wilbur's Great Adventure | Buster & Chauncey's Silent Night | Brother Bear 2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
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This movie was remarkably refreshing and entertaining. The overall appearance of the film was pleasant. I really enjoyed the character design and animation; the film was very true to the original designs portrayed in the first Little Mermaid, and included just enough of modern 3d animation techniques to give additional depth to the 2d creations without spoiling its 2d nature. The story had a solid plot that supported other Little Mermaid films, as well as giving the viewer a touching glimpse of Ariel's mother and a deeper understanding of King Triton's character. The songs, while not as moving or masterful as Menken and Ashman's work on the first Little Mermaid film, were decent and fit in well with the overall theme of the movie. The movie flowed easily between the musical numbers and non-musical moments.
This is definitely one of those "Movie #3"s that rises well above the awful direction (plot, character, music, etc) that most sequels seem to follow.