Brook Durham (writer)
Kevin Leeson (additional writing)
12 April 2008 (USA) more
Homer blinded himself to avoid seeing this. more (8 total)
| Arnold Vosloo | ... | Odysseus | |
| rest of cast listed alphabetically: | |||
| Mike Antonakos | ... | Christos | |
| Steve Bacic | ... | Eurylochus | |
| JR Bourne | ... | Perimedes | |
| Randal Edwards | ... | Homer | |
| Leah Gibson | ... | Penelope | |
| Sonya Salomaa | ... | Athena | |
| Jeff Sanca | ... | Crewman #3 | |
| Stefanie von Pfetten | ... | Persephone | |
Directed by | |||
| Terry Ingram | |||
Writing credits(in alphabetical order) | ||
| Brook Durham | writer | |
| Kevin Leeson | additional writing | |
Original Music by | |||
| Michael Richard Plowman | |||
Cinematography by | |||
| C. Kim Miles | (director of photography) | ||
Film Editing by | |||
| Gordon Williams | |||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| James Hazell | |||
Costume Design by | |||
| Beverley Wowchuk | |||
Makeup Department | |||
| Jill Corp | .... | key hair stylist | |
| Michelle Grady | .... | makeup effects supervisor | |
| Ryan Nicholson | .... | prosthetic effects designer | |
| Amy Van Wormer | .... | key makeup artist | |
Production Management | |||
| Todd Giroux | .... | post-production manager | |
| Jamie Goehring | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dan Johnston | .... | third assistant director | |
| Kevin Leeson | .... | second assistant director | |
| Kevin Leslie | .... | first assistant director | |
| Brandon Williams | .... | trainee assistant director | |
Art Department | |||
| Jean Brophey | .... | on-set dresser | |
| Bob Carson | .... | lead dresser | |
| Venelin Dinkov | .... | creature conceptual artist | |
| Gail Luining | .... | key decorator | |
| Rowena O'Connor | .... | on-set props | |
| Kim T. Searow | .... | assistant set decorator | |
| Donna Smith | .... | property master | |
| Tamara Susik | .... | assistant property master | |
Sound Department | |||
| Hennie Britton | .... | foley engineer | |
| Derick Cobden | .... | sound supervisor | |
| Judah Getz | .... | adr mixer | |
| Matthew Gionet | .... | sound supervisor | |
| Nacime Goian | .... | sound assistant | |
| Michael Keeping | .... | foley artist | |
| Mario Loubert | .... | sound effects editor | |
| Chris Ove | .... | dialogue editor | |
| Tony Poulsen | .... | boom operator | |
| Vince Renaud | .... | sound re-recording mixer | |
| Jo Rossi | .... | sound re-recording mixer | |
| James Schoening | .... | sound mixer | |
Special Effects by | |||
| David Barkes | .... | special effects coordinator | |
| Colin Decker | .... | special effects assistant | |
| Joel McGowan | .... | special effects first assistant | |
Visual Effects by | |||
| Fredrik Averpil | .... | visual effects supervisor | |
| Ian Cumming | .... | character modeller | |
| Ian Cumming | .... | visual effects supervisor | |
| Scott Dewis | .... | visual effects producer | |
| Lee Gabel | .... | matchmove artist | |
| Jason Hollefreund | .... | modeler | |
| Armen V. Kevorkian | .... | visual effects consultant | |
| Mathias Larserud | .... | digital effects artist | |
| Linus Lindbalk | .... | matte painter | |
| Jacob Svensson | .... | visual effects | |
| Mike Uguccioni | .... | digital compositor | |
| Sean Wheelan | .... | visual effects producer | |
Stunts | |||
| Kirk Caouette | .... | assistant fight choreographer | |
| Jon Kralt | .... | stunt double: JR Bourne | |
| Steven McMichael | .... | fight choreographer | |
| Steven McMichael | .... | stunt coordinator | |
| Vasilescu Valentin | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ed Araquel | .... | still photographer | |
| John Brown | .... | lamp operator | |
| Adam Bunz | .... | best boy grip | |
| Emily Cooper | .... | still photographer | |
| Virgile Dean | .... | rigging grip | |
| Mark Lunn | .... | assistant camera | |
| Riley Pearcy | .... | best boy electric | |
| Craig Powell | .... | camera operator: "a" camera | |
Casting Department | |||
| Eddie Jaszek | .... | casting assistant | |
| Judy Lee | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Jessica Judd | .... | costume set supervisor | |
| Heather Osborne | .... | truck costumer | |
| Ute Porath | .... | leather cutter | |
Editorial Department | |||
| Shelby Gilraine | .... | post-production coordinator | |
| Jason Koroluk | .... | on-line editor | |
| Adam Locke-Norton | .... | assembly editor | |
| Adam Locke-Norton | .... | first assistant editor | |
| Lorne Miess | .... | finishing colorist | |
| Gary Porter | .... | post-production coordinator | |
| Randy Rudland | .... | assistant editor | |
Transportation Department | |||
| Derrick Rodger | .... | driver: cast | |
Other crew | |||
| Trevor Broad | .... | key production assistant | |
| Daniel Froidevuax | .... | production assistant | |
| Adam Gowland | .... | production coordinator | |
| Terry Hayes | .... | location manager | |
| Maria Kozak | .... | production assistant | |
| Annie-Claude Langlois | .... | assistant production coordinator | |
| Paola Lopez | .... | assistant: producer | |
| Christina Ollson | .... | production assistant: prep | |
| Lisa Rerrie | .... | script supervisor | |
| Keith Shaw | .... | story editor | |
| Scooby Vincent | .... | assistant location manager | |
Odysseus: Voyage to the Underworld (USA)
more
88 min
1.78 : 1 more
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| Riddles of the Sphinx | X-Men: The Last Stand | The Wind in the Willows | Push | Affinity |
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I didn't think SciFi Channel could broadcast a worse myth-&-monster movie than MINOTAUR. I was wrong.
It's okay to make a movie on the cheap; not everyone has access to a big budget, and amazing things can be done with a little imagination and talent. But there's very little of those commodities here. Acting is at a high school level. Direction is worse. Dialogue is trite. Scenes lurch from one dull monster attack to another, with occasional babe (er, goddess) interludes to break the monotony. The goddesses look and sound as it they're reading cue cards at a second-rate beauty contest.
Why must the makers of such movies mess with Greek myth, about which they clearly know (and care) nothing? Here, Homer the tale-teller appears as part of Odysseus's crew. That's an okay idea. Except this Homer (played by the worst actor of the lot, which is saying something) scribbles notes (with a feather quill!) and fawns over the heroes like an embedded reporter in Iraq. Legend tells us that Homer was blind, and recited his stories from memory. There is great power in that idea, a hearkening back to a prehistoric, preliterate age of traveling bards and oral tradition.
A magical movie could be made about Odysseus, and Homer, but this is not it.