| Photos (see all 3 | slideshow) |
Directed by | |||
| Gary Rydstrom | |||
Writing credits | ||
| Gary Rydstrom | (written by) | |
Produced by | |||
| Katherine Sarafian | .... | producer | |
| Osnat Shurer | .... | executive producer | |
Original Music by | |||
| Michael Giacchino | |||
Film Editing by | |||
| Steve Bloom | |||
Production Design by | |||
| Mark Cordell Holmes | |||
Production Management | |||
| Paul Cichocki | .... | post-production supervisor | |
| Kim Collins | .... | production manager | |
Art Department | |||
| Daniel Arriaga | .... | production artist | |
| Jason Deamer | .... | production artist | |
| Greg Dykstra | .... | production artist | |
| Dan Lee | .... | production artist | |
| Dominique Louis | .... | production artist (as Dominique R. Louis) | |
Sound Department | |||
| Gary Rydstrom | .... | sound designer | |
Visual Effects by | |||
| Benjamin Andersen | .... | effects artist (as Ben Andersen) | |
| John B. Anderson | .... | effects artist (as John Anderson) | |
| Tim Best | .... | lighting supervisor | |
| Edwin Chang | .... | effects artist | |
| Amelia Chenoweth | .... | lighting artist | |
| Claudia Chung | .... | simulation artist | |
| Samuel Daffner | .... | shading artist | |
| Andrew Dayton | .... | modeling artist | |
| Sean Feeley | .... | shading artist | |
| Danielle Feinberg | .... | lighting artist | |
| Dean Foster | .... | effects artist | |
| Patrick Guenette | .... | shading artist | |
| Bryn Imagire | .... | digital painter | |
| Patrick James | .... | camera lead | |
| Steven James | .... | lighting artist | |
| Sandra Ford Karpman | .... | effects artist (as Sandra Karpman) | |
| Jeffrey Kember | .... | simulation artist (as Jeff Kember) | |
| Michael Krummhoefener | .... | modeling artist | |
| Holly Lloyd | .... | lighting artist | |
| Michael Lorenzen | .... | effects supervisor | |
| John Paine | .... | modeling artist (as Jonathan Paine) | |
| Lena Petrovic | .... | shading artist | |
| Laura Phillips | .... | digital painter | |
| Bill Polson | .... | supervising technical director | |
| Josh Qualtieri | .... | shading artist | |
| Bill Sheffler | .... | character supervisor | |
| Sonja Struben | .... | lighting artist | |
| Mark Therrell | .... | modeling artist | |
| Paul Topolos | .... | matte painter | |
Animation Department | |||
| Alan Barillaro | .... | animator | |
| Maxwell Brace IV | .... | story artist | |
| Doug Frankel | .... | animator | |
| Craig Good | .... | layout artist | |
| Steven Clay Hunter | .... | animator | |
| Patty Kihm | .... | animator | |
| Wendell Lee | .... | animator | |
| Matt Majers | .... | animator | |
| Jeff Pidgeon | .... | story artist | |
| Gini Cruz Santos | .... | supervising animator (as Gini Santos) | |
| Bob Whitehill | .... | layout artist | |
Editorial Department | |||
| Rod G. Bogart | .... | colorist (as Rod Bogart) | |
| Tim Fox | .... | assistant editor | |
| Anthony Greenberg | .... | assistant editor | |
| Joshua Hollander | .... | colorist | |
| David Lortsher | .... | colorist | |
| Chris Vallance | .... | assistant editor | |
| Robin Young | .... | colorist | |
| Katelin C. Holloway | .... | post-production assistant (uncredited) | |
Music Department | |||
| Peter Rotter | .... | orchestra contractor | |
Other crew | |||
| Jeanne Applegate | .... | production assistant | |
| Jaclyn Brodsky | .... | production assistant | |
| Alice Clendenen | .... | assistant to producers | |
| Susan Frank | .... | production assistant | |
| Mark Cordell Holmes | .... | title designer | |
| Andrew Jimenez | .... | title designer | |
| Alex Mandel | .... | production coordinator | |
| Dana Leigh Murray | .... | production coordinator (as Dana Murrray) | |
| Becky Neiman | .... | production assistant | |
| Brice Parker | .... | production coordinator | |
| Kathleen Relyea | .... | production coordinator | |
Thanks | |||
| Simon Bax | .... | special thanks | |
| Ed Catmull | .... | special thanks | |
| Mary Coleman | .... | special thanks | |
| Roger Gould | .... | special thanks | |
| Steve Jobs | .... | special thanks | |
| Sarah McArthur | .... | special thanks | |
| Kevin Reher | .... | special thanks | |
| Lois Scali | .... | special thanks | |
| Marc Sondheimer | .... | special thanks | |
| Andrew Stanton | .... | special thanks | |
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| Gerald McBoing! Boing! on Planet Moo | Earth vs. the Flying Saucers | Muppets from Space | Chicken Little | Jumpin' Jupiter |
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| News articles | IMDb Animation section | IMDb USA section |
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Remember the days when cartoons were king? When each and every movie was preceded by the latest "Tom & Jerry" or "Looney Tunes" adventure? No, me neither - I'm only 27, for God's sake - but at least Pixar remember and they are fighting almost single-handedly to resurrect the practise. Following on from "Boundin'" and the brilliant "One Man Band", their latest big screen outing gives them the perfect opportunity to showcase their talents on "Lifted", a much darker effort than their earlier shorts but still having that strong sense of slapstick running throughout.
"Lifted" opens in typically "X-Files" style - an isolated house is suddenly lit up by a flying saucer as the sleeping occupant dreams on, blissfully unaware that he is about to be abducted. Fortunately for him, the alien manning the controls has no idea which one of the thousands of switches in front of him will actually get the man into the craft. As his frustration mounts, a larger and more senior alien looks on and makes occasional notes on his clipboard like a disapproving driving instructor. No need for Mulder and Sculley on this occasion.
Given that the opening moments are genuinely dark and tense, it's something of a surprise that Pixar chose this to show before something as decidedly kiddie-friendly as "Ratatouille". However, it isn't long before the humour takes over and makes for a very amusing five minutes. Naturally, it is over-shadowed by its bigger budgeted stable-mate but "Lifted" is still an accomplished piece of work in its own right. I'm hoping that Pixar don't neglect this dying art-form as things like "Lifted" and "One Man Band" show that there is still some life left in the animated short.