| Photos (see all 13 | slideshow) | Videos (see all 7) |
| Steve Wiebe | ... | Himself (also archive footage) | |
| Billy Mitchell | ... | Himself (also archive footage) | |
| Walter Day | ... | Himself (also archive footage) | |
| rest of cast listed alphabetically: | |||
| Mark Alpiger | ... | Himself | |
| Greg Bond | ... | Himself | |
| Craig Glenday | ... | Himself | |
| Brian Kuh | ... | Himself | |
| Robert Mruczek | ... | Himself | |
| Todd Rogers | ... | Himself | |
| Steve Sanders | ... | Himself (also archive footage) | |
| Doris Self | ... | Herself | |
| Roy Shildt | ... | Himself - 'Mr. Awesome' (also archive footage) | |
| Mike Thompson | ... | Himself | |
| Derek Wiebe | ... | Himself | |
| Jillian Wiebe | ... | Herself | |
| Nicole Wiebe | ... | Herself | |
| Adam Wood | ... | Himself | |
| Steve B. Harris | ... | Himself (uncredited) | |
Directed by | |||
| Seth Gordon | |||
Produced by | |||
| Beau Bauman | .... | consulting producer | |
| Joshuah Bearman | .... | contributing producer | |
| Ed Cunningham | .... | producer | |
| Luis Lopez | .... | associate producer | |
| Ross Tuttle | .... | contributing producer | |
| J. Clay Tweel | .... | associate producer | |
Original Music by | |||
| Craig Richey | |||
Cinematography by | |||
| Seth Gordon | |||
Film Editing by | |||
| Seth Gordon | |||
Art Department | |||
| Ben Fry | .... | additional graphic artist | |
Sound Department | |||
| Nathan Smith | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Staci Bernstein | .... | camera operator | |
| Ty Clancey | .... | camera operator (as Tyler Clancey) | |
| Charlie Crapella | .... | camera operator | |
| Ed Cunningham | .... | camera operator | |
| Brett Hammond | .... | camera operator | |
| Brent Hoff | .... | camera operator | |
| Bootsy Holler | .... | camera operator | |
| Luis Lopez | .... | camera operator | |
| Ross Tuttle | .... | camera operator | |
| J. Clay Tweel | .... | camera operator | |
| Greg Whiteley | .... | camera operator | |
Editorial Department | |||
| Jim Bruce | .... | additional editor | |
| Ed Cunningham | .... | additional editor | |
| Luis Lopez | .... | additional editor | |
| Mato | .... | color timer: film | |
| Kostas Theodosiou | .... | color correction | |
| J. Clay Tweel | .... | assistant editor | |
Music Department | |||
| Kripa Jones | .... | composer: additional original score | |
| Chris Robertson | .... | music supervisor | |
| Thomas Wilson | .... | composer: additional original score | |
| Thomas Wilson | .... | music consultant | |
Other crew | |||
| Enrica Ferorelli | .... | source: still photos | |
| Christopher J. Keene | .... | legal services | |
| Paul Lavoie | .... | digital production manager | |
| George Nicholis | .... | film publicist | |
| Philip J. Strina | .... | business & legal affairs: Picturehouse | |
Thanks | |||
| Duncan Birmingham | .... | thanks (as Duncan Burmingham) | |
| Heather Bergen Holme | .... | special thanks | |
| Steven Klein | .... | thanks | |
| Joel Relampagos | .... | thanks | |
| Mary Rohlich | .... | special thanks | |
| Doris Self | .... | in memory of | |
| Monique Sorgen | .... | special thanks | |
| David Stern | .... | thanks | |
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I totally disagree with the characterization that Billy Mitchell is made the villain and Steve Weibe the heroic underdog. This film did a great job of just letting each person fill in the colors for themselves. At the end, when Billy Mitchell's finally turning hypocrisy inside out, there are a few shots inserted finally that show that the filmmakers notice what is going on, but that is the extent of it.
This is a great film. Like the film American Movie, it is a whirlwind in which the power and depth of the material is remarkable, and yet it is incredibly compelling to watch, start to finish.
Another important point is that the film is not only a great treatise on individual psychology and what our winning-obsessed culture has wrought, but a great meditation on how the various types are fostered by and then fuel their immediate relations.