Quiet City (2007)

User Rating:

6.5/10   

Director:

Aaron Katz

Writers:

Erin Fisher (writer)
Aaron Katz (writer)
(more)

Genre:

Drama

Plot:

Jamie is 21. She's from Atlanta. She's come to Brooklyn to visit her friend Samantha, but she can't find her. Jamie meets a stranger named Charlie on the subway and spends 24 hours hanging out with him.

Plot Keywords:

Mumblecore

Awards:

2 wins & 1 nomination

Cast

Erin Fisher	...	Jamie
Cris Lankenau	...	Charlie
Sarah Hellman	...	Robin
Joe Swanberg	...	Adam
Tucker Stone	...	Kyle
rest of cast listed alphabetically:
Liz Bender	...	Liz
Karrie Crouse	...	Karrie
Keegan DeWitt	...	Keegan
Daryl Nuhn	...	Daryl
Michael Tully	...	Michael
C. Mason Wells	...	Chris

Directed by
Aaron Katz

Writing credits (in alphabetical order)
Erin Fisher		writer
Aaron Katz		writer
Cris Lankenau		writer

Produced by
Brendan McFadden	....	producer
Ben Stambler	....	producer

Original Music by
Keegan DeWitt

Cinematography by
Andrew Reed

Film Editing by
Aaron Katz

Second Unit Director or Assistant Director
Brendan McFadden	....	first assistant director
Marc Ripper	....	second assistant director

Sound Department
Alex Lipschultz	....	sound recordist
Alex Lipschultz	....	sound

Camera and Electrical Department
Alex Bickel	....	assistant camera
Chad Hartigan	....	still photographer

Editorial Department
Alex Bickel	....	colorist

Thanks
Leslye Headland	....	thanks
Jesse Patch	....	thanks
Dia Sokol	....	thanks
Jay Van Hoy	....	thanks

Distributors

• Gravitas Ventures (2008) (worldwide) (TV) (VOD)
• 600 West Productions (2007) (USA) (theatrical)
• Benten Films (2008) (worldwide) (DVD)

Runtime:

USA:78 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Filming Locations:

Brooklyn, New York City, New York, USA

Quotes:

Jamie: Are you fast?
Charlie: Probably.

OK, but forgettable.

I might not be an aficionado of the "mumblecore"-genre, and this film didn't make me one either. But it did give me a minor crush on the female lead (and writer) Erin Fisher, maybe that's a good thing.

So in this film we see a cute girl from Atlanta (Erin Fisher) who visits New York, can't get hold of her friend, and then instead hangs out over 24 hours with a random slacker (Cris Lankenau) she meets at the subway station in Brooklyn.

It's cute, and you do get to feel that the boy and girl are connecting over an intense period, but it didn't really made an impression on me. Maybe it wasn't dramatic enough, maybe the realism bored me, maybe the long shots were a bit too long, or maybe it was the "American" dialogue.

What I mean by that is that they use all of these "pause words" a lot. I even spent a few minutes counting them (by opening the subtitles in Word): "like" (229 times), "you know" (28 times), "kind of" (39 times), "sort of" (22 times), "uh" or "um" (43 times), "I don't know" (22 times) and "really" (55 times).

It isn't that much dialogue in the movie, so that is a LOT of pause words, all of which are basically unnecessary for saying something. (Sarah Hellman's two-minute random monologue might have accounted for half of the "like"-quota, for instance. How ditzy is it possible to come across as?)

Even if this is how Americans actually talk, for us europeans it sounds like they have no vocabulary and are very slow thinkers who need to insert a lot of "pause words" just to get through a sentence.

"Mumblecore" might be supposed to be ultra realistic, but I am pretty sure it could benefit such movies to tighten up the script, thereby making it more interesting and transcend boring reality just a little bit.

Finally I have to make the obligatory reference to "Before Sunrise" and say that it's unfortunately much more interesting, substantial and memorable than "Quiet City", even if the two movies are a bit different in style and shape.

I realise this review will blow all my chances of ever getting to flirt with Erin Fisher (and Sarah Hellman), but it's mostly meant as a warning for people who are interested in "real" movies, and also as a message to the director Aaron Katz.

A movie like this would have been much more interesting if the dialogue was better and more meaningful, and if it just had more of a "real" movie-feel about it. Right now it seems like something anyone could improvise over two days. And that's unfortunately not a compliment.

But of course I would rather have a thousand indie-movies like these instead of the usual predictable Hollywood-crap. I only wish they could be better than this.