WALL·E (2008)

Director:

Andrew Stanton

Writers:

Andrew Stanton (original story) &
Pete Docter (original story) ...

Release Date:

27 June 2008 (USA)

Genre:

Animation | Adventure | Family | Romance | Sci-Fi

Tagline:

An Adventure Beyond the Ordinar-E

Plot:

In the distant future, a small waste collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

Plot Keywords:

Robot | Plant | Future | Rescue | Cockroach

Awards:

Won Oscar. Another 44 wins & 38 nominations

Cast

Ben Burtt	...	WALL·E / M-O (voice)
Elissa Knight	...	EVE (voice)
Jeff Garlin	...	Captain McCrea (voice)
Fred Willard	...	Shelby Forthright - BnL CEO
MacInTalk	...	AUTO (voice)
John Ratzenberger	...	John (voice)
Kathy Najimy	...	Mary (voice)
Sigourney Weaver	...	Ship's Computer (voice)
rest of cast listed alphabetically:
Kim Kopf	...	Hoverchair Mother (voice)

Also Known As:

WALL-E (USA) (alternative spelling)

Runtime:

98 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS-ES | SDDS | Dolby Digital EX

Certification:

Ireland:G | Australia:G | UK:U | Netherlands:AL | Brazil:Livre | South Africa:A | Canada:G | Iceland:L | Singapore:G | Malaysia:U | USA:G (certificate #44354) | Finland:K-3 | South Korea:All | Hong Kong:I | New Zealand:G | Argentina:Atp | Peru:PT | Sweden:Btl | France:U | Switzerland:0 (canton of Geneva) | Switzerland:0 (canton of Vaud) | Mexico:AA | Denmark:7 | Norway:7 | Portugal:M/6 | Philippines:G (MTRCB) | Germany:o.Al. | Czech Republic:U

Company:

Pixar Animation Studios

Trivia:

Famed cinematographer Roger Deakins was brought on to consult on the film's highly sophisticated lighting schemes. Much of the film's first half bears an atmospheric, sepia-hued look that characterizes much of Deakins' film work.

Goofs:

Continuity: EVE's facial dirt markings disappear and re-appear. EVE gets several dirty markings on her otherwise pristine white exterior while in the garbage hold. A long dark stain runs down the right side (her left) of her "eye screen". When she flies WALL-E and M-O out of the garbage hold into the corridor, and is photographed aiming her weapon at the steward robot, and in shot when locking the steward away, the marking is clearly gone. Immediately after, as she is flying down the corridor, followed by a growing group of faulty robots, the mark reappears. During the battle with the large contingent of steward robots, in the beginning when she shoots a steward, the mark is gone, but as she shields herself when the 'massage' robot is let loose, the mark reappears.

Quotes:

[first lines]
Voice in commercial: Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.

Movie Connections:

References Idiocracy (2006)

Soundtrack:

It Only Takes a Moment

One of the greatest achievements in cinematic history.

WALL-E, Pixar's latest film, is about a robot named WALL-E (or 'Waste Allocation Load Lifter, Earth-Class'), who is the only thing left on earth with some sort of emotion. He meets another robot named EVE, and the trip begins.

It's hard to describe in words how incredible I personally find this film.

The animation is flawless. Absolutely flawless. Especially on earth and the robots. It looks real. Much of the time it's impossible to tell whether or not it is real. The few slightly-shaky styled shots that appear a few times in the film only makes the animation that much more amazing and realistic. The humans are really good, too, while not realistic in the sense of you seeing it right now in real life, but they do have a realistic feel to them. The thing with the humans, I believe, is that they were purposefully meant to have this slightly rounded, slightly unrealistic feeling.

I believe the reason is to take a satirical look at humans, and what our goals for a future, perfect utopia, is. It questions what we want, and shows you what is a very, very likely outcome of our desires for a 'better' world, showing both positive and negative effects. The animation for the humans, I believe, was made rounded and slightly more cartoonish to emphasize that that is how we will become. Fat, lazy, yet so perfect. At times, especially with that perspective on the humans, they actually do look very real.

The story is brilliant. There are many little things in the film that have so much meaning to them. There are things that will be nostalgic to older viewers, and things that younger viewers will love to look at. However, it does steer for the cheesy, cliché aspects of a child's film, yet still remaining a completely G-rated film.

I don't call this a child's film at all. Not because it has adult material, because it doesn't. I say this because the film is perfect for everyone. Literally, everyone. There are things in it every person can enjoy, no matter who they are. It has obvious homages to Stanley Kubrick's "2001: A Space Odyssey", and any adult who remembers seeing that film will notice this.

WALL-E is such a lovable character. I've never felt so much emotion for one character. He will definitely go down in history as iconic as Darth Vader, or Indiana Jones. I was so close to crying at pivotal parts in the film, and although I didn't fully break out and cry, I have never felt so much emotion in my heart with any other film as I did with this one.

EVE is very fun and interesting. One scene in particular, with her, was so beautiful, that my eyes got teary. Her chemistry with WALL-E is so oddly perfect. They are so different in appearance and personality, yet they work so well together.

The other robots are all lovable, except for the "enemy" robots, who still add much depth to the film. In particular, M-O was the cutest, obviously not counting WALL-E.

Pixar has always made great animation films. But this, without a doubt, tops all of their own film, and most other films. It restores faith in the animation films. It captures the magic and wonder as past Disney films, which is something I have not seen in most modern animation films.

I would not be surprised at all if this won for best picture of the year. It deserves it more than anything.

This is one of greatest achievements in cinematic history, and I encourage everyone to see this.

10/10