| Photos (see all 2 | slideshow) | Videos (see all 11) |
| Tilda Swinton | ... | Julia | |
| Saul Rubinek | ... | Mitch | |
| Kate del Castillo | ... | Elena | |
| Aidan Gould | ... | Tom | |
| Jude Ciccolella | ... | Nick | |
| Bruno Bichir | ... | Diego | |
| Horacio Garcia Rojas | ... | Santos | |
| Mauricio Moreno | ... | José | |
| Gastón Manuel Peterson | ... | Miguel (as Gastón Peterson) | |
| Kevin Kilner | ... | Johnny | |
| John Bellucci | ... | Phillip | |
| Ezra Buzzington | ... | George | |
| Roger Cudney | ... | Frank | |
| Eugene Byrd | ... | Leon | |
| Sandro Kopp | ... | Marcus | |
| M.J. Karmi | ... | AA Woman (as MJ Karmi) | |
| Carl Dillard | ... | Henry AA (as Carl Dudley Dillard) | |
| Ken Davitian | ... | Taxi Driver | |
| Hiep Thi Le | ... | Kitty | |
| Jim Leske | ... | Motel Clerk | |
| Muriel Ricard | ... | Journalist | |
| Tania Verafield | ... | Cleaning Lady | |
| Atzinga | ... | Carmen | |
| Nadiedka | ... | Carena | |
| Mariana Elías | ... | Raphaella | |
| rest of cast listed alphabetically: | |||
| Robert Amico | ... | Detective (uncredited) | |
| Sally Berman | ... | Woman by Car (uncredited) | |
| Joe Cucuiat | ... | Undercover Agent #2 (uncredited) | |
| Dave Gist | ... | Fat Train Station Guy (uncredited) | |
| Priscilla Leona Horne | ... | Woman In Station (uncredited) | |
| Jake Koenig | ... | Bartender (uncredited) | |
| Camille Natta | ... | Karen (uncredited) | |
| Neko Parham | ... | Ejay (uncredited) | |
| Tom Poole | ... | Detective (uncredited) | |
| Ian Ray | ... | Undercover Agent #1 (uncredited) | |
| Marshal Silverman | ... | Commuter (uncredited) | |
| Ursula Tania | ... | Cooker (uncredited) | |
Directed by | |||
| Erick Zonca | |||
Writing credits(in alphabetical order) | ||
| Roger Bohbot | adaptation | |
| Michael Collins | adaptation | |
| Aude Py | written by | |
| Erick Zonca | written by | |
Cinematography by | |||
| Yorick Le Saux | (director of photography) | ||
Film Editing by | |||
| Philippe Kotlarski | |||
Casting by | |||
| Heidi Levitt | |||
| Manuel Teil | |||
Production Design by | |||
| François-Renaud Labarthe | |||
Art Direction by | |||
| Carlos Y. Jaques | (as Carlos Jacques) | ||
Set Decoration by | |||
| Luis Figueroa | |||
Costume Design by | |||
| April Napier | |||
Makeup Department | |||
| Tamami Ito | .... | key hair stylist | |
| Sandra Miguell | .... | key makeup artist (as Sandra Miguelli) | |
| Mariana Miranda | .... | makeup assistant | |
| Roz Music | .... | makeup artist: Los Angeles | |
Production Management | |||
| Horacio Rodríguez | .... | unit manager | |
| Juan Uruchurtu | .... | production manager | |
| Linda Warrilow | .... | production supervisor: Los Angeles | |
Second Unit Director or Assistant Director | |||
| Stephanie Beauchef | .... | second second assistant director | |
| Álvaro Curiel | .... | first assistant director | |
| Juliana Fanjul | .... | second assistant director | |
| Jeff Fuller | .... | first assistant director: Los Angeles (as Jeff 'Bones' Fuller) | |
| Wendy Geary | .... | second second assistant director: Los Angeles | |
| Shelly Heyward | .... | second assistant director: Los Angeles | |
| Camille Natta | .... | collaborating director | |
| Jorge Eduardo Ramírez | .... | first assistant director: additional shoot Tijuana (uncredited) | |
Art Department | |||
| Michael Keith Aleshire | .... | set dresser: Los Angeles (as Keith Aleshire) | |
| Daniel Alvarado | .... | carpenter (as Daniel Alvárado) | |
| Victor Bernal | .... | carpenter | |
| Martín Bolaños | .... | property master assistant (as Martin Bolanos) | |
| Jorge Borja | .... | set decoration assistant | |
| Tom Bry | .... | on-set dresser: Los Angeles | |
| Octavio Caballero | .... | swing | |
| Mario Camacho | .... | painter | |
| Arnulfo Castillo | .... | carpenter | |
| Ricardo Chavez | .... | head carpenter (as Ricardo Chávez) | |
| Gabriel Cortés | .... | construction coordinator | |
| Gilberto Cortes | .... | property master (as Gilberto Cortés) | |
| Javier Cortes | .... | buyer (as Javier Cortés) | |
| Samuel Daza | .... | construction coordinator | |
| Roger Dertinger | .... | property master: Los Angeles | |
| Oswaldo Diaz | .... | blacksmith | |
| Luis Escobar | .... | carpenter (as Luís Escobar) | |
| Marco A. Esquivel | .... | carpenter | |
| Adalberto Flores | .... | swing | |
| Bernado Flores | .... | swing | |
| Aarón García | .... | painter | |
| Adán García | .... | lead painter (as Adan Garcia) | |
| Héctor Velazco Guzmán | .... | painter (as Héctor Velasco) | |
| Ricardo Holguin | .... | swing | |
| Sandra Jalife | .... | trainee | |
| Naolín Jiménez | .... | assistant set dresser (as Naolin Jiménez) | |
| Ignacio Jiménez Trejo | .... | carpenter (as Ignacio Jiménez) | |
| Paul Kurdys | .... | props assistant: Los Angeles | |
| Carlos Lagunas | .... | art coordinator | |
| Jorge Lechuga | .... | painter | |
| Hector Lemus | .... | swing | |
| Guy Lionel | .... | head painter (as Lionel Guy) | |
| Heráclito Lopez | .... | graphic designer | |
| Eduardo Madrigal | .... | swing | |
| Raúl Mena | .... | painter | |
| Francisco Mercado Urbina | .... | carpenter (as Francisco Mercado) | |
| Brian Nabours | .... | set dresser: Los Angeles | |
| Dorit Oberman | .... | set decorator: Los Angeles | |
| Dennis Ogle | .... | lead man: Los Angeles | |
| Abel Ortiz | .... | blacksmith | |
| Emiliano Paredes | .... | painter | |
| Gabriel Pérez | .... | construction swing | |
| Claudio Ramírez | .... | set dresser assistant | |
| Pedro Ramírez | .... | carpenter | |
| Daniela Rojas | .... | set dresser assistant | |
| Gustavo Rosas | .... | swing | |
| Renato Salcedo | .... | carpenter | |
| José Juan Sánchez | .... | painter | |
| Daniel Suarez | .... | swing | |
| Daniel Tello | .... | swing | |
| Julieta Torres | .... | painter | |
| Alonso Velasco Guzman | .... | painter (as Alonso Velasco) | |
| Mauricio Waldo | .... | on-set dresser | |
| Erik Schindler | .... | set dresser (uncredited) | |
Sound Department | |||
| Etienne Carton | .... | sound mix recordist | |
| Philippe Charbonnel | .... | sound mix recordist | |
| Damien Deville | .... | optical sound transfer | |
| Andrés Franco | .... | sync sound editor (as Andres Franco) | |
| Jean-Stephane Garbe | .... | post-synchronization recordist | |
| Thomas Gauder | .... | sound mixer | |
| Aline Gavroy | .... | post-synchronization mixer | |
| Gert Janssen | .... | sound editor | |
| Caroline Landsweerdt | .... | sound edit assistant | |
| Valérie Le Docte | .... | dialogue editor | |
| Jo Masset | .... | post-synchronization engineer: Backstage | |
| Pauline Materne | .... | foley recordist | |
| Pierre Mertens | .... | sound | |
| Michel Monier | .... | sound consultant: Dolby (as Michel Monnier) | |
| Grégory Noël | .... | boom operator (as Gregory Noel) | |
| Ingrid Simon | .... | sound edit assistant | |
| Philippe van Leer | .... | foley artist | |
| Thomas Vanthuyne | .... | sound edit assistant | |
Special Effects by | |||
| Alejandro Vázquez | .... | special effects coordinator (as Alejandro Vazquez) | |
Stunts | |||
| Arminius Arzate | .... | stunt coordinator | |
| Gary Baxley | .... | stunt consultant: Los Angeles | |
Casting Department | |||
| Lauren Fernandes | .... | casting associate: Los Angeles | |
| Barbarella Pardo | .... | casting: Tijuana (as Barbarela Pardo) | |
| Jessica Valencia | .... | assistant casting | |
| Arturo Zárate | .... | extras casting | |
| Rich King | .... | extras casting (uncredited) | |
| Mac Marshall | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| María del Carmen Delvin | .... | set costumer (as Carmen Delfín) | |
| Azalia Joylee | .... | assistant costume designer | |
| Iván Juárez García | .... | wardrobe coordinator | |
| Glenn Gregory Krah | .... | on-set costumer: Los Angeles (as Glenn Krah) | |
| Guadalupe Narváez | .... | wardrobe assistant | |
| Ana Nuñez | .... | assistant costume designer | |
| Andrew Salazar | .... | costume supervisor: Los Angeles | |
Editorial Department | |||
| Basile Belkhiri | .... | assistant editor | |
| Christophe Bousquet | .... | color grader | |
| Mike Joris | .... | video colorist | |
| Lyssia Le Gall | .... | extra assistant editor | |
| Hervé Vanderheyden | .... | video colorist (as Herve Vanderheyden) | |
Music Department | |||
| Elise Luguern | .... | music clearances | |
Other crew | |||
| Billy Acquaviva Jr. | .... | assistant production coordinator: Los Angeles | |
| George Adams | .... | additional office production assistant: Los Angeles | |
| Ana Ballesteros | .... | catering supervisor | |
| Jose Manuel Ballesteros | .... | craft service supervisor | |
| Lorri Bearbower | .... | studio teacher: Los Angeles, On Location Education | |
| Gilles Bissot | .... | title designer: Filmik | |
| Eduardo Blanco | .... | production assistant | |
| Matthew Boeka | .... | set production assistant: Los Angeles (as Matt Boeka) | |
| Christele Boucher | .... | assistant accountant (as Christel Boucher) | |
| Roberto Brondo | .... | anda delegate | |
| Miguel Cadena | .... | location assistant | |
| Adam Callan | .... | executive: 7th Floor, Los Angeles | |
| Taylor Calley | .... | set production assistant: Los Angeles | |
| Nicolás Celis | .... | production assistant (as Nicolas Celis) | |
| Diana Cignoni | .... | stand-in: Julia, Los Angeles | |
| Nate Cohen | .... | office production assistant: Los Angeles | |
| Richard Davis | .... | location manager: Los Angeles | |
| Ivan Diaz-Robledo | .... | location manager: Tijuana (as Iván Diaz Robledo) | |
| Flor Esqueda | .... | location assistant | |
| Brenda Fernández | .... | production assistant (as Brenda Fernandez) | |
| Heather Fielding | .... | studio teacher: Los Angeles, On Location Education | |
| Vincent Gadelle | .... | business affairs | |
| Andrea Gamboa | .... | assistant production office coordinator | |
| Ruben Garay | .... | location assistant | |
| Omar Garcia Guzman | .... | location assistant (as Omar Garcia) | |
| Boris Garza | .... | location assistant | |
| Carolyn Golden | .... | key set production assistant: Los Angeles (as Pacarolyn Golden) | |
| Sophie Goldman | .... | production coordinator: Bagheera | |
| Lili Gonzalez | .... | production coordinator | |
| Norka Guerrero | .... | animal trainer | |
| Miguel Gutierrez | .... | assistant location manager: Los Angeles | |
| Gabriela Herrera | .... | script supervisor | |
| Hector Ibarra | .... | location coordinator | |
| Joe Koller | .... | helicopter pilot | |
| Sandro Kopp | .... | assistant: Miss Swinton | |
| Hugo Maldonado | .... | cook: Los Angeles | |
| Isabel Martinez | .... | production accountant | |
| Victor Martinez | .... | craft service | |
| Marcos Mora | .... | craft service: Los Angeles | |
| Tamra Natisin | .... | set production assistant: Los Angeles | |
| Valentina Novati | .... | production coordinator: Bagheera | |
| Omar Pérez | .... | location assistant | |
| Mario Prian | .... | security | |
| William F. Reed | .... | office production assistant: Los Angeles | |
| Evangelina Resendiz Montalvo | .... | on-set medic (as Evangelina Reséndiz) | |
| Philippe 'Carlos' Rodriguez | .... | chef: Los Angeles | |
| Rémi Roy | .... | production chief accountant (as Remi Roy) | |
| Sarah Rubenstein | .... | accountant: Los Angeles | |
| Luis Ruiz | .... | location manager | |
| Iwona Sellers | .... | production coordinator | |
| Jesus Solis | .... | production accountant assistant | |
| Juliette Sol | .... | production assistant: Le Bureau | |
| Michele Tedlis | .... | script supervisor: Los Angeles | |
| Daniel Villarreal | .... | additional office production assistant: Los Angeles | |
| Gilles Waterkeyn | .... | production coordinator | |
| Brandon Woods | .... | set medic: Los Angeles | |
| Haydee Zarate | .... | extras assistant (as Haydeé Zarate) | |
| Jerome Zelle | .... | craft service: Los Angeles | |
| Tony Arnoux | .... | press attache (uncredited) | |
| Eric A. Knapp | .... | office intern (uncredited) | |
| Jorge Eduardo Ramírez | .... | key production assistant (uncredited) | |
| André-Paul Ricci | .... | press attache (uncredited) | |
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INTRO:
One weekend, some weeks back I went to the movies with friends intending to watch 'Into the Wild'. But as things go in groups, somebody had already seen it and before I knew it plans were laid to watch a film about a girl who got gets pregnant I protested (I hadn't even read the review on IMDb!!!) but I ended up watching it anyway the result being 'Juno' just blew me away.. the story, the acting, the dialogs and of course the soundtrack!
Once again I was to go to the cinemas this time I had no real choices - the other options were Jumper, 10000BC and Julia (I'd seen the other good flicks already). I knew from 'trusted sources' that Jumper sucked and 10000 BC didn't really meet our high standards ;) So it came down to Julia - I didn't know what to expect of this film.. THERE WAS NO REVIEW ON IMDb!!! BUT I got brave - maybe I'd learned a lesson after having ventured into the unknown with Juno or maybe it was the 50% discount at the movies this weekend.. I watched Julia!
The FILM:
When I came out of the cinema I swore to myself that this would be my first movie review on IMDb not so much for the sake of writing a review but for the fact that I'd hate to let a good film go un-noticed! And Julia is a good film, it's a very good film for it kept me glued to the screen once I got 'into' the film which happened about 20 minutes into the movie..
Tilda Swinton played an award-winner of a role as the ever-cursing Julia Harris, who makes it a habit of waking up, unaware of where she's been sleeping. You know, the ease with which she plays an alcoholic totally convinced me that she did drink all that vodka during the making of the film. And unlike her other films, the camera does not show her in that special way that highlights her lovely eyes supported by those high, rounded cheekbones. But you will still fall in love with her and you will also cut down on the alcohol and cigarettes and give up any ideas of easy ransom-money.
From the kidnapper to the kid-napped Tom played by the talented Aidan Gould starts off as a kid who is made to nap all the time, more to make it easy for Julia to manage him than to keep him from escaping. But after he has been shoved around a bit, Julia starts to learn how to handle the kid and keeps him awake a lot more, and you start to see some interaction between the two.
Julia treats Tom as a mature individual and their conversations show that the kid does have some mature ideas in his head, probably only put there by his millionaire grandfather who is also his sole guardian - but he is quite smart for his age. He also starts to display a range of emotions, more than just fear or anger. You have to see the film to realize how delicate these are. My favorite though, was the look on his face when he wakes up next to a girl one morning I wont tell you where or with whom or how, as that would be a 'spoiler' literally!
Well, these are the two main characters that really 'make' this film and around them you will find others playing short but not insignificant roles. I could go on to give you my observations of the characters and my guesses on their lifestyles and make psycho-social analyses. But those are the kind of reviews which restricted my imagination as I watched other films they didn't help me so I figure it won't be good for you either my fellow movie-lover-speculator
To sum up, the film has a simple plot that unfolds with time, there aren't any super special effects, no fancy camera-work and despite all that, it still appeals to me like many other simple films have. Normally I'd vote for a 7 on 10 for it being so smooth, but I left the cinema thinking about other probable outcomes, as I wasn't too happy about the way it ended It was certainly possible, but I still wished it hadn't happened but then I wonder how else would I have made the end to this film?? For having created this conflict in me, I'd like to give this film an 8 on 10.
And for the doubtful ones out there, reading this review to make up your minds I dedicate this, my first IMDb review to you go for it, you won't regret it!