| Photos (see all 2 | slideshow) |
| Larry The Cable Guy | ... | Tow Mater (voice) | |
| Owen Wilson | ... | Lightning McQueen (voice) | |
| Michael Wallis | ... | Sheriff (voice) | |
| Bonnie Hunt | ... | Sally Carrera (voice) | |
| Paul Newman | ... | Doc Hudson (voice) | |
| Cheech Marin | ... | Ramone (voice) | |
| Paul Dooley | ... | Sarge (voice) |
Directed by | |||
| John Lasseter | |||
| Dan Scanlon | (co-director) | ||
Writing credits | ||
| Joe Ranft | (original story) & | |
| John Lasseter | (original story) & | |
| Dan Scanlon | (original story) | |
Produced by | |||
| Darla K. Anderson | .... | executive producer | |
| Mark Nielsen | .... | producer | |
Original Music by | |||
| Bruno Coon | |||
Film Editing by | |||
| Torbin Xan Bullock | |||
Production Design by | |||
| William Cone | |||
| Bob Pauley | |||
Production Management | |||
| Paul Cichocki | .... | post-production supervisor | |
| Joshua Hollander | .... | unit production manager | |
Art Department | |||
| Neil Blevins | .... | set artist | |
| Craig Foster | .... | graphic designer | |
| Christina Garcia | .... | set artist | |
| Tia W. Kratter | .... | shading art director | |
| Dominique Louis | .... | title card designer (as Dominique R. Louis) | |
| Bud Luckey | .... | title card designer | |
| Nathaniel McLaughlin | .... | environment designer (as Nat McLaughlin) | |
| Alex Seiden | .... | set artist | |
| Suzanne Slatcher | .... | set artist | |
| Sophie Vincelette | .... | set dressing supervisor | |
Visual Effects by | |||
| Jeremy Birn | .... | lighting artist | |
| Jay Carina | .... | rendering & optimization artist | |
| Ye Won Cho | .... | lighting artist | |
| Charu Clark | .... | rendering & optimization artist | |
| Keith Cormier | .... | lighting artist | |
| Airton Dittz Jr. | .... | master lighting artist | |
| Angelique Ford | .... | rendering & optimization supervisor | |
| Dean Foster | .... | lighting artist | |
| Carl N. Frederick | .... | rendering & optimization artist (as Carl Nai Frederick) | |
| Jamie Frye | .... | digital painter | |
| Ian House | .... | lighting artist | |
| Jason Johnston | .... | effects artist | |
| Sandra Ford Karpman | .... | rendering & optimization artist (as Sandra Karpman) | |
| Mitch Kopelman | .... | master lighting artist | |
| Steve May | .... | supervising technical director | |
| Eileen O'Neill | .... | lighting artist | |
| Andrew Pienaar | .... | lighting artist | |
| Jon Reisch | .... | effects artist | |
| Michael Sparber | .... | lighting artist | |
| Ken Sullivan | .... | lighting artist | |
| Peter Sumanaseni | .... | lighting supervisor | |
| Erdem Taylan | .... | effects supervisor | |
| Paul Topolos | .... | digital painter | |
| Brad Winemiller | .... | effects artist | |
| Maria Yershova | .... | master lighting artist | |
Animation Department | |||
| Fareed Behmaram-Mosavat | .... | character artist | |
| Shawn Brennan | .... | layout artist | |
| Adam Burke | .... | animator | |
| Scott Clark | .... | supervising animator | |
| Brett Coderre | .... | animator | |
| Nancy Kato | .... | animator | |
| Jaime Landes | .... | animator | |
| Michal Makarewicz | .... | animator | |
| Steve Mason | .... | animator | |
| Jon Mead | .... | animator | |
| Billy Merritt | .... | animator | |
| Dave Mullins | .... | animator | |
| James Ford Murphy | .... | supervising animator | |
| Victor Navone | .... | animator | |
| Dan Nguyen | .... | animator | |
| Gregg Olsson | .... | layout artist | |
| Bobby Podesta | .... | supervising animator | |
| Brett Pulliam | .... | animator | |
| Steve Purcell | .... | additional character designer | |
| Roger Rose | .... | animator | |
| Mark Sanford | .... | layout artist | |
| Brett Schulz | .... | animator | |
| Bob Scott | .... | animator | |
| Doug Sheppeck | .... | animator | |
| Michael Stocker | .... | animator | |
| Colin Hayes Thompson | .... | character artist | |
| Bob Whitehill | .... | layout supervisor | |
| Anthony Ho Wong | .... | animator | |
| Ron Zorman | .... | animator | |
Editorial Department | |||
| Patrick Day Kennedy | .... | assistant editor | |
| Hoon H. Kim | .... | editorial manager | |
| David Lortsher | .... | colorist | |
| Louis Rivera | .... | colorist | |
| Jeff Wan | .... | colorist | |
| Robin Young | .... | colorist | |
| Katelin C. Holloway | .... | post-production assistant (uncredited) | |
Music Department | |||
| Joey Newman | .... | conductor | |
Other crew | |||
| Kearsley Higgins | .... | production coordinator | |
| Brad Kane | .... | production coordinator | |
| Susan E. Levin | .... | script supervisor | |
| Alex Mandel | .... | production coordinator | |
| Becky Neiman | .... | end credits designer | |
| Adrian Ochoa | .... | production coordinator | |
| Joe Ranft | .... | end credits designer | |
| Shane M. Thomas | .... | production coordinator | |
Thanks | |||
| Simon Bax | .... | special thanks | |
| Ed Catmull | .... | special thanks | |
| Steve Jobs | .... | special thanks | |
| Lois Scali | .... | special thanks | |
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| Cars | Mike's New Car | Knick Knack | The Aristo-Cat | Tin Toy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb USA section | Add this title to MyMovies |
Following on from the action in Cars, the town is all being subject to practical jokes from Mater the tow truck. When Lightening learns of the legend of the ghostlight and the fear in puts into everyone (not least Mater), he decides to get a little payback on his friend.
Every Pixar DVD contains an extra short film and, in addition to the one often screened before the film proper, it is a nice touch that I genuinely do appreciate I would like more films to include a short as part of some of their screenings just as a way of improving experience (rather than, say, 30 minutes of trying to sell me things). Generally the quality is high which will come as no surprise to anyone who understands how high the Pixar bar is set. However nobody can hit every time and for me Cars was OK but certainly nothing all that special in terms of the material. This short continues that trend and also focuses on one of the weaker characters in Mater.
The material is straightforward and pretty much comes down to a series of comic over-reactions from Mater to a light. And that's about it. For younger viewers it has enough energy and timing to provide plenty of amusement but those looking for the edge of adult wit and comedy beloved of Pixar will find themselves wanting. Overall then what we have is a colourful and amusing DVD extra that will be good enough for children but sadly offer nothing to the wider audience that I'm used to Pixar expertly catering for.