| Bill Oberst Jr. | ... | General William Tecumseh Sherman | |
| Christopher Clawson | ... | Theodore Upson (as Chris Clawson) | |
| Jared Morrison | ... | Maj. Henry Hitchcock | |
| Mike Brown | ... | Gen. Oliver O. Howard | |
| rest of cast listed alphabetically: | |||
| Allen Brenner | ... | Brig. Gen. Jefferson C. Davis | |
| Harry Bulkeley | ... | Ulysses S. Grant | |
| Guy Gane | ... | Major Rhoads | |
| Shaun C. Grenan | ... | Confederate Officer, Union Soldier | |
| Robert A. Guadagnino | ... | Soldier | |
| Lucas N. Hall | ... | 1st Lieutenant C.S.A. | |
| Russell Haynes | ... | Soldier | |
| Marc A. Hermann | ... | Sherman's bummer, US Artillerist, CS Soldier | |
| Henry Jaderlund | ... | Union Soldier | |
| Eric U. Lowman | ... | Executioner, Western Zouave | |
| Todd McCall | ... | Gen. Sherman's Staff Officer | |
| Joan Moses | ... | Dolly Burge | |
| Gavin Peretti | ... | Hanged Man | |
| Norman J. Pfizenmayer III | ... | Soldier | |
| A.J. Roberts | ... | Gen. Judson Kilpatrick | |
| Jeffrey F. Smith | ... | General Joe Johnston | |
| Tim L. Smith | ... | Union Soldier (as Timothy Smith) | |
| Keith E. Whitehead | ... | Griswoldville Soldier | |
| Brad Wyand | ... | Soldier | |
Directed by | |||
| Rick King | |||
Writing credits(in alphabetical order) | ||
| Rick King | writer | |
Produced by | |||
| Lori Gibson | .... | producer | |
| Lori Gibson | .... | supervising producer | |
| Jessica Harrington | .... | co-producer | |
| Margaret Kim | .... | executive producer: The History Channel | |
| Rick King | .... | producer | |
| William Morgan | .... | executive producer | |
| Jason Williams | .... | executive producer | |
Original Music by | |||
| Mark Adler | |||
Cinematography by | |||
| Rob Lyall | |||
Film Editing by | |||
| Mickey Green | |||
Casting by | |||
| Jessica Harrington | |||
Production Design by | |||
| Kathryn Coombs | |||
Makeup Department | |||
| Deanna Bell | .... | makeup department head | |
Production Management | |||
| Kathryn Coombs | .... | production manager | |
| Mike Luipersbeck | .... | pre-production manager | |
| Russ Richards | .... | production manager | |
Art Department | |||
| Buddy Garrett | .... | key set dresser | |
| Jeremiah Hornbaker | .... | assistant property master | |
| Linda Hughes | .... | second props | |
| R. Mark Hughes | .... | property master | |
| Ed Mantell | .... | head set dresser (as Edwin R. Mantell) | |
| Ed Mantell | .... | propmaker (as Edwin R. Mantell) | |
| Bill McIntosh | .... | props | |
| Ann Minarik | .... | art department coordinator | |
Sound Department | |||
| William Britt | .... | sound mixer | |
| Skip SoRelle | .... | sound designer | |
Special Effects by | |||
| William Bishop | .... | special effects technician | |
| Sam Edens | .... | special effects assistant | |
| Brian Merrick | .... | special effects coordinator | |
| Austin Murray | .... | special effects technician | |
Stunts | |||
| Joseph Congema | .... | stunt coordinator | |
| Tim Dillinger | .... | utility stunts | |
Casting Department | |||
| Mike Luipersbeck | .... | casting assistant | |
| Jodi Nolan | .... | extras casting coordinator | |
| Russell Richards | .... | casting: re-enactor | |
Costume and Wardrobe Department | |||
| Dana Bogdanski | .... | key set costumer | |
| Boyd Miles | .... | wardrobe supervisor | |
| Joan Moses | .... | set costumer | |
| A.J. Roberts | .... | assistant wardrobe supervisor | |
Transportation Department | |||
| Jeffrey F. Smith | .... | wardrobe transportation | |
Other crew | |||
| David Michael Brown | .... | catering coordinator | |
| Mike Brown | .... | lead wrangler | |
| Kathryn Coombs | .... | digital propmaker | |
| Kathryn Coombs | .... | historical coordinator | |
| Jay Dunn | .... | catering assistant | |
| Sam Edens | .... | craft service assistant | |
| Sarah Fales | .... | catering assistant | |
| Guy Gane | .... | assistant military coordinator | |
| Jeremiah Hornbaker | .... | armorer | |
| Samantha Iles | .... | craft services coordinator | |
| Samantha Iles | .... | set medic | |
| Tom Maracino | .... | craft services coordinator | |
| Tom Maracino | .... | location assistant | |
| Ann Minarik | .... | re-creations production coordinator | |
| Jessi Nolan | .... | production assistant | |
| Jodi Nolan | .... | re-creations office manager | |
| John Nolan | .... | wrangler | |
| Russell Richards | .... | locations key | |
| Russell Richards | .... | re-creations supervisor | |
| A.J. Roberts | .... | deputy historical coordinator | |
| Tim L. Smith | .... | locations key (as Timothy Smith) | |
| James Thompson | .... | military coordinator | |
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| Ten Days That Unexpectedly Changed America: Antietam | Christmas and the Civil War | April 1865 | Aftershock: Beyond the Civil War | Secret Missions of the Civil War |
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| Full cast and crew | External reviews | IMDb Documentary section |
| IMDb USA section | Add this title to MyMovies |
*** This comment may contain spoilers ***
This brand new documentary on The History Channel isn't bad at all, though it seems to carry with it a certain limited view of its own demographics.
It's historically accurate, at least as far as I can tell, and has reasonably good production values.
When I say that it has a limited view of its demographics, what I mean is that it is designed as if its intentions were to draw in the lowbrows and pubescent kids in the audience and have them cheering at the violence and villainy. It reads rather like a tabloid news article and begins by telling us right off the bat that William Tecumsah Sherman is still thought of in many circles as a bloodthirsty and ravenous pillager. Fortunately, by the end, the myth of Sherman's march has been corrected and that, maybe, is the most important feature of the film.
There are quite a few quotes from letters, diaries, and official records. They tend to keep the dialog stilted but thoroughly believable. The actors don't help. Whoever plays Sherman LOOKS enough like Sherman. The poor guy who plays Grant looks like he was chosen because he happened to look more like Grant than any of the other non-actors available. Under that kempt beard he seems Hollywood handsome.
Maybe I'm asking too much of the film to address itself to an adult audience. Maybe there should be a bit of the tabloid style in it. It was only a few years ago that a national survey revealed that more than half of high-school seniors couldn't place the American Civil War in its proper half century. (It was 1861 to 1865, kids. PS: the North won.) Sherman's mythos has grown glorious over the years. Every Southerner's great-great-grandfather seems to have had his barn burned by Sherman, even if he was nowhere near it. Northerners tend not to know or care about Sherman because their great-great-grandfathers lived in Lithuania at the time and their families didn't come to these shores until 1902. I'm only kidding, but I'm doing it in order to emphasize the fact that Sherman is a much more important figure in Southern folk history than he is in the North. Hitler's "popularity" will probably also outlive that of the men who won the war. For all our faith in angels, we really seem to NEED the devil.
Some tidbits are left out. After first Bull Run, says a talking head, Sherman was "unjustly accused of being crazy," whereas he sounds like a pretty good example of a bipolar to me. And Sherman didn't simply "hate the South," as the film says. He actually had many Southern friends. He was not only the "failed businessman" of the film; he'd been a professor for some years at an institution that was to become Louisiana State University.
It would be nice to believe that this program will be seen by all school kids. Maybe we can bump up the percentage who have heard of the Civil War. Adults will find it interesting as well. It's colorful, full of action, and presented in a way that doesn't make the issues difficult to grasp.