| Videos (see all 2 NEW) |
| Daniel Wu | ... | Ah Feng | |
| Ye Liu | ... | Da Gang | |
| Qi Shu | ... | Lulu (as Shu Qi) | |
| Tony Yang | ... | Xiao Hu | |
| Xiaolu Li | ... | Su Zhen (as Lulu Li) | |
| Honglei Sun | ... | Boss Hong | |
| Chen Chang | ... | Mark | |
| Jun Zhao | ... | Mei | |
| Dian Lun Zhang | ... | Xi Yan (as Zhang Dian Lun) | |
| Jie Gao | ... | Boss Chen (as Gao Jie) | |
| Yong Xin Gui | ... | Newspaper Boy (as Gui Yong Xin) | |
| Li Qiu Zhang | ... | Lulu's Maid (as Zhang Li Qiu) | |
| Ren Yuen Wu | ... | Hu's Father (as Wu Ren Yuen) | |
| Xiao Hu Ding | ... | Rickshaw Man (as Ding Xiao Hu) | |
| Xiang Hu | ... | Young Vietnamese Man (as Hu Xiang) | |
| Zheng Zheng | ... | Huang Mao | |
| Yi Heng Shao | ... | Crippled Man (as Shao Yi Heng) | |
| Zhen Ying Yao | ... | Teacher Chang (as Yao Zhen Ying) | |
| Young Fu Fan | ... | Chinese Official (as Fan Yong Fu) | |
| Zhiyong Zhang | ... | Waiter (as Zhang Zhi Yong) | |
| Jing Sun | ... | Zhu Jia Jiao Girl (as Sun Jing) | |
| Jing Ni Luo | ... | Zhu Jia Jiao Girl (as Luo Jing Ni) | |
| Yin Wen Pu | ... | Zhu Jia Jiao Girl (as Pu Yin Wen) | |
| Zhao Li | ... | Zhu Jia Jiao Girl (as Li Zhao) | |
| Wen Jia Ji | ... | Zhu Jia Jiao Girl (as Ji Wen Jia) | |
| Min Gui | ... | Zhu Jia Jiao Girl (as Gui Min) | |
| Duo Duo Qian | ... | Zhu Jia Jiao Girl (as Qian Duo Duo) | |
| Lin Ma | ... | Tsiao Hong Ying (as Ma Lin) | |
| Yi-Ching Lu | ... | Ying (as Lu Xiao Lin) | |
| Jiaolong Sun | ... | Scarface (as Sun Jiao Long) | |
| Hai Ruo Wu | ... | Club Host (as Wu Hai Ruo) | |
| Chen Yang | ... | Butterfly Wu (as Yang Chen) | |
| Yu Hua Wang | ... | Anna May Wong (as Wang Yu Hua) | |
| Jian Hua Song | ... | Boss Hong's Man (as Song Jian Hua) |
Directed by | |||
| Alexi Tan | (as Yili Chen) | ||
Writing credits | ||
| Alexi Tan | (written by) & | |
| Dan Jiang | (written by) (as Jiang Dan) & | |
| Tony Chan | (written by) | |
Produced by | |||
| Terence Chang | .... | producer | |
| Hong Tat Cheung | .... | associate producer (as Cheung Hong Dat) | |
| Chin-Wen Huang | .... | executive producer (as Huang Chin Wen) | |
| Yeh Jufeng | .... | co-producer (as Yeh Jufeng) | |
| Stephen Lam | .... | associate producer | |
| Roger Lee | .... | executive producer | |
| Jamie Luk | .... | co-producer | |
| Dai Song | .... | executive producer (as Song Dai) | |
| David Tang | .... | co-producer | |
| John Woo | .... | producer | |
| Cheri Yeung | .... | co-producer | |
Original Music by | |||
| Daniel Belardinelli | |||
Cinematography by | |||
| Michel Taburiaux | (director of photography) | ||
Film Editing by | |||
| Long Cheng | (as Cheng Long) | ||
Casting by | |||
| Li Guo Duan | (as Duan Li Guo) | ||
| Ji Wen Yao | (as Yao Ji Wen) | ||
Production Design by | |||
| Alfred Yau | (as Alfred Yau Wai Ming) | ||
Costume Design by | |||
| Timmy Yip | |||
Makeup Department | |||
| Shou Mao Chen | .... | hair assistant (as Chen Shou Mao) | |
| Xiao Li Ding | .... | hair stylist assistant (as Ding Xiao Li) | |
| Hong Gao | .... | makeup team (as Gao Hong) | |
| Xun Guo | .... | makeup artist (as Guo Xun) | |
| Gloria Lam | .... | hair stylist (as Lam Wai Lok) | |
| Chun Fei Pu | .... | makeup team (as Pu Chun Fei) | |
| Sui Keung Tse | .... | hair stylist (as Tse Shui Keung) | |
| Chang Chun Wang | .... | makeup team (as Wang Chang Chun) | |
| Wen Yu Wang | .... | hair assistant (as Wang Wen Yu) | |
| Lin Xiao | .... | makeup team (as Xiao Lin) | |
| Quian Jin Xi | .... | hair assistant (as Xie Qian Jin) | |
| Timmy Yip | .... | image designer (as Tim Yip) | |
| Bin Yuan | .... | first makeup artist (as Yuan Bin) | |
| Rong Zhang | .... | makeup team (as Zhang Rong) | |
| Gui Lan Zhong | .... | hair assistant (as Zhong Gui Lan) | |
| Zing | .... | makeup supervisor: Shu Qi | |
Production Management | |||
| Janet Chan | .... | production manager | |
| Louis Wong | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William Cheng | .... | first assistant director | |
| Lin Li | .... | third assistant director (as Li Lin) | |
| Xiang Li | .... | second assistant director (as Li Xiang) | |
| Yue Shi | .... | assistant director (as Shi Yue) | |
| Zhen Rui Wang | .... | location assistant director (as Wang Zhen Rui) | |
Art Department | |||
| Jian Yue Cha | .... | props man (as Cha Jian Yue) | |
| Zong Lin Chen | .... | props man (as Chen Zong Lin) | |
| Benny Cheung | .... | art assistant | |
| De Li Fang | .... | props man (as Fang De Li) | |
| Jian Hua Fu | .... | props man (as Fu Jiang Hua) | |
| Xiu Guo | .... | art assistant (as Guo Xiu) | |
| Zhi Yao Lin | .... | art assistant (as Lin Zhi Yao) | |
| Rui Yong Li | .... | props man (as Li Rui Yong) | |
| Yong Fa Li | .... | props master (as Li Yong Fa) | |
| Shu Kuan Mei | .... | props man (as Mei Shu Kuan) | |
| Bang Xi Shen | .... | props man (as Sheng Bang Xi) | |
| Kang Wan Tang | .... | props man (as Tang Kang Wan) | |
| Shi Hua Tang | .... | props man (as Tang Shi Hua) | |
| Chau Yee Tsang | .... | props man (as Tsang Chau Yee) | |
| Quan Wang | .... | props man (as Wang Quan) | |
| Tza-On Wong | .... | props master (as Wong Tza On) | |
| Zheng Ming Yao | .... | head property master (as Yao Zheng Ming) | |
| Yue Rong Yu | .... | props man (as Yu Yue Rong) | |
| Kai Ying Zhang | .... | art assistant (as Zhang Kai Ying) | |
| Cheng Ming Zhou | .... | props man (as Zhou Cheng Ming) | |
| Yue You Zhu | .... | props man (as Zhu Yue You) | |
Sound Department | |||
| Martin Richard Chappell | .... | supervising sound editor (as Martin Chappell) | |
| Jiajin Lu | .... | sound recordist (as Lu Jia Jin) | |
Visual Effects by | |||
| Wen Ping Chang | .... | revival (as Chang Wen Ping) | |
| Linus Cheng | .... | 2D Inferno animator | |
| Dorian Huang | .... | revival | |
Stunts | |||
| Philip Kwok | .... | action choreography | |
| Wing-Cheong Poon | .... | explosive stunts (as Poon Wing Cheong) | |
| Jacky Yeung | .... | assistant to action director | |
| Jacky Yeung | .... | stunt coordinator | |
| Wei Yuan Zhu | .... | explosive stunts (as Zhu Wei Yuan) | |
Casting Department | |||
| Yao Jun | .... | assistant to casting director | |
| Tyler Stokes | .... | assistant to casting director | |
Costume and Wardrobe Department | |||
| Sally Cheng | .... | assistant costume designer | |
| Jelly Chung | .... | assistant costume designer | |
| Huan Fang | .... | wardrobe (as Fang Huan) | |
| Mabel Kwan | .... | wardrobe master (as Mable Kwan) | |
| Ceilen Lau | .... | wardrobe | |
| Xue Qun Liu | .... | wardrobe (as Liu Xue Qun) | |
| Lin Wang | .... | costume assistant (as Wang Lin) | |
Editorial Department | |||
| Cine Chang | .... | digital intermediate coordinator | |
| Rex Chang | .... | digital intermediate coordinator | |
| Chien Ping Chen | .... | on-line editor: avid (as Chen Chien Ping) | |
| Mei Yuan Chen | .... | film timer (as Chen Mei Yuan) | |
| Monique Chen | .... | negative conforming | |
| Miao Rung Chiang | .... | negative conforming (as Chiang Miao Rung) | |
| Sze Yi Chu | .... | digital intermediate video colorist (as Chu Szu Yi) | |
| Dorian Huang | .... | digital film restoration: 2D | |
| Tony Hu | .... | digital intermediate supervisor | |
| Chang Hsien Lee | .... | on-line editor: avid (as Lee Chang Hsien) | |
| Chu Szu Yi | .... | film recording operator | |
Music Department | |||
| Marina Dubovskova | .... | orchestra contractor | |
| Bob Parsons | .... | orchestrator | |
| Sergei Skripka | .... | conductor: The Russian State Symphony | |
| Oscar Zambrano | .... | music mixer | |
Transportation Department | |||
| Guo Qiang Zhu | .... | transportation (as Zhu Guo Qiang) | |
Other crew | |||
| Jacqueline Chan | .... | corporate accountant | |
| Stephen Chan | .... | location accountant | |
| Jian Chen | .... | location assistant (as Chen Jian) | |
| Pei Chi Chen | .... | accountant (as Chen Pei Chi) | |
| Pei Chi Chen | .... | finance (as Chen Pei Chi) | |
| Sharon Chen | .... | accountant | |
| Sharon Chen | .... | finance | |
| Jessica Chuang | .... | business affairs | |
| Jessica Chuang | .... | legal affairs | |
| Nie Chunsheng | .... | assistant to director (as Nie Chun Sheng) | |
| Wei Min Du | .... | bookkeeping assistant (as Du Wei Min) | |
| Alice Ho | .... | business affairs | |
| Alice Ho | .... | legal affairs | |
| Isabella Ho | .... | marketing assistant | |
| Fanny Lee | .... | continuity | |
| Franny Lee | .... | legal affairs | |
| Peggy Lee | .... | financial manager | |
| Roger Lee | .... | financial controller | |
| Joseph Liao | .... | marketing supervisor | |
| Hua Dong Pan | .... | dance teacher (as Pan Hua Dong) | |
| Tyler Stokes | .... | assistant: Alexi Tan | |
| Yi Tang | .... | stand-in (as Tang Yi) | |
| Hua Wang | .... | office assistant (as Wang Hua) | |
| Hua Wang | .... | production assistant (as Wang Hua) | |
| Liu Lian Wang | .... | tea lady (as Wang Liu Lian) | |
| Dong Lai Wei | .... | location manager (as Wei Dong Lai) | |
| Ryan Wong | .... | making-of | |
| Ming Ying Wu | .... | financial manager | |
| Chen Yang | .... | stand-in (as Yang Chen) | |
| Liu Yang | .... | assistant to executive producer (as Yang Liu) | |
| Nikki Yang | .... | marketing assistant | |
| Zhen Ying Yao | .... | dance teacher (as Yao Zhen Ying) | |
| Garson Yu | .... | title designer: main titles (as Garson Yu at Yu + Co.) | |
| Jia Jia Zhu | .... | office assistant (as Zhu Jia Jia) | |
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| The White Countess | The Lady in Red | The Painted Veil | Zi hudie | Yao a yao yao dao waipo qiao |
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| Full cast and crew | Company credits | External reviews |
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With the 30's Shanghai as background, the film is a gangs story, a romance story, a brotherhood story and a simple story, with a theme portraying the lust for power against brotherhood piety. The narrative is unrestricted with plots generally linear albeit that it is told in flashback. The story embeds complex relations among characters with such relations & revenges constituting parallel narratives for similarity and contrast. The narrative is framed from the perspective of Feng (Daniel Wu) and supplemented with ancillary perspective from the other lead, Mark (Chen Chang). Director Alexi Tan attempts to make it moderately stylistic by use of freeze action (not freeze frame), complete silence and some other cinematographic devices (obviously Tan restrains it from being overdone). Though the movie comes with strong leads and their fine staging, the diegesis is relatively weak and shallow in portraying the evolution of the key antagonists' personalities down the plots. Nevertheless, visual motif (flicking of cigarette on a cigarette box) is repeatedly used to reinforce the use of power and the desire for such. In terms of visuals, the film comes with replete elegant costumes and settings with Mckintoshes, western hats, suits and cuffed shirts' sleeves filling the mise-en-scenes. Fine mastering of lighting and shooting angles in the presence of both diegetic and non-diegetic music delivers a moody combination of visual and acoustic amusement to the audience. The gun-pointing scenes are fairly flamboyant in mounting up tension whilst sudden fires and zigzags of characters' motions bring occasional shocks to the audience and generate uncomfortable surprises to the audience. Yet the visual-acoustic artifice is less than sufficient to redress its shortcoming in the meek, if not weak, psychological coverage of the characters. The film is another product in which substance is subordinate to style.