| Photos (see all 35 | slideshow) | Videos (see all 9) |
| Christopher Bradley | ... | Military Police (as Chris Bradley) | |
| Sarah Denning | ... | Military Police | |
| Robin Dill | ... | OGA | |
| Joshua Feinman | ... | Military Police (as Josh Feinman) | |
| Jeff L. Green | ... | Military Police (as Jeff Green) | |
| Roy Halo | ... | Detainee | |
| Cyrus King | ... | Military Intelligence | |
| Alim Kouliev | ... | OGA / Interrogator | |
| Daniel Novy | ... | Military Police | |
| Zhubin Rahbar | ... | Detainee | |
| Shaun Russell | ... | Military Police | |
| Kami Shahab | ... | Detainee | |
| Robert Dill | ... | Translator (uncredited) | |
| Merry Grissom | ... | Interrogator (uncredited) | |
| Combiz Shams | ... | Iraqi Detainee (uncredited) |
Directed by | |||
| Errol Morris | |||
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Robert Chappell | (director of photography) | ||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Andy Grieve | |||
| Steven Hathaway | |||
| Dan Mooney | |||
Production Design by | |||
| Steve Hardie | |||
Set Decoration by | |||
| John M. Kelly | |||
Costume Design by | |||
| Marina Draghici | |||
Makeup Department | |||
| Brad Look | .... | key makeup artist | |
| Donyale McRae | .... | makeup artist | |
Production Management | |||
| Ron Ames | .... | post-production supervisor | |
| Laura Lyn Anderson | .... | production supervisor (as Laura Anderson) | |
Second Unit Director or Assistant Director | |||
| Shea Varge | .... | second assistant director | |
| Julian Wall | .... | first assistant director | |
Art Department | |||
| Christopher Branan | .... | carpenter | |
| Jon Gold | .... | property master | |
| Daniel Turk | .... | construction coordinator | |
Sound Department | |||
| Jeremy Bowker | .... | sound editor | |
| Dustin Cawood | .... | assistant sound designer | |
| Lee Dichter | .... | sound re-recording mixer | |
| G. John Garrett | .... | sound mixer | |
| Pete Horner | .... | sound effects editor | |
| Pete Horner | .... | sound re-recording mixer | |
| Marc Mann | .... | midi transcriptions | |
| Darren McKenzie | .... | midi transcriptions | |
| John Nutt | .... | supervising sound editor | |
| Randy Thom | .... | sound designer | |
| Dror Gescheit | .... | sound re-recordist (uncredited) | |
Visual Effects by | |||
| Ron Ames | .... | visual effects producer | |
| Danny Braet | .... | visual effects | |
| Adam Gerstel | .... | visual effects editor | |
| Jesse Klein Seret | .... | assistant visual effects editor (as Jesse Klein) | |
| Stephen Lawes | .... | compositor | |
| Robert Legato | .... | visual effects supervisor | |
| Luke McDonald | .... | visual effects | |
| Nathaniel Park | .... | visual effects editor | |
| Richard Wardlow | .... | visual effects | |
Camera and Electrical Department | |||
| Todd Avery | .... | second assistant camera | |
| Mark J. Casey | .... | electrician | |
| Joe Christofori | .... | first assistant camera | |
| Scott D. Davis | .... | gaffer | |
| Tim Driscoll | .... | key grip | |
| Dan Hutchinson | .... | electrician | |
| John R. Kaplan | .... | grip | |
| Abby Levine | .... | digital imaging technician | |
| John Vecchio | .... | gaffer | |
Casting Department | |||
| Claire Benjamin | .... | extras casting | |
Costume and Wardrobe Department | |||
| Carrie Dacre | .... | wardrobe assistant | |
| Roseann Milano | .... | wardrobe supervisor | |
Editorial Department | |||
| Christine Carr | .... | digital intermediate producer | |
| Salvatore Catanzaro | .... | on-line editor | |
| Brad Fuller | .... | co-editor | |
| David Ian Salter | .... | co-editor (as David Salter) | |
| Karen Schmeer | .... | co-editor | |
| Jim Passon | .... | color timer (uncredited) | |
| Jorge Tanaka | .... | digital intermediate assistant (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Michael Atwell | .... | digital score recordist | |
| Steve Bartek | .... | orchestrator | |
| Marc Mann | .... | midi transcriptions | |
| Darren McKenzie | .... | midi transcriptions | |
| Tim Rodier | .... | music preparation | |
| Shie Rozow | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Edgardo Simone | .... | orchestrator | |
| Gina Zimmitti | .... | music contractor | |
Other crew | |||
| Unjoo Lee Byars | .... | title producer: Main/End Titles, Graphics | |
| Maggie Causey | .... | script supervisor | |
| Erin Henning | .... | production assistant | |
| Raymond Hernandez | .... | production assistant | |
| Daniel Izui | .... | production assistant | |
| Zach Lazar | .... | stage manager | |
| Lindy Lucas | .... | production secretary | |
| Mike Mollica | .... | production assistant | |
| Sean Robert O'Keefe | .... | production assistant | |
| Daniel Polsby | .... | assistant to director | |
| Allan Rafael | .... | set production assistant | |
| Derek Rimelspach | .... | production assistant | |
| Ellen Stafford | .... | producer: main/end titles | |
| George Whitman | .... | key set production assistant | |
| Seth Kleinberg | .... | technical producer: main and end titles and visual effects (uncredited) | |
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| Mishima: A Life in Four Chapters | Midnight Express | La battaglia di Algeri | Taxi to the Dark Side | Valentino |
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| News articles | IMDb Documentary section | IMDb USA section |
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Respectful silence from the audience throughout. Not a word spoken by anyone exiting the theatre afterwards. Standard Operating Procedure is the film no one is talking about.
Errol Morris' documentary on the abuse of detainees at Abu Ghraib prison is smart and informative. While talking head interviews with the people directly and indirectly involved provide the backbone, cinematic reconstructions of 2003s grizzly events coupled with the well known photographs taken by soldiers work successfully at pulling an emotional response from the viewer.
Though intriguing, SOP doesn't really benefit from the big screen treatment and would probably have just as much impact if viewed on TV.
Dark and depressing, shocking and enlightening: SOP is 2008's must see documentary.