Che: Part One (2008)

User Rating:

7.5/10   

Director:

Steven Soderbergh

Writers (WGA):

Peter Buchman (screenplay)
Ernesto 'Che' Guevara (memoir "Reminiscences of the Cuban Revolutionary War")

Release Date:

24 January 2009 (USA)

Genre:

Biography | Drama | History | War

Plot:

In 1956, Ernesto 'Che' Guevara (Benicio Del Toro) and a band of Castro-led Cuban exiles mobilize an army to topple the regime of dictator Fulgencio Batista.

Plot Keywords:

Fidel Castro | Che Guevara | Illiterate | Surrender | Violence

Awards:

3 wins & 8 nominations

Cast

Benicio Del Toro	...	Ernesto 'Che' Guevara
Demián Bichir	...	Fidel Castro
Santiago Cabrera	...	Camilo Cienfuegos
Vladimir Cruz	...	Ramiro Valdés Menéndez
Alfredo De Quesada	...	Israel Pardo
Jsu Garcia	...	Jorge Sotús (as Jsu García)
Kahlil Mendez	...	Leonardo Tamayo Núñez (as Kahlil Méndez)
Elvira Mínguez	...	Celia Sánchez
Andres Munar	...	Joel Iglesias Leyva (as Andrés Manuel Munar)
Julia Ormond	...	Lisa Howard
Jorge Perugorría	...	Vilo
Édgar Ramírez	...	Ciro Redondo García (as Edgar Ramírez)
Victor Rasuk	...	Rogelio Acevedo
Othello Rensoli	...	Pombo
Armando Riesco	...	Benigno

Also Known As:

The Argentine (International: English title) (alternative title) (USA) (working title)
Che - 1ère partie - L'Argentin (France)
Che, el argentino (Spain: Castilian title)

Runtime:

134 min

Country:

France | Spain | USA

Language:

English | Spanish

Color:

Black and White | Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Spain:7 | UK:15 | Brazil:14 | Argentina:13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Czech Republic:15 | Portugal:M/12 (Qualidade) | Finland:K-13 | Canada:14A (Alberta) | Canada:PG (British Columbia) | Sweden:11 | USA:Not Rated | Singapore:M18

Filming Locations:

Campeche, Mexico

Company:

Estudios Picasso

Trivia:

The scene where Che takes the cannon from his colleague (who keeps missing) and blows up the barracks with his first shot, was meant to show Che miss once then hit the target on his second attempt, but the crew were losing light so they had him get it in one.

Goofs:

Factual errors: The film leads the viewer to believe that Guevara was hired as a mercenary and a combatant. In actuality, he was hired as a medic. It wasn't until he was seen running into battles that he became a combatant.

Quotes:

Ernesto Che Guevara: [addressing the United Nations in Spanish] Executions? Yes, we have executed. We execute, and we'll continue to execute.

Movie Connections:

Referenced in "Heroes Unmasked: Isaac (#1.18)" (2007)

Soundtrack:

Basura

Rage Against the Machine

Maybe the most refreshing thing about Che, both parts, is that its director, Steven Soderbergh, didn't know anything about Ernesto "Che" Guevara before taking on the project. This is like a good few in the audience, like yours truly. I didn't know much at all about Che except that he was involved with communist uprisings and revolutions, was buddy-buddy with Castro, and died in execution-style as a guerrilla (that, and his image appears on t-shirts everywhere). What Soderbergh provides for an audience that will go to see it for what he will do with the project- and what Benicio Del-Toro does with the character- is that it's a history lesson made vibrant and urgent and passionate and, according to the director in interviews and Q & A's, honest portrayal of events.

If this means that we may not get exactly a fully rounded portrait of its titular protagonist/hero, then that's probably the only real liability that the picture has. Maybe, perhaps, rightfully so; Che wasn't a guy, at least in his prime revolutionary years, to be one that had much warmth or moments of doubt (and if he had them, they were behind closed doors and out of any record of diaries). So what we get in Part 1, the conventional "Rise" of the character in the story, is the tale of how to do a revolution right- or rather, how to take over a government by military force, and it's Che as a man who pretty quickly becomes a natural leader, a stern taskmaster and also someone who "loves" as a revolutionary must, Che says.

It's gripping film-making nevertheless, with Soderbergh commanding the narrative wonderfully between a color-filmed part-digital-part-35mm Red-camera on the 1957-1959 events in Cuba and the 1964 trip to the UN in New York filmed in grainy black and white. What we get is part documentary and part bio-pic, words straight from the guerrilla's mouth, as it were, and the events that led up to the take-over (which serves as the climax of the picture) in Santa Clara, Cuba. Some of the elements, as noted, are conventional of just a war picture: we get the young kids (16 and 14) who will do anything to fight with Guevara and his group; we get the supposed love interest, only (thankfully) muted with only one scene with small talk; and we get the moments of enthusiasm, humor, camaraderie, and unlikely bravery in the heat of battle.

But most importantly we see Benicio del-Toro take command of this role like he does seemingly often but rarely with such force. In fact, he probably elevates this Che past some possible pit-falls (this project was actually his baby, as he serves as co-producer and developed the project for years), and makes him as human as he can be, using Che's health-tic (asthma) to its fullest, and reveling in going for broke as far as gusto and revelation go. For all of Soderbergh's command of the film-making style- most of all, for me, during the climactic battle where we get to see him awesomely direct a battle sequence- del-Toro, for any scene he's in, steals the show. If for nothing else, whatever your political stance or thoughts on Che, he's worth the admission. 8.5/10