| Photos (see all 2 | slideshow) |
| Ashley Bryce | ... | Little Delilah | |
| Mark Chavez | ... | Todd | |
| Peter Fishburn | ... | Roger - Cranky Neighbor | |
| Billy Garberina | ... | Phillip Valentine | |
| Trent Haaga | ... | Luther | |
| Kenneth J. Hall | ... | Calver Weems | |
| Gunnar Hansen | ... | Porter Sandford | |
| Kristin Hansen | ... | Kelly Sandford | |
| Wendy Jay | ... | Suzette | |
| Elske McCain | ... | Erika | |
| Jaymi McNulty | ... | Brass | |
| Robert Paul Medrano | ... | Chris | |
| Harry Morris | ... | Claymore | |
| D. Ryan Mowry | ... | Cell Phone Guy | |
| Kell Niedbala | ... | Trish | |
| Devin O'Leary | ... | Walter | |
| Jeremy Owen | ... | Stew | |
| Jillian Parry | ... | Jonda | |
| Becky Santry | ... | Becky | |
| Kevin Santry | ... | Mr. Redford | |
| Kurly Tlapoyawa | ... | Swan | |
| Sarah Turner | ... | Pajamas | |
| Bob Vardeman | ... | Buck Ormsby | |
| Dave Waldron | ... | Big Sven | |
| Aaron Work | ... | Deputy Lester |
Directed by | |||
| Scott Phillips | |||
Writing credits(in alphabetical order) | ||
| Scott Phillips | writer | |
Produced by | |||
| Peter Fishburn | .... | associate producer | |
| Billy Garberina | .... | producer | |
| Matt Pizzolo | .... | marketing producer | |
| Dave Zollo | .... | executive producer | |
Original Music by | |||
| Paul Amos | |||
| Chris Couchon | |||
Film Editing by | |||
| Scott Phillips | |||
Costume Design by | |||
| Jen the Ruiner | |||
Makeup Department | |||
| Trent Haaga | .... | special makeup effects artist | |
| Sara Lehmann | .... | assistant makeup effects | |
Second Unit Director or Assistant Director | |||
| D. Ryan Mowry | .... | assistant director | |
Visual Effects by | |||
| Neil Garcia | .... | digital effects artist | |
Stunts | |||
| Kurly Tlapoyawa | .... | stunts | |
Camera and Electrical Department | |||
| Harry Morris | .... | still photographer | |
| Jeremy Owen | .... | still photographer | |
| D. Ryan Mowry | .... | behind the scenes camera (uncredited) | |
| Jeremy Owen | .... | behind the scenes camera (uncredited) | |
Editorial Department | |||
| Craig A. Butler | .... | color corrector | |
Music Department | |||
| Don Adams | .... | music supervisor | |
Other crew | |||
| Jera Askey | .... | promotions | |
| Craig Chrissinger | .... | promotions | |
| Sara Lehmann | .... | script supervisor | |
Thanks | |||
| Don Adams | .... | special thanks | |
| J.R. Bookwalter | .... | special thanks | |
| Jeff Burr | .... | special thanks | |
| Craig Hamann | .... | special thanks | |
| C. Courtney Joyner | .... | special thanks | |
| Lloyd Kaufman | .... | special thanks | |
| Linnea Quigley | .... | special thanks | |
| Eli Roth | .... | special thanks | |
| Scott Spiegel | .... | special thanks | |
| Boaz Yakin | .... | special thanks | |
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| News articles | IMDb Horror section | IMDb USA section |
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"Gimme Skelter" is the story of Charles Manson's illegitimate son who has decided to start a family of his own. Like his father, this family will thrive on murder and sex, culminating in one night of complete chaos.
This film comes to us thanks to Scott Phillips, the writer and director. While I am not familiar with his work, his resume shows that he is a veteran of independent film. Ending up with Halo 8 is the perfect home for him, as they've been distributing some of the best independent and low-budget films for years.
What will likely draw people in to this film are cult icons Trent Haaga and Gunnar Hansen, and rightfully so. Both men do fine work, as we'd expect. I was not drawn in to the movie immediately, but Gunnar's inclusion pushed my interest to a new level. It should be said, however, that these are not the only two people worth paying attention to.
There is plenty of sex and gore to be found in this film, much of it within the first few minutes. If that's what you're looking for (and I imagine it may be if you're an independent horror fan) you shouldn't be disappointed. Perky breasts and flowing crimson are available here.
My only concern with this film was it's ability to hold my interest. Now, granted, I was drinking cheap box wine and it was late into the night by the time I was watching this one... but aside from the blood and sex, there was little that held my interest. A second viewing may clear this problem up, but it's hard to say. Not the worst of the independent films -- not even close -- but could use improvement, as well.