| Photos (see all 10 | slideshow) | Videos (see all 9) |
Claude Lelouch (original scenario)
Pierre Uytterhoeven (adaptation) ...
(more)
27 June 2007 (France) more
A popular novelist researches unlikely sources to find characters for her next bestseller. full summary | add synopsis
1 nomination more
Lelouch Spans the Decades with 'Ces amours-là'
(From ioncinema. 11 June 2009)
7/7: This Week in Film 04.10 - 04.16
(From ioncinema. 10 April 2008)
You think you've guessed what's happening; you haven't more (18 total)
| Dominique Pinon | ... | Pierre Laclos / Louis | |
| Fanny Ardant | ... | Judith Ralitzer | |
| Audrey Dana | ... | Huguette | |
| Michèle Bernier | ... | Florence, la soeur | |
| Myriam Boyer | ... | La mère d'Huguette | |
| Zinedine Soualem | ... | Le commissaire | |
| Boris Ventura | ... | Alain (as Boris Ventura Diaz) | |
| Marc Rioufol | ... | Le propriétaire du vignoble | |
| Thomas Le Douarec | |||
| rest of cast listed alphabetically: | |||
| Eve Bitoun | |||
| Rebecca Blanc | |||
| Jérôme Cachon | |||
| Marie-Victoire Debré | |||
| Eric Delcourt | |||
| Cyrille Eldin | ... | Paul | |
| Arlette Gordon | ... | Herself / En personne | |
| Sarah Lelouch | |||
| Shaya Lelouch | |||
| Gilles Lemaire | ... | Le capitaine du bateau | |
| William Leymergie | ... | Le speaker radio (voice) | |
| Serge Moati | ... | Himself / En personne | |
| Fred Musa | |||
| Dominique Pellissier | |||
| Bertrand Philippot | |||
| Marine Royer | ... | Patricia | |
| Ilva Scali | |||
| Bernard Werber | ... | Himself / En personne | |
Directed by | |||
| Claude Lelouch | |||
Writing credits | ||
| Claude Lelouch | (original scenario) | |
| Pierre Uytterhoeven | (adaptation and dialogue) and | |
| Claude Lelouch | (adaptation and dialogue) | |
Produced by | |||
| Dominique Combe | .... | line producer | |
| Jean-Paul De Vidas | .... | executive producer | |
| Claude Lelouch | .... | producer | |
Original Music by | |||
| Alexandre Jaffray | (as Alex Jaffray) | ||
Cinematography by | |||
| Gérard de Battista | |||
Film Editing by | |||
| Charlotte Lecoeur | |||
| Stéphane Mazalaigue | |||
Production Design by | |||
| François Chauvaud | |||
Costume Design by | |||
| Marité Coutard | |||
Makeup Department | |||
| Lucía Bretones-Méndez | .... | key makeup artist | |
| Paul de Fisser | .... | key hair stylist | |
| Agathe Moro | .... | wigs: Fanny Ardant | |
Production Management | |||
| Stephan Arnoux | .... | assistant unit manager | |
| Rémi Bergman | .... | production manager | |
| Philippe Lenfant | .... | unit production manager | |
| Rémi Putoud | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Dominique Combe | .... | first assistant director | |
| Vania Peirani-Vignes | .... | assistant director | |
Art Department | |||
| Jean-Laurent Agrinier | .... | property master (as Jean-Laurent Agrignier) | |
| Enrique Castillo | .... | builder | |
| Jean-Luc Chauvaud | .... | first assistant art director | |
Sound Department | |||
| Pascal Chauvin | .... | sound | |
| Harald Maury | .... | sound | |
| Ulric Maury | .... | assistant sound | |
| Fred Mays | .... | post-synchronization | |
| Franck Tassel | .... | assistant foley artist | |
Visual Effects by | |||
| Elodie Glain | .... | visual effects coordinator | |
Stunts | |||
| Gilles Cappelletto | .... | stunt driver | |
| Daniel Vérité | .... | stunt coordinator | |
| Julien Vérité | .... | stunts | |
Camera and Electrical Department | |||
| Thierry Canu | .... | key grip | |
| Stéphane Degniau | .... | camera operator (as Stéphane Degnieau) | |
| Philippe de Vaucelle | .... | second assistant camera (as Philippe de Vaucelles) | |
| Roland Dondin | .... | electrician | |
| Dorothée Guermonprez | .... | trainee assistant camera | |
| Antoine Husson | .... | grip | |
| Jean Legrand | .... | first assistant camera | |
| Pascal Lombardo | .... | electrician | |
| Vania Peirani-Vignes | .... | second assistant camera (as Vanya Peirani-Vignes) | |
| Eric Robert | .... | still photographer | |
Costume and Wardrobe Department | |||
| Aïcha Abbès | .... | costumer | |
Editorial Department | |||
| Philippe Reinaudo | .... | digital intermediate technical director | |
Music Department | |||
| Cedric Denooz | .... | music re-recording mixer | |
Other crew | |||
| Marie Bonalair | .... | production administrator | |
| Anne-Simone Diep | .... | production administrator | |
| Stéphane Krausz | .... | making-of director | |
| Marion Pin | .... | script supervisor | |
| Tia Sackada | .... | production secretary (as Tia Sackda) | |
Thanks | |||
| Xavier Picard | .... | special thanks | |
Crossed Tracks (USA) (festival title)
Tracks (Canada: English title) (informal title)
more
Rated R for brief language and sexual references.
103 min
2.35 : 1 more
Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | Brazil:12 | USA:R | Canada:G (Quebec) | Canada:PG (British Columbia) | Australia:M | Mexico:B | Australia:MA (Cable TV rating)
Referenced in "Gossip Girl: New Haven Can Wait (#2.6)" (2008) more
|
|
|
|
|
| Der Fangschuß | Les égarés | Les invasions barbares | La historia oficial | Before Sunset |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
| Add this title to MyMovies |
A multifaceted story which - apart from being interesting, well filmed and well acted - keeps the spectator getting ideas about what is really happening, just to have those ideas destroyed a few minutes later. Everything is thrown in: personal stories, criminal events, the French publishing world, sex and romance in a complex and fascinating whirlpool that ensures that you'll pay close attention. Highly enjoyable film, which is and yet is not a "film noir". The main male character can be offputting, which is not surprising, considering that he might be - underline "might" - a serial killer. The female roles are very good, with Fanny Ardant in a superb performance. If you think you'd like an intriguing movie that requires you to think, don't miss it.