| Photos (see all 2 | slideshow) | Videos (see all 2) |
| Bruce Boxleitner | ... | John Sheridan | |
| Tracy Scoggins | ... | Colonel Elizabeth Lochley | |
| Peter Woodward | ... | Galen | |
| Alan Scarfe | ... | Father Cassidy | |
| Bruce Ramsay | ... | Simon Burke | |
| Teryl Rothery | ... | ISN reporter Ms. Chambers | |
| Keegan MacIntosh | ... | Prince Regent Dius Vintari | |
| Craig Veroni | ... | Guard | |
| rest of cast listed alphabetically: | |||
| Richard Biggs | ... | Stephen Franklin (archive footage) | |
| Peter Jurasik | ... | Londo Mollari (archive footage) | |
| Andreas Katsulas | ... | G'Kar (archive footage) | |
Directed by | |||
| J. Michael Straczynski | |||
| Sara Barnes | (documentaries) | ||
Writing credits | ||
| J. Michael Straczynski | (creator) | |
| J. Michael Straczynski | (written by) | |
Produced by | |||
| Sara Barnes | .... | producer | |
| Ben Brafman | .... | co-producer | |
| Douglas Netter | .... | executive producer | |
| J. Michael Straczynski | .... | executive producer | |
| Lisa Towers | .... | line producer | |
Original Music by | |||
| Christopher Franke | |||
Cinematography by | |||
| Karl Herrmann | |||
Film Editing by | |||
| Stein Myhrstad | |||
Casting by | |||
| Candice Elzinga | |||
Production Design by | |||
| Jill Scott | |||
Set Decoration by | |||
| Brian Kane | |||
Costume Design by | |||
| Beverley Wowchuk | |||
Makeup Department | |||
| Susan Boyd | .... | hair department head | |
| Francesca von Zimmermann | .... | makeup department head | |
Production Management | |||
| Lynne Bespflug | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alysse Leite-Rogers | .... | first assistant director | |
| Kate Weiss | .... | second assistant director | |
Art Department | |||
| Timothy M. Earls | .... | storyboard artist | |
| Martin Quesnel | .... | construction coordinator | |
| Dena Skalin | .... | paint coordinator | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Donald D. Brown | .... | boom operator | |
| Shane Connelly | .... | sound mixer | |
| Hugo DeLaCerda | .... | sound re-recording mixer | |
| Dario DiSanto | .... | foley editor | |
| Devan Kraushar | .... | sound designer | |
| Iain Pattison | .... | sound re-recording mixer | |
| Paul A. Sharpe | .... | sound re-recording mixer | |
Special Effects by | |||
| Darren Marcoux | .... | special effects coordinator | |
Visual Effects by | |||
| Tom Archer | .... | digital compositor | |
| Nadine Blackler | .... | digital compositor | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Pauline Burns | .... | visual effects production manager | |
| Keegan Douglas | .... | compositor | |
| Paul Hegg | .... | digital effects artist | |
| Chandra Juhasz | .... | 3D visual effects artist | |
| Andrew Karr | .... | visual effects supervisor | |
| Jeremy Kehler | .... | digital compositor | |
| Jaye Krebs | .... | digital compositor: Atmosphere VFX | |
| Thierry Latremoille | .... | 3D artist | |
| Willis Lombard | .... | visual effects coordinator | |
| Alec McClymont | .... | lead 3D artist: Atmosphere VFX | |
| Daniel Osaki | .... | lead 3D modeler: atmosphere visual effects | |
| Scott Paquin | .... | visual effects animator | |
| Fabio Passaro | .... | model maker | |
| Jose Perez | .... | visual effects artist | |
Camera and Electrical Department | |||
| John Adams | .... | gaffer | |
| Mike Arnason | .... | lamp operator | |
| Harvey Larocque | .... | camera operator | |
| Stephen J. McKnight | .... | focus puller | |
| Keith Mukai | .... | lamp operator | |
| Robert Redford | .... | generator operator | |
| Corey Robson | .... | digital imaging technician | |
| Greg Wilson | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Beverlee June Fix | .... | costume set supervisor | |
Editorial Department | |||
| Brae Norwiss | .... | assistant editor | |
Music Department | |||
| Edgar Rothermich | .... | music producer | |
| Edgar Rothermich | .... | music recordist | |
Transportation Department | |||
| Ian 'Moss' Urquhart | .... | transportation coordinator | |
Other crew | |||
| Danny Ho | .... | video coordinator | |
| Mark Tachovsky | .... | second assistant production coordinator | |
| Patricia D. Williams | .... | production accountant | |
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| Babylon 5: The Legend of the Rangers: To Live and Die in Starlight | Babylon 5: A Call to Arms | Babylon 5: In the Beginning | Babylon 5: The Gathering | Spider-Man 3 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section | Add this title to MyMovies |
***The Short Verdict***
It's definitely made on a tight budget, but if you're a fan of Babylon 5 -- whether hardcore, or simply someone who enjoyed the series-long story arc while it was on -- I think you'll enjoy this if you pick it up.
***To Elaborate***
I loved B5 for its series-long story arc, and for the breadth and depth of its storytelling (the new Battlestar Galactica wasn't first in that regard), but I don't own the DVDs and I haven't watched an episode in years. It didn't matter. This disc gives you enough right off the top to remind you of what you should know, and to get you back in the groove.
If you're completely unfamiliar with B5, you should consider buying the boxed DVD sets, and then pick this up. :-)
***The Good***
It's essentially two stories in seventy-two minutes and it shows as a labor of creative love.
Babylon 5 Creator/Writer/Director Straczynski's trademark sharp writing (and humor) are in full evidence. The acting is solid, even from lesser players. Boxleitner (Sheridan) has improved as an actor with age, in my opinion. He's subtler in many ways; less "showy".
The visual effects are beyond what I expected for this sort of Direct-To-DVD project. Very nice, and well-used. Since there are no commercial breaks (hooray!), shifts in the story are most often signalled by a quick cut to an exterior shot.
The visual effects detail is markedly better than on the original show. When I heard that this (projected) series would be using CGI green-screen for certain backdrops, I sort of cringed inwardly -- we've all seen how wrong that can go -- but, to my surprise, it was well done, particularly in the crucial aspect of "light-matching". In one setting, you can sort of notice that the background and foreground lighting don't precisely match, but for the most part, I was surprised and impressed by how well the CGI backgrounds were implemented.
For the B5 fan faithful, there are extras on this disc: "making of" segments; interviews; and even memorial spots where creator and cast reminisce about the two actors in the ensemble cast who have passed on since the series ended.
***The Not-So-Good***
Creator Straczynski has said up-front that this whole direct-to-DVD distribution model for an SF series is a big experiment/gamble. He's also said that their budget (at least, if and until this proves to be a successful distribution format) is significantly less than what a regular, network-produced SF show would get.
To their credit, you don't see any "cheapness" here. I've seen cheaper-looking shows done by the Sci-Fi network in the US, for example. As above, the CGI visual effects are first-rate -- more than I ever expected.
The major way the lesser budget shows through is in the lack of physical sets. A lot of scenes take place in corridors, or smaller rooms. The C&C (Command and Control -- i.e. the "bridge") of the Babylon 5 station is mentioned, but we never actually go there.
Given the fact that this release is a "pilot project", I can understand the creators wanting to put their finite budget where it would have maximum effect, rather than spending money on building a bunch of standing sets which might potentially never be used again, should this distribution model fail, and we see no more episodes.
If this distribution model does prove a success -- and I hope it does -- I would expect to see at least a few standing sets built. I mean, how many times can station commander Colonel Lochley have meetings in her quarters, before it all starts to seem a bit odd? Still, what the episode lacks in physical substance, they cover with good lighting, inventive camera work, and solid editing. The score is orchestral and professional.
The only other place in which the lack of budget shows through is that both stories in the episode are very character- and dialogue-centred.
If you're looking for ferocious fights, with exploding scenery, and stunt people flying everywhere, it's not in this installment. We get some brief space-based CGI "blowin' stuff up real good", but nothing with live actors in fake peril.
The two stories here are all about character, and Straczynski's sharp dialogue. In fact, the first story in the pair is positively philosophical in tone -- bringing in topics like God, the devil, heaven and hell into the mix.
The actors are universally solid, so I found both stories interesting -- but if you're the kind of viewer who loses interest unless somebody's getting punched in the face, or something's on fire, this episode probably isn't for you.
***In Conclusion***
I hope this DVD sells well enough to deem its distribution model a success -- not only so we can see more Babylon 5, with (hopefully) bigger budgets thanks to profits -- but so that it opens the door for other quality direct-to-DVD series of this type. I can't be the only one who'd like to see a little more Firefly, for example.
For that reason, I'd say buy this if you're interested. Send a tangible message that you like the distribution model, as well as the specific content, in a way that renting or pirating the DVD won't do.
Will we see more Babylon 5 this way? Time will tell -- but I certainly hope so.