| Martin Donovan | ... | Cliff Addison | |
| Julia Benson | ... | Abbey Addison (as Julia Anderson) | |
| Robin Sydney | ... | Trish | |
| Anna Galvin | ... | Dr. Loring | |
| Linda Sorenson | ... | Pam (as Linda Sorensen) | |
| Corbin Bernsen | ... | Ira | |
| Xantha Radley | ... | Abbey Thing | |
| Derek Green | ... | Reporter | |
| Norman Misura | ... | Mr. Schoening | |
| Yvonne Myers | ... | Nurse | |
| Bryan Elliot | ... | Doctor | |
| Walcott E. Morgan | ... | Orderly |
| Episode Crew |
Directed by | |||
| Rob Schmidt | |||
Writing credits(WGA) | ||
| John Esposito | (written by) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Morris Berger | .... | executive producer | |
| Steve Best | .... | associate producer | |
| Ben Browning | .... | co-producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Gabriel Monje | .... | associate producer | |
| Jernej Razen | .... | associate producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | line producer | |
Original Music by | |||
| Joey Santiago | |||
Cinematography by | |||
| Attila Szalay | (director of photography) | ||
Film Editing by | |||
| Andrew Cohen | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| Don Macaulay | |||
Art Direction by | |||
| Margot Ready | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Howard Berger | .... | special effects makeup | |
| Lyne Denomme | .... | first assistant makeup | |
| Sarah Graham | .... | on-set key makeup artist | |
| Jamie Grove | .... | on-set key makeup artist | |
| Marcy Hodel | .... | first assistant hair stylist | |
| Gregory Nicotero | .... | special effects makeup | |
| Vincenza Sharpe | .... | on-set key makeup artist | |
| Adina Shore | .... | key hair stylist | |
| Margaret Solomon | .... | key makeup | |
Second Unit Director or Assistant Director | |||
| Ania Musiatowicz | .... | second/third assistant director | |
| Ian Samoil | .... | first assistant director | |
Art Department | |||
| Andrei Andrianko | .... | assistant art director | |
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Nathalie Morin | .... | assistant set decorator (as Natalie Morin) | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Kevin Belen | .... | re-recording mixer | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | background sound editor | |
| Jacqueline Cristianini | .... | dialogue/adr supervisor | |
| Kris Fenske | .... | sound designer | |
| Devan Kraushar | .... | sound effects editor | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post-production coordinator | |
| Bill Mellow | .... | re-recording mixer | |
| Glen Noseworthy | .... | adr mixer | |
| Sebastian Salm | .... | sound mixer | |
| Paul A. Sharpe | .... | re-recording mixer (as Paul Sharpe) | |
| Shane Shemko | .... | foley artist | |
| Colin Smith | .... | boom operator | |
| Cam Wagner | .... | foley artist | |
| Matthew Wilson | .... | sound effects editor | |
Special Effects by | |||
| Randy Ball | .... | effects crew: K.N.B. EFX Group | |
| Derek Heselton | .... | best boy special effects | |
| Grady Holder | .... | effects crew: K.N.B. EFX Group | |
| Steve Katz | .... | effects crew: K.N.B. EFX Group | |
| Derek Krout | .... | effects crew: K.N.B. EFX Group (as Derek Krouse) | |
| Jim Leonard | .... | effects crew: K.N.B. EFX Group | |
| Wayne Szybunka | .... | special effects coordinator | |
| Veronica Torres | .... | effects crew: K.N.B. EFX Group | |
| A.J. Venuto | .... | effects crew: K.N.B. EFX Group | |
| John Wheaton | .... | effects crew: K.N.B. EFX Group | |
| Mike Hyrman | .... | special effects technician (uncredited) | |
| Chris Sturges | .... | special effects technician (uncredited) | |
| Attila Vaski | .... | lead/fab/asst (uncredited) | |
Visual Effects by | |||
| Christopher Ahrens | .... | cg artist | |
| Derel Babchishin | .... | cg artist (as Derek Babchishin) | |
| Matt Belbin | .... | digital effects editor (as Matthew Belbin) | |
| Sébastien Bergeron | .... | digital effects supervisor | |
| Julie Bergman | .... | cg artist | |
| Michael Goddard | .... | cg artist (as Mike Goddard) | |
| Gael Hollard | .... | digital compositor | |
| Annabelle Kent | .... | digital compositor | |
| Todd Liddiard | .... | digital compositor | |
| Lionel Lim | .... | digital compositor | |
| Adam Marisett | .... | cg artist | |
| Stephen Misek | .... | cg artist | |
| Stephen Paschke | .... | cg artist | |
| Lisa K. Sepp | .... | visual effects producer (as Lisa Sepp-Wilson) | |
| Philippe Thibault | .... | digital compositor | |
| Lee Wilson | .... | visual effects supervisor | |
| Bob Dewald | .... | digital artist (uncredited) | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sandy Cooper | .... | camera operator: "b" camera | |
| Keenan Horita | .... | best boy lighting | |
| Lane Koch | .... | first assistant camera | |
| Mike Kolafa | .... | gaffer (as Michael Kolafa) | |
| Brock Miller | .... | best boy grip | |
| Steve Sherlock | .... | key grip | |
| Richard Wilson | .... | camera operator: "a" camera | |
| Aaron Haesler | .... | second assistant camera (uncredited) | |
| Marc Nolet | .... | grip (uncredited) | |
| Pascal Jean Provost | .... | director of photography: second unit (uncredited) | |
| Jeremy Spofford | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Glenna Owen | .... | assistant costume designer | |
| Tyler Tone | .... | set costume supervisor | |
Editorial Department | |||
| Nathan Atkins | .... | assistant editor | |
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Troy Sitter | .... | post-production assistant | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | editorial coordinator | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: main title music (as Edward Shearmur) | |
Transportation Department | |||
| Louie Hausner | .... | transportation captain | |
| John Swetlikoe | .... | transportation coordinator | |
| Duane Shearer | .... | office driver (uncredited) | |
| Jovan Vujatovic | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Christine Barrie | .... | stand-in | |
| Michael Bishop | .... | key production assistant | |
| Laura Collini | .... | script supervisor (as Laura June Colini) | |
| Genessa Davis | .... | assistant production coordinator | |
| Jim Desroches | .... | production coordinator (as James Desroches) | |
| Annie Doyon | .... | assistant accountant | |
| Scott 'Big Dog' Franklin | .... | assistant location manager (as Scott Franklin) | |
| Chris Garbasauskas | .... | production assistant | |
| Cameron Grierson | .... | assistant to producer | |
| Cameron Grierson | .... | script coordinator | |
| Richter Hartig | .... | production auditor: Starz Productions (as Richter Q. Hartig) | |
| Dave Harvey | .... | assistant accountant | |
| Elissa Howarth | .... | production administration manager: Starz Productions | |
| Andrea Kaufman | .... | production coordinator: Starz Productions (as Andrea M. Kaufman) | |
| Max Lavine | .... | assistant to producers | |
| Katy Lew | .... | executive administrator | |
| Susan Nestibo | .... | location manager | |
| Ross Redhead | .... | assistant to producers | |
| Adrian Salpeter | .... | producers assistant: Lisa Richardson | |
| Stephen Tibbetts | .... | stand-in (as Stephen Tibbets) | |
| Bill Vigars | .... | unit publicist | |
| Beverly Wiens | .... | production accountant | |
| Stephanie Brown | .... | production assistant (uncredited) | |
| Nancy Heller | .... | office manager: Anthem Visual Effects (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
A man and his wife get in a horrible car accident. When the wife is left in a persistent vegetative state, the man must choose between pulling the plug and letting her live. The decision is made even harder when he realizes her ghost wants to extract revenge on him and those around him.
This comes to us from director Rob Schmidt, who made "Wrong Turn" (a film I have not seen). With only one horror film under his belt, and not a particularly notorious one at that, I was a bit reluctant to watch this episode, expecting Schmidt to be a "Master of Horror" in only the most liberal sense. My apologies to him for my underestimation. As of episode 10 in a 13 episode season, this was actually the best one yet.
The issue of the "right to die" is dealt with and covered in enough detail to be a solid plot device. However, this is only the foundation on which the story revolves. Once the horror elements show up, the film goes from "decent" to "spectacular". Great acting, great plot, great dialogue, great suspense. I was a little creeped out at times (which is good) and most of all: the gore is in extreme abundance! I read a review of this episode prior to watching it, where the reviewer said there is a strong hint of "Hellraiser" in this. Through the first part of the show, I had no idea what they were talking about. Then there is a bit later where some images do remind me of "Hellraiser 2". However, I in no way wish to say that this takes away from the film. I can see no other way to create the effect that was created, and in my opinion this looks remarkably better than "Hellraiser 2".
Some plot twists show up later on, and might invite the viewer to give the film a second look. I didn't watch it a second time, but I think the beginning would make more sense if I had (not that it's confusing). The subplot with the dental hygienist is also nice, and I found myself going back and forth about whether I disliked the main character for his relationship with her or if I felt bad for him. He's somewhat of an anti-hero to the whole story, if you will. I feel inclined to cheer for him as the protagonist, but he's completely unlovable.
While the Stuart Gordon episode may be better and I'm excited about the "Washingtonians" episode, I think I could safely bet that this is the key episode of the season and by far the saving grace of what was otherwise lackluster and routine. When legends like John Carpenter let me down (again) I get a bit worried about the genre's future, but then a fresh face like Rob Schmidt comes along and gives me hope. This one is a keeper, and please bring Schmidt back for season 3!