| Daniel Gillies | ... | Jack Miller | |
| Yoshino Kimura | ... | Yuri Saito | |
| Miho Ninagawa | ... | Naomi Saito | |
| Ryo Ishibashi | ... | Eiji Saito | |
| Tom Irvine | ... | Young Jack (as Thomas Jones) | |
| Ethan Amis | ... | Sean Miller | |
| Maki | ... | Receptionist 1 | |
| Tiffany Martin | ... | Receptionist 2 | |
| Ian Moore | ... | Harrison | |
| Gregory Pekar | ... | Jack's Assistant | |
| Katsuhiro Nagano | ... | Cab Driver |
| Episode Crew |
Directed by | |||
| Norio Tsuruta | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Kôji Suzuki | (short story) | |
| Naoya Takayama | (teleplay) and | |
| Norio Tsuruta | (teleplay) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Rie Arikawa | .... | associate producer | |
| Morris Berger | .... | executive producer | |
| Ben Browning | .... | producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Andrew Deane | .... | executive producer | |
| Shinya Egawa | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | producer | |
| John W. Hyde | .... | executive producer | |
| Nobu Iizuka | .... | producer | |
| Takeo Kodera | .... | associate producer | |
| Elizabeth Kushman | .... | associate producer | |
| Jennie Lew Tugend | .... | executive producer | |
| Yosuke Nakamura | .... | producer | |
| Jernej Razen | .... | associate producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Lauren Weissman | .... | executive producer (as Lauren C. Weissman) | |
Original Music by | |||
| Kôji Endô | (as Kozy Endo Jr.) | ||
Cinematography by | |||
| Tetsuro Sano | (director of photography) | ||
Film Editing by | |||
| Hiroshi Sunaga | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| Iwao Saitô | |||
Set Decoration by | |||
| Ryoji Matsumoto | |||
Costume Design by | |||
| Kimiko Tanahashi | |||
Makeup Department | |||
| Tomo'o Haraguchi | .... | special makeup effects supervisor | |
| Asuka Hosokura | .... | assistant hair stylist | |
| Asuka Hosokura | .... | assistant makeup artist | |
| Makoto Morita | .... | special makeup effects | |
| Hiroko Nakamura | .... | hair stylist | |
| Hiroko Nakamura | .... | makeup artist | |
| Yoko Watai | .... | nails | |
Art Department | |||
| Chihiro Ito | .... | set decorator assistant | |
| Kenjiro Kiuchi | .... | set builder | |
| Ayako Moritoki | .... | art designer | |
| Masayasu Okiyama | .... | art designer | |
| Hiromitsu Soma | .... | storyboard artist | |
| Kiyotomo Suzuki | .... | assistant set decorator | |
| Takeshi Syojima | .... | assistant set decorator | |
| Chihiro Yamashita | .... | property master | |
Sound Department | |||
| Shinpei Harakawa | .... | boom operator | |
| Masaru Okawara | .... | sound effects | |
| Akira Rizawa | .... | re-recording mixer | |
| Kenji Shibazaki | .... | sound effects (as Kennji Shibazaki) | |
| Norihito Sorimachi | .... | boom operator | |
| Yuji Tagami | .... | audio: studio operator | |
| Fusao Yuwaki | .... | sound mixer | |
Special Effects by | |||
| Nobuhiro Ekubo | .... | special props | |
| Makoto Funabashi | .... | special effects | |
| Satoshi Narumi | .... | special effects | |
| Ichiro Yasukura | .... | special effects | |
Visual Effects by | |||
| Taro 'Kougaku' Ave | .... | visual effects | |
| Mitsuaki Hashimoto | .... | visual effects | |
| Takeshi Uchida | .... | digital effects | |
| Kazuhisa Yoshizawa | .... | digital effects | |
Stunts | |||
| Kimiko Imai | .... | stunts | |
| Tomonari Nishimura | .... | stunts | |
| Yukihiro Sakate | .... | stunts | |
| Keiya Tabuchi | .... | stunt coordinator | |
| Yuji Takatsuki | .... | stunts | |
| Tsuyoshi Tsujii | .... | stunts | |
Camera and Electrical Department | |||
| Takumi Amadaira | .... | best boy electric | |
| Toshiki Fukase | .... | camera assistant | |
| Mitsunori Goto | .... | assistant underwater camera operator | |
| Takuya Ishii | .... | electrician | |
| Yurika Kadoi | .... | still photographer | |
| Hajime Kanda | .... | camera assistant | |
| Takashi Kurihara | .... | camera assistant | |
| Hiroyuki Matsudo | .... | underwater cinematographer | |
| Aguru Miyanaga | .... | electrician | |
| Toshihiko Mori | .... | electrician | |
| Kiyohiko Moriya | .... | gaffer | |
| Nobuyuki Niibe | .... | video engineer | |
| Kazuhiro Okamoto | .... | camera assistant | |
| Rikiya Ueda | .... | electrician | |
| Akira Watanabe | .... | electrician | |
| Ayako Yamamoto | .... | still photographer | |
| Kousuke Yamamoto | .... | electrician | |
Costume and Wardrobe Department | |||
| Tomoharu Hori | .... | wardrobe | |
| Ayano Ishihara | .... | wardrobe | |
| Chikage Okajima | .... | wardrobe | |
Editorial Department | |||
| Tadashi Amano | .... | video transfer | |
| Junko Fujikake | .... | film-rise editor | |
| Megumi Hashiba | .... | negative editor | |
| Osamu Iseki | .... | color grader | |
| Satoshi Kumakura | .... | film recording operator | |
| Kenji Maejima | .... | film-rise editor | |
| Shintaro Miura | .... | assistant editor | |
| Shunichi Ogura | .... | film timer | |
| Morio Takahashi | .... | film timer | |
| Yoshinari Yamzaki | .... | on-line editor (as Yoshinari Yamazaki) | |
Music Department | |||
| Jennifer Ross | .... | music supervisor | |
| Chris Fogel | .... | theme music mixer (uncredited) | |
Transportation Department | |||
| Mitsuo Furuya | .... | driver | |
| Nobuaki Hoshino | .... | driver | |
| Shigehiko Matsumura | .... | driver | |
| Tomonori Miyoshi | .... | driver | |
| Tadahisa Omokawa | .... | driver | |
| Kazuhiro Yatsushiro | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
J-Horror's career can be summed up by the audience's potential fright at being confronted by the righteously malcontent spirits attempting to breach their world for ours. However, visions of decrepit, deformed stringy-haired Asian women slowly reaching out to take our lives is no longer anything haunting because of their ubiquity in the early 2000's. Therefore, it'll have to take a memorable narrative twist, or unique emotional characterizations to be affected by their work. Neither are found in this exercise because of the director's erratic tendency to play temporal puppetmaster whenever he sees fit. The lack of faith I placed on the director's control of what is dream/what is reality led my mind astray and distracted me from the strengths of the singular setting. You get bits and pieces of the three main characters lives...but nothing sincere enough to create a lasting impression. Also, I found Ryo Ishibashi's acting to be cheap and second-rate though his character's breakdown is less involving and more two-dimensional than the other two leads. The film-making and the eerie green colors reflecting the malevolent spirit is fine...but the storytelling's too shoddy and incomplete to matter. An addition of western/genre plot reveals would have added more pleasure to this experience.