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Directed by | |||
| Suzie Templeton | |||
Writing credits | ||
| Sergei Prokofiev | (libretto) | |
| Suzie Templeton | (adaptation) | |
| Marianela Maldonado | (co-writer) | |
Cinematography by | |||
| Mikolaj Jaroszewicz | |||
Film Editing by | |||
| Tony Fish | |||
| Suzie Templeton | |||
Production Design by | |||
| Jane Morton | |||
| Marek Skrobecki | |||
Art Direction by | |||
| Paulina Majda | |||
| Katarzyna Wasiela | |||
Second Unit Director or Assistant Director | |||
| Gareth Unwin | .... | first assistant director | |
Sound Department | |||
| Petter Fladeby | .... | sound re-recording mixer | |
| Bent Erik Holm | .... | sound editor | |
| Baard H. Ingebretsen | .... | supervising sound editor | |
| Erik S. Watland | .... | foley artist | |
Visual Effects by | |||
| Kjetil Foss Birtles | .... | rotoscope artist | |
| Geoffroy Givry | .... | senior digital compositor | |
| Anette Gjertsen | .... | digital data management | |
| Tom Joelsen | .... | visual effects coordinator | |
| Yann Larochette | .... | digital compositor | |
| Morten Moen | .... | visual effects supervisor | |
| Espen Nordahl | .... | junior compositor | |
| Ivan Oliveira | .... | motion control operator | |
| Kamil Polak | .... | visual effects supervisor | |
| Ghislain Rio | .... | digital compositor | |
| Otto Thorbjørnsen | .... | visual effects editor | |
| Matt Willis-Jones | .... | colourist | |
| Artur Zicz | .... | visual effects coordinator | |
| Ronan Broudin | .... | lead compositor: STORM (uncredited) | |
| Kari Brown | .... | digital compositor (uncredited) | |
| Björn Fredriksson | .... | compositor (uncredited) | |
| Samuel Karlsson | .... | rotoscoping artist (uncredited) | |
| Morten Moen | .... | digital compositor (uncredited) | |
| Espen Schei | .... | roto artist (uncredited) | |
Animation Department | |||
| Tim Allen | .... | senior animator | |
| Magdalena Bryll | .... | additional animator | |
| Krzysztof Brzozowski | .... | senior animator | |
| Martin Clapp | .... | animator | |
| Martin Clapp | .... | previsualization artist | |
| Martin Davies | .... | animator | |
| Ruth Ducker | .... | previsualization artist | |
| Wojciech Gierlowski | .... | additional animator | |
| Jan-Erik Maas | .... | senior animator | |
| Karoly Papp | .... | senior animator | |
| Jonny Templeton | .... | additional animator | |
| Anna Wojtania | .... | animator | |
| Adam Wyrwas | .... | lead animator | |
Editorial Department | |||
| Michael Ho | .... | assistant editor (uncredited) | |
Music Department | |||
| Mark Stephenson | .... | conductor | |
Other crew | |||
| Jerome Fournier | .... | visual development artist | |
| Geoff Lindsey | .... | script editor | |
| Agata Romanowicz | .... | assistant to director | |
| Tom Truscott | .... | development artist | |
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| Gone with the Wind | Peter and the Wolf | Big Fish | Novecento | Zerkalo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb UK section | Add this title to MyMovies |
I saw this film almost by accident, and I am very grateful. Everything to the last detail is meticulously cared for. The puppets are incredibly detailed, the animation perfectly done, the lighting excellent and the acting superb. But most of all, the story... this story has a little but very meaningful twist at the end and still manages to be true to the original. Disney's Peter and the Wolf may be cute and charming, but lacks the depth of this masterpiece. Tempelton's Peter has some strong personality and penetrating eyes. Some people might find it slow, but only if they want to watch everything move at the pace of Fairly Odd Parents. I'm glad I lived to see this work and I hope many people has the opportunity and disposition to watch this.