| Photos (see all 10 | slideshow) | Videos (see all 6 NEW) |
| Béatrice Dalle | ... | La femme | |
| Alysson Paradis | ... | Sarah | |
| Nathalie Roussel | ... | Louise | |
| François-Régis Marchasson | ... | Jean-Pierre | |
| Jean-Baptiste Tabourin | ... | Matthieu | |
| Dominique Frot | ... | L'infirmière | |
| Claude Lulé | ... | Le médecin | |
| Hyam Zeytoun | ... | Policière municipale | |
| Tahar Rahim | ... | Policier municipal 1 | |
| Emmanuel Guez | ... | Policier municipal 2 | |
| Ludovic Berthillot | ... | Policier BAC | |
| Emmanuel Lanzi | ... | Policier BAC 2 | |
| Nicolas Duvauchelle | ... | Policier BAC 3 | |
| Aymen Saïdi | ... | Abdel |
Directed by | |||
| Alexandre Bustillo | |||
| Julien Maury | |||
Writing credits(in alphabetical order) | ||
| Alexandre Bustillo | writer | |
Produced by | |||
| Priscilla Bertin | .... | supervising producer | |
| Vérane Frédiani | .... | producer | |
| Rodolphe Guglielmi | .... | co-producer | |
| Frederic Ovcaric | .... | co-producer | |
| Teddy Percherancier | .... | co-producer | |
| Franck Ribière | .... | producer | |
Original Music by | |||
| François Eudes | |||
Cinematography by | |||
| Laurent Barès | |||
Film Editing by | |||
| Baxter | |||
Set Decoration by | |||
| Marc Thiébault | |||
Costume Design by | |||
| Martine Rapin | |||
Makeup Department | |||
| Frédéric Balmer | .... | special makeup effects artist | |
| Bérangère Cortaix | .... | special makeup effects artist | |
| Sabine Fevre | .... | makeup artist | |
| Nicolas Herlin | .... | special makeup effects artist | |
| Laetitia Hillion | .... | special makeup effects artist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
| Jacques-Olivier Molon | .... | makeup effects supervisor | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
| Pierre-Olivier Thevenin | .... | special makeup effects artist (as Pierre-Olivier Thévenin) | |
Production Management | |||
| Jean-François Chaintron | .... | production manager | |
| Claude Delfour | .... | unit production manager | |
| Olivier Gravenhorst | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Alexandre Billon | .... | second assistant director | |
| Léonard Guillain | .... | first assistant director | |
| Brigitte Jacquet | .... | second assistant director | |
Art Department | |||
| Dominique Jonny | .... | assistant art director | |
| Piotr Styczen | .... | props | |
Sound Department | |||
| Cédric Lionnet | .... | sound mixer | |
| Jacques Sans | .... | sound | |
| Sébastien Savine | .... | sound editor | |
Special Effects by | |||
| Olivier Afonso | .... | special effects makeup | |
| Jérémy B. Caravita | .... | special effects makeup | |
| Jacques-Olivier Molon | .... | special effects makeup | |
| Jacques-Olivier Molon | .... | special effects supervisor | |
Visual Effects by | |||
| Jimmy Christophe | .... | colorist | |
| Jessica Guglielmi | .... | digital effects supervisor | |
| Rodolphe Guglielmi | .... | visual effects supervisor | |
| Thomas Jacquet | .... | visual effects coordinator | |
| Bourdonnay Judikael | .... | visual effects supervisor | |
| Teddy Percherancier | .... | visual effects producer | |
Stunts | |||
| Emmanuel Lanzi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alexandre Léglise | .... | first assistant camera: | |
Editorial Department | |||
| Jean-Yves Guéril | .... | first assistant editor | |
| Vincent Leyour | .... | assistant editor | |
Music Department | |||
| Sébastien Savine | .... | music editor | |
Other crew | |||
| Ludivine Doazan | .... | script supervisor | |
Thanks | |||
| Thierry Chèze | .... | special thanks | |
| Sam Raimi | .... | special thanks | |
| Sandra Rudich-Viron | .... | special thanks | |
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| L'uccello dalle piume di cristallo | Halloween | La coda dello scorpione | Silent Hill | Dèmoni |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb France section | Add this title to MyMovies |
The best reassurance that the Hellraiser remake is in good hands, is actually watching Alexandre Bustillo and Julien Maury's first movie. Once the credits roll, it becomes very clear why the team behind À L'Intérieur comes with Clive Barker's seal of approval.
The signs were on the wall. If Haute Tension and Scheitan were not enough proof that France is the epicentre of euro horror right now, this one just hammers the point home effortlessly. Taking a very simple premise (pregnant woman attacked by maniac woman in her house), the same awareness of scope and budget that made Saw effective, GALLONS of blood and a European flair for atmosphere, À L'Intérieur is simultaneously emotionally draining and bruising. The story takes place inside a house and that's it. It's more like three rooms actually. Very straight-forward and simple. That's called budget-awareness Asylum. And yes, it's very short too, clocking at a measly 78 minutes (5 of which are the credits). But, frankly, it couldn't have been anymore. It was enough to leave me exhausted.
There are easily more gory or more disturbing movies out there, but I can say that À L'Intérieur left me satisfied in both departments. There's something disturbing about pregnant women in peril and combined with scissors, exploding heads, custom built flame throwers and stabbing in the balls, it's gore heaven with the occasional cringe-worthy moment.
The violence is relentless and numbing. The splatter, of the same spraying variety that made Haute Tension's first half so beautiful. A particular scene of blood spraying across a wall would make Dario Argento and fans of Tenebre proud. Although, unlike HT, there are no gimmicks and ridiculous twists here. What makes À L'Intérieur so effective by comparison is that the violence piles up and leads to a climactic finale. And the final image is haunting beyond words...
Some people might be eager to dismiss it as torture porn, a hack term often thrown around these days. It might be so. But unlike rubbish like Hostel, it's packed with atmosphere, tension and has its heart set in all the right places. In the end of the day it's a horror movie. If some people want their horror watered-down, harmless and PG-13, the big studios will have something in store for them. À L'Intérieur is for the rest of us blood-hounds.
Anyways, grab it if you can find it. It just goes to show what you can do with a relatively small budget and DV technology.