| Johnathon Schaech | ... | Mike Franks | |
| Venus Terzo | ... | Pam Franks | |
| Myron Natwick | ... | Samuel Madison III | |
| Duncan Fraser | ... | Bearded Washingtonian | |
| Julia Tortolano | ... | Amy Franks | |
| Saul Rubinek | ... | Professor Harkinson | |
| Caroline Carter | ... | Hitch Hiker | |
| Esme Lambert | ... | Nancy Arnold | |
| Abraham Jedidiah | ... | Jared Barkish | |
| Patrick Keating | ... | Minister | |
| Wendy Morrow Donaldson | ... | Chubby Waitress (as Wendy Donaldson) | |
| Nathan Clark | ... | Deputy #1 | |
| Daniel Cudmore | ... | Deputy #2 | |
| Brian Jensen | ... | George Washington | |
| Joel Wirkkunen | ... | Washingtonian #1 | |
| Chris Kalhoon | ... | Washingtonian #2 | |
| Ian Carter | ... | Washingtonian #3 | |
| Richard Stroh | ... | Van Washingtonian #1 | |
| Gardiner Millar | ... | Van Washingtonian #2 (as Gardiner Miller) | |
| Alan Legros | ... | Fat Washingtonian | |
| Chris Davis | ... | Thomas Jefferson | |
| Chi Lam | ... | Delivery Man |
| Episode Crew |
Directed by | |||
| Peter Medak | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Richard Chizmar | (teleplay) & | |
| Johnathon Schaech | (teleplay) | |
| Bentley Little | (short story) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Morris Berger | .... | executive producer | |
| Steve Best | .... | associate producer | |
| Ben Browning | .... | co-producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | line producer | |
Original Music by | |||
| Richard Band | |||
Cinematography by | |||
| Attila Szalay | (director of photography) | ||
Film Editing by | |||
| Mark L. Levine | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| Don Macaulay | |||
Art Direction by | |||
| Teresa Weston | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Howard Berger | .... | special effects makeup | |
| Lyne Denomme | .... | first assistant makeup | |
| Mike Fields | .... | on-set key makeup artist (as Michael Fields) | |
| Sarah Graham | .... | on-set key makeup artist | |
| Marcy Hodel | .... | first assistant hair stylist | |
| Debi Lelievre | .... | key makeup (as Deb Lelievre) | |
| Gregory Nicotero | .... | special effects makeup | |
| Adina Shore | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Brian Giddens | .... | first assistant director | |
| Ania Musiatowicz | .... | second assistant director | |
| Trevor Ralph | .... | first assistant director | |
Art Department | |||
| Andrei Andrianko | .... | assistant art director | |
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Nathalie Morin | .... | assistant set decorator (as Natalie Morin) | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
| Jean Brophey | .... | on-set dresser (uncredited) | |
| Doris Deutschmann | .... | graphic designer (uncredited) | |
| Rowena O'Connor | .... | assistant on-set props (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | background sound editor | |
| Jacqueline Cristianini | .... | adr supervisor | |
| Jacqueline Cristianini | .... | dialogue supervisor | |
| Kris Fenske | .... | sound designer | |
| Graeme Hughes | .... | re-recording mixer | |
| Devan Kraushar | .... | sound effects editor | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post-production coordinator | |
| Glen Noseworthy | .... | adr mixer | |
| Iain Pattison | .... | re-recording mixer | |
| Sebastian Salm | .... | sound mixer | |
| Paul A. Sharpe | .... | re-recording mixer (as Paul Sharpe) | |
| Shane Shemko | .... | foley artist | |
| Colin Smith | .... | boom operator | |
| Cam Wagner | .... | foley artist | |
| Matthew Wilson | .... | sound effects editor | |
| Todd R. Mason | .... | sound effects recordist (uncredited) | |
Special Effects by | |||
| Jaremy Aiello | .... | effects crew: K.N.B. EFX Group | |
| Randy Ball | .... | effects crew: K.N.B. EFX Group | |
| Mark Boley | .... | effects crew: K.N.B. EFX Group | |
| Steve Hartman | .... | effects crew: K.N.B. EFX Group | |
| Derek Heselton | .... | best boy special effects | |
| Grady Holder | .... | effects crew: K.N.B. EFX Group | |
| Wayne Szybunka | .... | special effects coordinator | |
| Veronica Torres | .... | effects crew: K.N.B. EFX Group | |
| Mike Hyrman | .... | special effects technician (uncredited) | |
| Chris Sturges | .... | special effects technician (uncredited) | |
| Attila Vaski | .... | lead/fab/asst (uncredited) | |
Visual Effects by | |||
| Matt Belbin | .... | digital effects editor (as Matthew Belbin) | |
| Sébastien Bergeron | .... | digital effects supervisor | |
| Lionel Lim | .... | digital compositor | |
| Bryce Rieger | .... | digital compositor | |
| Lisa K. Sepp | .... | visual effects producer (as Lisa Sepp-Wilson) | |
| Lee Wilson | .... | visual effects supervisor | |
| Jayson Castro | .... | visual effects production assistant (uncredited) | |
| Stephen Paschke | .... | cg artist (uncredited) | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sandy Cooper | .... | first assistant camera | |
| Lane Koch | .... | first assistant camera | |
| Mike Kolafa | .... | gaffer (as Michael Kolafa) | |
| Brock Miller | .... | best boy grip | |
| Steve Sherlock | .... | key grip | |
| Jared Smith | .... | best boy lighting | |
| Peter Wilke | .... | camera operator: "b" camera | |
| Richard Wilson | .... | camera operator: "a" camera | |
| Ian Gariepy | .... | key grip: second unit (uncredited) | |
| Aaron Haesler | .... | second assistant camera (uncredited) | |
| Marc Nolet | .... | grip (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Glenna Owen | .... | assistant costume designer | |
| Tyler Tone | .... | set costume supervisor | |
| Jessica Milligan | .... | costumer (uncredited) | |
Editorial Department | |||
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Asim Matin | .... | assistant editor | |
| Troy Sitter | .... | post-production assistant | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | editorial coordinator | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: main title music (as Edward Shearmur) | |
Transportation Department | |||
| Louie Hausner | .... | transportation captain | |
| John Swetlikoe | .... | transportation coordinator | |
| Duane Shearer | .... | office driver (uncredited) | |
| Jovan Vujatovic | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Christine Barrie | .... | stand-in | |
| Laura Collini | .... | script supervisor (as Laura June Colini) | |
| Genessa Davis | .... | assistant production coordinator | |
| Jim Desroches | .... | production coordinator (as James Desroches) | |
| Annie Doyon | .... | assistant accountant | |
| Scott 'Big Dog' Franklin | .... | assistant location manager (as Scott Franklin) | |
| Cameron Grierson | .... | assistant to producer | |
| Cameron Grierson | .... | script coordinator | |
| Richter Hartig | .... | production auditor: Starz Productions (as Richter Q. Hartig) | |
| Dave Harvey | .... | assistant accountant | |
| Elissa Howarth | .... | production administration manager: Starz Productions | |
| Andrea Kaufman | .... | production coordinator: Starz Productions (as Andrea M. Kaufman) | |
| Katy Lew | .... | executive administrator | |
| Susan Nestibo | .... | location manager | |
| Ross Redhead | .... | assistant to producer | |
| Adrian Salpeter | .... | producers assistant: Lisa Richardson | |
| Stephen Tibbetts | .... | stand-in (as Stephen Tibbets) | |
| Bill Vigars | .... | unit publicist | |
| Beverly Wiens | .... | production accountant | |
| Gary Stamford | .... | set wireman (uncredited) | |
Thanks | |||
| Dan Walton | .... | thanks | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
"The Changeling" is one of the most effective haunted-house films ever made; paradoxically, 'The Washingtonians' is one of the weakest entries in the "Masters of Horror" series. However, I do not think Peter Medak (the director of both) is entirely to blame for this--what begins as a very cool concept rife with horrific potential (the notion that our concept of 'history' has glossed over the transgressions of our forefathers, including George Washington's penchant for dining on virgins) disintegrates into a tug-of-war between seriousness and camp. While Medak exhibits the same skilled use of light, shadow, fog, and flourishing camera moves that made "The Changeling" so endearing, 'The Washingtonians' script (by Johnathon Schaech and Richard Chizmar) is clunkily paced and tonally unfocused, shooting for satire, straight horror, or broad comedy at any given moment. The result is simply too uneven to be satisfying on any level. And possibly the biggest detriment is co-writer Schaech's performance in the lead role--unable to emote or recite dialog convincingly, his presence leaves us rooting for the cannibals all the way (Saul Rubinek--looking a lot like George Wendt--fares slightly better with his comedic bits). And while there is some suspense, and the wigs, makeup, and costumes are superb (including some of the most imposing orthodontics ever filmed), 'The Washingtonians' comes off as coldly as a corpse in winter.
4.5 out of 10