| Photos (see all 22 | slideshow) | Videos (see all 8 NEW) |
| Michelle Morgan | ... | Debra Moynihan | |
| Joshua Close | ... | Jason Creed (as Josh Close) | |
| Shawn Roberts | ... | Tony Ravello | |
| Amy Ciupak Lalonde | ... | Tracy Thurman (as Amy Lalonde) | |
| Joe Dinicol | ... | Eliot Stone | |
| Scott Wentworth | ... | Andrew Maxwell | |
| Philip Riccio | ... | Ridley Wilmott | |
| Chris Violette | ... | Gordo Thorsen | |
| Tatiana Maslany | ... | Mary Dexter | |
| Todd Schroeder | ... | Brody (as Todd William Schroeder) | |
| Daniel Kash | ... | Police Officer | |
| Laura DeCarteret | ... | Bree | |
| Martin Roach | ... | Stranger | |
| Megan Park | ... | Francine Shane | |
| George Buza | ... | Tattooed Biker | |
| Tino Monte | ... | News Anchor | |
| Matt Birman | ... | Zombie Trooper | |
| Gregory Nicotero | ... | Zombie Surgeon (as Greg Nicotero) | |
| Donna Croce | ... | Zombie Nurse | |
| Nick Alachiotis | ... | I.V. Zombie | |
| R.D. Reid | ... | Farmer | |
| Scott Gibson | ... | Birthday Party Father | |
| Jamie Bloch | ... | Birthday Girl | |
| Kyle Glencross | ... | Bupkes the Clown | |
| Boyd Banks | ... | White Man | |
| Janet Lo | ... | Cell Phone Woman | |
| Jak Birman | ... | Billy | |
| Trish Adams | ... | Dead Mrs. Moynahan | |
| Alan Van Sprang | ... | Colonel | |
| Ron Payne | ... | Elderly Man | |
| Shelley Cook | ... | Elderly Woman (as Shelly Cook) | |
| James Binkley | ... | Trooper | |
| rest of cast listed alphabetically: | |||
| Anthony Cancelliere | ... | Zombie (uncredited) | |
| Wes Craven | ... | Newsreader (voice) (uncredited) | |
| Alexandria DeFabiis | ... | Zombie (uncredited) | |
| Ara Katz | ... | Shopping Cart Zombie (uncredited) | |
| Stephen King | ... | Newsreader (voice) (uncredited) | |
| Mani Nasry | ... | Zombie (uncredited) | |
| Simon Pegg | ... | Newsreader (voice) (uncredited) | |
| George A. Romero | ... | Police Chief Arthur Katz (uncredited) | |
| Quentin Tarantino | ... | Newsreader (voice) (uncredited) | |
| Guillermo del Toro | ... | Newsreader (voice) (uncredited) | |
Directed by | |||
| George A. Romero | |||
Writing credits(WGA) | ||
| George A. Romero | (written by) | |
Produced by | |||
| Steve Barnett | .... | executive producer | |
| Donna Croce | .... | associate producer | |
| Paula Devonshire | .... | co-producer | |
| Michael Doherty | .... | associate producer | |
| Sam Englebardt | .... | producer | |
| Dan Fireman | .... | executive producer | |
| Peter Grunwald | .... | producer | |
| John Harrison | .... | executive producer | |
| Ara Katz | .... | producer | |
| Art Spigel | .... | producer (as Artur Spigel) | |
Original Music by | |||
| Norman Orenstein | |||
Cinematography by | |||
| Adam Swica | (director of photography) | ||
Film Editing by | |||
| Michael Doherty | |||
Casting by | |||
| John Buchan | |||
Production Design by | |||
| Rupert Lazarus | |||
Art Direction by | |||
| Jon P. Goulding | (as Jon Goulding) | ||
Set Decoration by | |||
| Justin Craig | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Sid Armour | .... | key makeup artist | |
| Chris Bridges | .... | special makeup effects supervisor | |
| Daphne Esdaille | .... | assistant hair stylist | |
| Daphne Esdaille | .... | assistant hair stylist: additional photography | |
| Norm Galloway | .... | shop coordinator | |
| Kyle Glencross | .... | special makeup effects supervisor | |
| Etheline Joseph | .... | key hair stylist | |
| Tali Kalb | .... | assistant makeup artist | |
| Tali Kalb | .... | key makeup artist: additional photography | |
| Marika Latorcai | .... | assistant makeup artist: additional photography (as Marikia Williams) | |
| Jonathan Lavallée | .... | shop key | |
| Neil Morrill | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects producer (as Greg Nicotero) | |
| Andy Schoneberg | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Matt Birman | .... | second unit director | |
| Jack Boem | .... | second assistant director | |
| Tyler Delben | .... | third assistant director | |
| Doane Hanus | .... | daily assistant director | |
| Jeff Muhsoldt | .... | trainee assistant director: additional photography (as Jeff Musholdt) | |
| Martin Walters | .... | first assistant director | |
| Jennifer Zabawa | .... | trainee assistant director | |
| Michael Zenon | .... | additional first assistant director | |
Art Department | |||
| Lisa Amaral-Wright | .... | first assistant property master | |
| Roxanne Borris | .... | second assistant art director | |
| Steven Ciancamerla | .... | set dresser | |
| Dwight Doerksen | .... | construction manager: additional photography | |
| David Fujii | .... | head painter | |
| Peter Harding | .... | construction coordinator | |
| Deirdre Hughes | .... | art director: additional photography | |
| Leandro Illescas | .... | carpenter | |
| Andrew Kawczynski | .... | on-set dresser: additional photography | |
| Kim Maticiw | .... | props buyer | |
| Kent McIntyre | .... | art department apprentice: additional photography | |
| Doug Moorehouse | .... | head carpenter | |
| Jesse O'Connor | .... | lead dresser | |
| Julian Peters | .... | set dresser: additional photography | |
| Michael Smith | .... | on-set dresser | |
| Joe Susin | .... | set dresser: additional photography | |
| Giles Vanderholt | .... | art department trainee | |
| Peter Waffle | .... | set dresser: additional photography | |
| Craig Williams | .... | property master | |
Sound Department | |||
| Al Buchok | .... | boom operator (as Alex Buchok) | |
| Erik Culp | .... | foley recordist | |
| Alan deGraaf | .... | sound re-recording mixer | |
| Alfie DiPucchio | .... | adr recordist | |
| John Gare | .... | sound re-recording mixer | |
| Rose Gregoris | .... | assistant sound editor | |
| Sid Lieberman | .... | foley artist | |
| Craig MacLellan | .... | adr assistant | |
| James Nichols | .... | sound consultant: Dolby | |
| Jill Purdy | .... | adr editor | |
| Jill Purdy | .... | dialogue editor | |
| Adam Raley | .... | mix assistant | |
| Regan Ramos | .... | audio coordinator | |
| Nathan Robitaille | .... | sound designer | |
| Zenon Waschuk | .... | production sound mixer | |
Special Effects by | |||
| Mark Ahee | .... | special effects supervisor | |
| David Antonacci | .... | special effects assistant: additional photography | |
| Sean Armstrong | .... | special effects assistant | |
| Joanne Bujouves | .... | prosthetic assistant: additional photography | |
| Tim Ferguson | .... | special effects assistant: additional photography | |
| Michael Gagnon | .... | special effects key (as Michel Gagnon) | |
| Dylan Hankinson | .... | special effects assistant: additional photography | |
| Geoff Hill | .... | on set key | |
| Geoff Hill | .... | special effects key: additional photography | |
| Kevin Hutchinson | .... | prosthetic assistant | |
| Kevin Hutchinson | .... | prosthetic assistant: additional photography | |
| Quinn Matthews | .... | prosthetic assistant: additional photography | |
Visual Effects by | |||
| Neishaw Ali | .... | visual effects executive producer | |
| Doug Campbell | .... | visual effects producer: SPIN West VFX | |
| Jeff Campbell | .... | visual effects supervisor | |
| James Cooper | .... | Flame artist | |
| Colin Davies | .... | visual effects supervisor | |
| Ashish Dewan | .... | compositor (as Ash Dewan) | |
| Eric Doiron | .... | lead compositor | |
| Rob Gyorgy | .... | digital effects artist | |
| Lisa Hemeon | .... | visual effects producer | |
| Terry Hutcheson | .... | assistant visual effects producer | |
| Richard Keats | .... | systems manager | |
| Petra Lendvai-Lintner | .... | visual effects production manager | |
| Steve Lewis | .... | senior Flame artist (as Steven Lewis) | |
| Steve Lowry | .... | Flame artist | |
| Dave McGhie | .... | Flame artist | |
| Kye Yong Peck | .... | 3D artist | |
| Nick Perks | .... | systems administrator | |
| Michael Ranalletta | .... | compositor | |
| Mark T. Reid | .... | compositor (as Mark Reid) | |
| Tim Sibley | .... | 3D artist | |
| Sunny Wong | .... | compositor | |
Stunts | |||
| Nick Alachiotis | .... | stunt actor | |
| Taryn Ash | .... | stunt performer | |
| Dan Belley | .... | stunt rigger | |
| Ron Bell | .... | stunt performer | |
| Leigh Bianco | .... | stunt performer | |
| Marco Bianco | .... | stunt performer | |
| Matt Birman | .... | stunt coordinator | |
| Brad Bunn | .... | stunt performer | |
| Desmond Campbell | .... | stunt performer | |
| Jericho Carbuntocan | .... | stunt performer | |
| Shane Cardwell | .... | stunt performer | |
| Tommy Chang | .... | stunt actor | |
| Shelley Cook | .... | stunt actor | |
| Christopher Cordell | .... | stunt performer (as Chris Cordell) | |
| Tig Fong | .... | stunt performer | |
| Liise Keeling | .... | stunt performer | |
| Darren Marsman | .... | stunt performer | |
| Duncan McLeod | .... | stunt performer | |
| Simon Northwood | .... | stunt performer | |
| Curtis Parker | .... | stunt performer | |
| Rick Parker | .... | stunt performer | |
| Sue Parker | .... | stunt performer | |
| Cheryl Quiacos | .... | stunt performer | |
| Kevin Rushton | .... | stunt performer | |
| Bryan Thomas | .... | stunt performer | |
| Max White | .... | stunt rigger | |
Casting Department | |||
| Donna Dupere | .... | extras casting | |
| Jason Knight | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Eppstadt | .... | costume breakdown artist | |
| Jody Hoel | .... | costume set supervisor | |
| Stephanie Lees | .... | assistant costume designer | |
| William Ng | .... | wardrobe assistant: additional photography | |
| Sheila Radovancevic | .... | costume truck supervisor | |
| Anita K. Schapansky | .... | wardrobe truck coordinator: additional photography (as Anita Schapansky) | |
Editorial Department | |||
| Mark Betteridge | .... | digital I/O specialist | |
| Louis Casado | .... | color timer | |
| Ryan Kuba | .... | digital intermediate project coordinator | |
| Mark Kueper | .... | digital intermediate colorist | |
| Eric Myles | .... | digital film supervisor | |
| Andrew Pascoe | .... | digital film technician | |
| Brigitte Rabazo | .... | first assistant editor | |
| Brian Reid | .... | manager of digital imaging | |
Transportation Department | |||
| Rosalind Callahan | .... | driver (as Roz Callahan) | |
| Brian Clark | .... | head driver | |
| John 'Jack' Coupland | .... | honeywagon operator (as Jack Coupland) | |
| Michael Drysdale | .... | driver | |
| Alex Laframboise | .... | head driver: additional photography | |
| Ernie MacKey | .... | honeywagon operator | |
| John McIntyre | .... | driver (as John McIntiyre) | |
| Chris Radley Walters | .... | driver: additional photography (as Chris Radley-Walters) | |
| Tim Reilly | .... | honeywagon operator | |
| Dave Rowsell | .... | driver | |
| Jeff Steinberg | .... | transportation coordinator | |
| David Stetson | .... | transportation captain (as Dave Stetson) | |
Thanks | |||
| Brian Alexander | .... | special thanks | |
| Coll Anderson | .... | special thanks | |
| Jinny Barbosa | .... | special thanks | |
| Cindy Bradeen | .... | special thanks | |
| Nicolas Chartier | .... | special thanks | |
| Justin Close | .... | special thanks | |
| Wes Craven | .... | very special thanks | |
| Nadine DeBarros | .... | special thanks | |
| Suzanne Desrochers | .... | special thanks | |
| Carl Englebardt | .... | special thanks | |
| Kathy Englebardt | .... | special thanks | |
| Paul Fireman | .... | special thanks | |
| Penny Fireman | .... | special thanks | |
| Colin Geddes | .... | special thanks | |
| David Gersh | .... | special thanks | |
| Rebecca Grunwald | .... | special thanks | |
| Dr. Robert Katz | .... | special thanks | |
| Leah Katz | .... | special thanks | |
| Paula Kaye | .... | special thanks | |
| Stephen King | .... | very special thanks | |
| Sarah Lash | .... | special thanks | |
| Jenn Lee | .... | special thanks | |
| Matt Littin | .... | special thanks | |
| Arnie Mullen | .... | special thanks | |
| Dana O'Keefe | .... | special thanks | |
| Simon Pegg | .... | very special thanks | |
| Tait Reimers | .... | special thanks | |
| Chris Roe | .... | special thanks | |
| Tom Savini | .... | very special thanks | |
| John Sloss | .... | special thanks | |
| Nelly Spigel | .... | special thanks | |
| Wally Spigel | .... | special thanks | |
| Jay P. Sweet | .... | special thanks (as Jay Sweet) | |
| Quentin Tarantino | .... | very special thanks | |
| Guillermo del Toro | .... | very special thanks | |
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| Dawn of the Dead | Dawn of the Dead | Resident Evil: Extinction | Quarantine | Day of the Dead |
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George A. Romero is one of those filmmakers who shouldn't need an introduction. If you're a horror fan at all, you should be intimately familiar with his Dead series by now, and if you're a movie fan at all, you should at least know Night Of The Living Dead and Dawn Of The Dead, the first and still the strongest entries in the genre. It's no hyperbole to say that Romero essentially invented the zombie movie, gave it the structures and tones that have relentlessly followed the genre through 40 years of movie history.
Diary Of The Dead, Romero's new movie and latest entry into the 5-part series, is a return to the form and feel of his original classic Night Of The Living Dead. The three movies in between (the classic Dawn, hit-or-miss Day and severely underrated Land) showed a world consumed by destruction and fear, already well past the point of no return in an unthinkable apocalypse. Diary takes us back to the beginning, taking place during the first few days of the attacks, documenting how a group of college students (and one drunken professor) cope with the crisis growing around them.
The hook of the movie is that what we're seeing is not presented in a typical film fashion, but instead as a series of homemade video clips made by the characters themselves. While shooting their own low-budget horror movie, the students are interrupted by the sudden, jarring realization that freshly dead bodies are coming back to life and attacking people. What follows is a documentation of their quick departure from their suddenly deserted campus and their long trip to home, safety and any sort of an answer.
If the plot description has you thinking of The Blair Witch Project or Cloverfield, the comparison ends with the initial conceit of horror via home movies. There's no shaky-cam addled suspense here, and you won't ever feel motion sick. The camera's presence in the movie serves to give a heightened feeling of suspense and immediacy. Unlike most other zombie movies, there's no outside camera telling the story, letting us know where the zombies are and when they're coming. We follow the characters through the movie, and the threat of danger is always palpable, even when nothing on screen is particularly frightening. Hitchcock once said that surprise was a bomb going off under a table unexpectedly, while suspense was letting the audience know there is a bomb under the table while the characters remain unaware. Diary is a movie with thousands of bombs waiting under thousands of tables, waiting to explode every time the camera turns a new corner.
After Land Of The Dead, a great movie that felt buried beneath a huge budget and massive studio interference, it's great to see Romero returning to his indie roots. Diary is entirely his own movie, and he gets the tone perfect. The campy scares and the gross-out gore explosions are all present, and will delight fan boys to no end. (They sure got some big laughs out of me.) But what Romero does best is suddenly switch from fun to disturbing when you least expect it. The best moments of Diary come when the gory thrill ride comes screeching to a halt and everything suddenly becomes all too relatable, entirely too real. These are the moments that will stick with you after the gory brain-splatter effects have lost their novelty.
Diary isn't quite a perfect movie though. Occasionally the hand-held camera device becomes too distracting and begins to get in the way of the story. The movie takes too much time rationalizing why the characters decide to film the events, rather than trusting the audience to go along with the idea. At times it feels like the movie is apologizing for its own concept, which it definitely does not need to do. We don't need to know the details of why the movie is edited, or why music has been added. The explanations slow down the movie, and only highlight problems instead of fixing them. Also, the pace slows down quite a bit in the third act, which is when Romero movies usually jolt up to a fevered pitch. Stick it out though, because the movie's last sequence, and especially its last line of dialog, are worth the price of admission alone. This is most likely not the end of the Dead saga, but if it were, it could not have come to a more perfect conclusion than the jarring, horrific last shot Romero gives us.