| Photos (see all 15 | slideshow) | Videos (see all 4 NEW) |
| Vince Vaughn | ... | Himself | |
| Ahmed Ahmed | ... | Himself | |
| John Caparulo | ... | Himself | |
| Bret Ernst | ... | Himself | |
| Sebastian Maniscalco | ... | Himself | |
| Jon Favreau | ... | Himself | |
| Dwight Yoakam | ... | Himself | |
| Peter Billingsley | ... | Himself | |
| Keir O'Donnell | ... | Himself | |
| Justin Long | ... | Himself | |
| Buck Owens | ... | Himself |
Directed by | |||
| Ari Sandel | |||
Produced by | |||
| Peter Billingsley | .... | executive producer | |
| John Isbell | .... | executive producer | |
| John M. Pisani | .... | associate producer (as John Pisani) | |
| Sandra J. Smith | .... | associate producer | |
| Victoria Vaughn | .... | executive producer | |
| Vince Vaughn | .... | producer | |
Original Music by | |||
| John O'Brien | |||
Film Editing by | |||
| Jim Kelly | |||
| Dan Lebental | |||
Art Department | |||
| Tiffany Sims | .... | graphic designer | |
Sound Department | |||
| Justin Bates | .... | sound post-production assistant | |
| Dan Creech | .... | sound editor: background effects | |
| Tom Marks | .... | dialogue editor | |
| Tom Marks | .... | sound re-recording mixer | |
| Greg Morgenstein | .... | sound | |
| Kyle Schember | .... | supervising sound editor | |
| Ryan Young | .... | dialogue editor | |
Camera and Electrical Department | |||
| Greg Gayne | .... | still photographer | |
| Chris Henkel | .... | camera operator | |
| Paul Ruffolo | .... | camera operator | |
| Dave Rutherford | .... | camera operator | |
| Mark N. Woods | .... | jimmy jib operator | |
| Jani Zandovskis | .... | camera operator | |
Editorial Department | |||
| Stacey Frederick | .... | assistant editor | |
| Teresa Lang | .... | additional editor | |
| Dan Lebental | .... | supervising editor | |
| Dave Pickett | .... | colorist | |
| Astrid Sealey | .... | additional editor | |
| Sandra Torres | .... | additional editor | |
| Matthew W. Johnson | .... | IQ artist (uncredited) | |
Music Department | |||
| Greg Morgenstein | .... | composer: additional music | |
| Greg Morgenstein | .... | music editor | |
| Ralph Sall | .... | music clearance supervisor | |
Other crew | |||
| Laura Breakey | .... | assistant: Mr. Billingsley | |
| Chad Horning | .... | show director | |
| Patrick McMahon | .... | merchandise manager | |
| Cafe Noir | .... | title design: trailer park (as Cafe Noir) | |
| Jason Ruffolo | .... | stage manager | |
Thanks | |||
| Buck Owens | .... | in memory of | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
In 2005, actor Vince Vaughn gathered together a handful of comedians from The Comedy Store in Hollywood - Ahmed Ahmed, John Caparulo, Bret Ernst and Sebastian Maniscalco - built an extended stand-up show around their acts, then took it on the road for a 30-city-in-30-day whirlwind tour across the United States, starting in Los Angeles and ending in Chicago, with 28 stops in between. Vaughn also brought a few documentary filmmakers along for the ride, the result being "Vince Vaughn's Wild West Comedy Show," an at best fair-to-middling account of that event.
Some of the backstage stuff is of moderate interest - particularly the comics offering a free show to some Hurricane Katrina refugees and Ernst's touching reflections on his older brother who died of AIDS. But one can only hope that we're not being treated to the best of the on-stage material here. For if truth be told, there aren't nearly as many laughs to be gleaned from these performances as one might expect given the caliber of talent involved. At best, the routines elicit a few hearty chuckles, along with a surprising number of humor-deprived dead spots. The behind-the-scenes activities are marginally more entertaining (the interviews with the boys' families are sometimes quite informative and amusing), but the movie doesn't provide nearly the depth of insight into the world of standup comedy that, say, Jerry Seinfeld's "Comedian" did a few years back.
Still the guys in the group are likable enough and their camaraderie ultimately becomes infectious, earning the movie at least a lukewarm recommendation, especially for devotees of the subject.