| Photos (see all 25 | slideshow) | Videos (see all 2 videos) |
| Julie Delpy | ... | Marion | |
| Adam Goldberg | ... | Jack | |
| Daniel Brühl | ... | Lukas | |
| Marie Pillet | ... | Anna, Marion's mother | |
| Albert Delpy | ... | Jeannot, Marion's father | |
| Aleksia Landeau | ... | Rose, Marion's sister (as Alexia Landeau) | |
| Adan Jodorowsky | ... | Mathieu | |
| Alexandre Nahon | ... | Manu (as Alex Nahon) | |
| Charlotte Maury-Sentier | ... | Robbed woman | |
| Vanessa Seward | ... | Vanessa | |
| Thibault De Lussy | ... | Gaël | |
| Chick Ortega | ... | First taxi driver | |
| Patrick Chupin | ... | Taxi driver with dog | |
| Antar Boudache | ... | Arab taxi driver | |
| Ludovic Berthillot | ... | Racist taxi driver | |
| Hubert Toint | ... | Music-loving taxi driver | |
| Sandra Berrebi | ... | Sandra | |
| Arnaud Beunaiche | ... | Edouard | |
| Claude Harold | ... | Micha Sisinsky | |
| Benjamin Baroche | ... | Doctor | |
| Jean-Baptiste Puech | ... | Fireman 1 | |
| Clément Rouault | ... | Fireman 2 | |
| Nanou Benhamou | ... | Fast-food employee | |
| Emma Piesse | ... | Emma | |
| rest of cast listed alphabetically: | |||
| Verónica Redondo Moreno | (as Verónica R. Moreno) | ||
Directed by | |||
| Julie Delpy | |||
Writing credits(in alphabetical order) | ||
| Julie Delpy | writer | |
Produced by | |||
| Julie Delpy | .... | co-producer | |
| Ulf Israel | .... | co-producer | |
| Nikolaus Lohmann | .... | executive producer | |
| Christophe Mazodier | .... | producer | |
| Charles Paviot | .... | line producer | |
| Thierry Potok | .... | producer | |
| Tilo Seiffert | .... | executive producer | |
| Werner Wirsing | .... | co-producer | |
Original Music by | |||
| Julie Delpy | |||
Cinematography by | |||
| Lubomir Bakchev | |||
Film Editing by | |||
| Julie Delpy | |||
Casting by | |||
| Fabienne Bichet | |||
Art Direction by | |||
| Barbara Marc | |||
Costume Design by | |||
| Stéphane Rollot | |||
Makeup Department | |||
| Suzanne Benoit | .... | key makeup artist | |
Production Management | |||
| Etienne Boussac | .... | post-production supervisor | |
| Laurence Deray | .... | unit manager | |
| Fatima Hélimi-Muller | .... | assistant unit manager | |
| Emmanuel Mazodier | .... | unit manager runner | |
Second Unit Director or Assistant Director | |||
| Katia Potok | .... | second assistant director | |
| Dylan Talleux | .... | first assistant director | |
Art Department | |||
| Albert Delpy | .... | artwork | |
| Soraya Mangin | .... | assistant to art director | |
Sound Department | |||
| Oliver Barth | .... | adr editor | |
| Oliver Barth | .... | dialog editor | |
| Nicolas Cantin | .... | sound recordist | |
| Thomas Gastinel | .... | boom operator | |
| Jörg Höhne | .... | sound re-recording mixer | |
| Sebastian Morsch | .... | supervising sound editor | |
| Robin Pohle | .... | sound editor | |
| Günther Röhn | .... | foley artist | |
| Sven Serfling | .... | sound editor | |
| Julien Sicart | .... | boom operator | |
Visual Effects by | |||
| Vera Jeske | .... | digital colorist | |
| Nhat Phong Tran | .... | visual effects | |
Camera and Electrical Department | |||
| Cécile Carassou | .... | second assistant camera | |
| Julie Delpy | .... | additional still photographer | |
| Catherine Faux | .... | still photographer | |
| Adam Goldberg | .... | additional still photographer | |
| Pierre-Yves Le Mée | .... | key grip | |
| Mathieu Normand | .... | assistant camera | |
| Fabrice Sebille | .... | steadicam operator | |
| Mathieu Szpiro | .... | electrician | |
| Jérémie Tondowski | .... | key grip | |
Editorial Department | |||
| Etienne Boussac | .... | additional editor | |
| Jeffrey M. Werner | .... | additional editor | |
Music Department | |||
| Klaus Frers | .... | music supervisor | |
| Uwe Lerch | .... | music supervisor | |
| Tobias Lorenz | .... | music supervisor | |
Other crew | |||
| Natacha Drion | .... | production assistant | |
| Charles Jodoin-Keaton | .... | script supervisor | |
| Eva Lenz | .... | motion graphic artist | |
| Christine Renaud | .... | administrator | |
Thanks | |||
| Albert Delpy | .... | thanks | |
| Marie Pillet | .... | thanks | |
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| News articles | IMDb Comedy section | IMDb France section |
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I actually did spend two days in Paris, back in August 2004, and did all the touristy things one could do in those short 48 hours, like visit the unmissable landmarks such as Le Tour Eiffel, visited babes Mona Lisa and Venus at the Louvre, tried to look for the hunchback at Notre Dame, paid my respects at Napoleon's casket, and ended the night partying after a dinner watching a French revue.
But no, I didn't have a Julie Delpy to romance, or to hang out with. Written and directed (and edited!) by Julie Delpy, comparisons to the Richard Linklater twin combo Before Sunrise and Before Sunset are inevitable, because firstly, they star Delpy, and secondly, the characters hit off into interesting chatter that grabs our attention, albeit this one takes place over a longer period of reel time over 48 hours versus the combined 24 hours that the Before movies offered. But before you shout "rip off" and discredit Delpy's effort as another Linklater clone, I can safely say there are distinct differences between the movies, and that while Linklater's had a kind of dreamy romanticism to his, Delphy's 2 Days in Parissomehow had a more realistic, grittier, down to earth look and feel (no offense to Linklater, whose movies I mentioned I just adore too), tackling a key issue in relationship, and that's honesty.
In fact, you'd wonder if honesty (100% no holds barred revelations) can offer you less headache, particularly when your partner has to discover some parts of you that you want hidden away, either for reasons of being ashamed, or just because you want to protect him/her from possible hurt when they find out the truth. Truth usually has a funny way of getting back at you, in presenting themselves usually at the less than ideal situations, open to being misconstrued, and misunderstood. Kind of having a negative vibe to it all, doesn't it? Adam Goldberg plays Jack, who's into a two year relationship with Delpy's Marion. While enjoying a whirlwind holiday in Europe, they decided to make a pit stop in Paris to visit Mario's folks Anna and Jeannot (Marie Pillet and Albert Delpy, Julie Delpy's real life parents playing her reel ones in the movie), before flying back home to New York. That's the basic premise, with Jack being brought around Paris by Marion, as well as to catch up (or rather providing the opportunity) with Marion's friends, which inevitably involves ex-boyfriends. While at first being quite magnanimous, Jack will confront his fears and ego-busting situations when he starts to realize in his own warped perception that Marion may well be the village bicycle, having ridden with/on/by every male they come into contact with.
I never thought I'd laugh my way through the movie, as from the get go, 2 Days in Paris contains extremely witty dialogue in rapid fire, and almost every character gets into the act, either intentionally (like Jack and his constant sarcasm), or through various situations the couple get into. Cab rides aren't like Linklater's Before Sunset where the lovebirds take the time to understand each other, gaze and whisper sweet nothings. Cab rides here means opportunity for insane dialogue, insults, and even being hit upon! It was so much fun that I'd actually wanted the couple to take more cab rides. Bringing on the laughs too was Marion's/Delpy's dad, a Frenchman who cannot speak English, which provides cross-cultural / language barrier comedy with Goldberg's Jack, and being the old man that he is, peppers his conversations and actions with so much sexual innuendo it'll probably make you blush. That scene in the art gallery is just to die for, if you pay close attention to the art pieces. Dad definitely stole the show each time he appeared on screen.
But fun and laughter aside, this movie as it turns out, is a very keen, and introspective look at modern day love and relationships. That voice-over by Delpy towards the end, somehow struck a bell within me, and I'd think most of us who have been hurt in the same way, may share the same thoughts too. And for that bit of sincerity and recognition of a probable perennial issue of the cycle of love-lost-found-is-he/she-the-one-pondering, this Julie Deply movie is a definite winner. Kudos too to Adam Goldberg for being a likable unlikeable fella providing ample, believable repartee to carry the movie through. Highly recommended, don't miss this movie! And book your tickets early too, as it has been playing to full houses!