| Photos (see all 22 | slideshow) |
| Nila Aalia | ... | Shanti | |
| Doug Allen | ... | Gary Machin | |
| Nikki Amuka-Bird | ... | PC Simone Farnes | |
| Tom Andrews | ... | Reporter 1 | |
| Tyler Anthony | ... | Rosie Wellings | |
| Tessa Bell-Briggs | ... | Market Trader (as Tessa Bell Briggs) | |
| Michelle Bonnard | ... | Defne 'Tops' Topcu | |
| Hugh Bonneville | ... | DSI Iain Barclay | |
| Charlie Creed-Miles | ... | DC Stephen 'Jim' Beam | |
| Patrick Cremin | ... | Oscar One | |
| Nichola Dame Hartwell | ... | Older Stylist | |
| Timothy Davies | ... | Magistrate | |
| Philip Davis | ... | Mic Danes | |
| David Doyle | ... | Petrol Attendant | |
| Lucinda Dryzek | ... | Tanya Wellings | |
| Christopher Fairbank | ... | DS Curling | |
| Vincent Franklin | ... | Rawdon Hull | |
| Ruth Gemmell | ... | Dr. Tobolska | |
| Kenneth Hadley | ... | Derek the Neighbour | |
| Richard Harrington | ... | Daf Parry | |
| Joyce Henderson | ... | Security Guard | |
| Joanna Horton | ... | Danielle Miller | |
| Rory Kinnear | ... | Kyle Betts | |
| Margot Leicester | ... | Hazel Betts | |
| Patrick Malahide | ... | John Poole | |
| Caroline Martin | ... | Emma Opie | |
| Lee Massey | ... | Ethan Wellings | |
| Janet McTeer | ... | DS Amy Foster | |
| James Mellor | ... | Press Officer | |
| Jenny Ogilvie | ... | Bravo 2 | |
| Patrick O'Kane | ... | DI Laverty | |
| David Oyelowo | ... | Matt Wellings | |
| Mark Penfold | ... | Kyle's Solicitor | |
| Gary Powell | ... | Jogging Man | |
| Craig Purnell | ... | Reporter 2 | |
| San Shella | ... | DC Nawaz | |
| Sarah Smart | ... | Sarah Wheeler | |
| Charlotte Spencer | ... | Jaime | |
| Lauren Taylor | ... | Stylist | |
| Christine Tremarco | ... | Leanne Wellings | |
| Harriet Walter | ... | ACC Jenny Griffin | |
| Jason Watkins | ... | Francis Cross | |
| Al Weaver | ... | Josh Fairley | |
| Penelope Wilton | ... | Barbara Poole | |
| Edward Woodward | ... | Victor Marsham | |
| Stephen Roderick Johnson | ... | Gym Attendee (uncredited) | |
| John Warman | ... | Police Officer (uncredited) | |
| Chris Wilson | ... | Police Officer (uncredited) |
Directed by | |||
| Otto Bathurst | |||
| Simon Curtis | |||
Writing credits(in alphabetical order) | ||
| Gwyneth Hughes | writer | |
Produced by | |||
| Kary Antholis | .... | executive producer: HBO | |
| Simon Curtis | .... | executive producer | |
| Nick Jones | .... | line producer | |
| Paul Rutman | .... | producer | |
| Hilary Salmon | .... | executive producer | |
Original Music by | |||
| Magnus Fiennes | |||
Cinematography by | |||
| Florian Hoffmeister | |||
Film Editing by | |||
| Sarah Brewerton | |||
| Martin Sharpe | |||
Casting by | |||
| Suzanne Crowley | (as Suzanne Crowley) | ||
| Gilly Poole | |||
Production Design by | |||
| John Stevenson | |||
Art Direction by | |||
| Anna Pritchard | |||
Costume Design by | |||
| Lorna Marie Mugan | |||
Makeup Department | |||
| Tori Robinson | .... | makeup supervisor | |
| Marella Shearer | .... | makeup designer | |
| Lucy Sibbick | .... | trainee | |
| Nicky South | .... | makeup artist | |
Production Management | |||
| Beewan Athwal | .... | post-production supervisor | |
| Midge Ferguson | .... | unit manager | |
Art Department | |||
| Ebonie Allard | .... | assistant production buyer | |
| Ellena Bleathman | .... | graphic artist | |
| Sam Clark-Hall | .... | stand-by art director | |
| Mat Dewar | .... | stand-by props | |
| Alice Felton | .... | props buyer | |
| Peter Fentem | .... | property master | |
| Tim Leadley | .... | stand-by carpenter | |
| Daniel Milton | .... | set dresser | |
| Scott Rogers | .... | set dresser | |
| Chris Ulusele | .... | stand-by props | |
| Oli van der Vijver | .... | props | |
Sound Department | |||
| James Bain | .... | boom operator | |
| Antony Bayman | .... | adr recordist | |
| Rudi Buckle | .... | sound recordist | |
| Craig Burns | .... | daily boom operator (2007) | |
| Lee Crichlow | .... | supervising sound editor | |
| James Dandridge | .... | sound maintenance engineer | |
| Iain Eyre | .... | dialogue editor | |
| Peter Gates | .... | dialogue editor | |
| Graham Headicar | .... | sound effects editor | |
| Stuart Hilliker | .... | sound re-recording mixer | |
| Martin Jensen | .... | dubbing mixer | |
| Jeff Richardson | .... | dialogue editor | |
Special Effects by | |||
| Keith Edwards | .... | special effects senior technician | |
Stunts | |||
| Lloyd Bass | .... | stunt double | |
| Peter Pedrero | .... | stunt driver | |
Camera and Electrical Department | |||
| Ben Appleton | .... | clapper loader | |
| Andy Bell | .... | best boy | |
| Nick Briggs | .... | still photographer | |
| Craig Feather | .... | focus puller | |
| Dan Fontaine | .... | gaffer | |
| Simon Gilmour | .... | clapper loader: dailies | |
| Steven Hall | .... | camera operator | |
| Peter Harris | .... | electrician | |
| Brad Larner | .... | focus puller | |
| James Lewis | .... | second assistant camera | |
| Abi Oseni | .... | clapper loader: dailies | |
| Ricky Payne | .... | electrician | |
| James Philpott | .... | grip | |
| Fred Todd | .... | electrician | |
Casting Department | |||
| Briony Barnett | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anna-Maria D'Amato | .... | costume assistant | |
| Mark Holmes | .... | costume assistant | |
| Ruth Kirton | .... | costume supervisor | |
| Julia Knight | .... | costume supervisor | |
| Harriet Lyons | .... | costume assistant | |
| Beth Nicholas | .... | costume trainee | |
Editorial Department | |||
| Chris Beeton | .... | telecine colorist | |
| Rab Wilson | .... | assistant editor | |
Transportation Department | |||
| Derek McPhail | .... | unit driver | |
Other crew | |||
| Peter Anderson | .... | title designer | |
| Sam Baker | .... | assistant production coordinator | |
| Russell Dewulff Booth | .... | production runner | |
| Cathie Davey | .... | publicist | |
| Susanna Fyson | .... | production coordinator (2007) | |
| Simon Ghorbani | .... | floor runner | |
| Lindsay Grant | .... | script supervisor | |
| Richard Green | .... | production accountant | |
| Melanie Howard | .... | production executive | |
| Karen Jones | .... | script supervisor | |
| Richard Knight | .... | location manager | |
| Caroline Mccarthy | .... | assistant location manager | |
| Zoie Miller | .... | assistant accountant | |
| Jeremy Swimer | .... | assistant script editor | |
| Julia Walsh | .... | script editor | |
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| Lantana | A Mighty Heart | Mystic River | Sisters | "Oliver's Travels" |
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'Five Days' is billed as something special, a crime drama that consists of a series of episodes, each set on one particular day of a police enquiry. But in fact, this element of the story turns out to be rather less significant than might at first be thought, as the fact that the action in each episode is confined to 24 hours is hardly noticeable, and very little distinguishes the program from countless other crime stories. In fact one almost can't help drawing comparisons to the last 'Prime Suspect', as one of the sub-plots focuses on a single, cynical female cop approaching retirement: and it's not just the absence of Helen Mirren that makes the comparisons unfavourable. There's a lot of earnest over-emoting, manipulative music and a set of characters seemingly contrived so that each one is in some sense sympathetic, in another suspicious. And it's possible to guess the guilty party well before the end, not because of the internal dynamic of the story, but rather because of the construction of the drama as a whole: certain things must be true, to justify the way that the series focuses on certain characters at certain times. In spite of these failings, the series grew on me: by the end, I was quite gripped. But it's a sad sign that the BBC, which once made the likes of 'The Singing Detective', boasted of this of "possibly the best drama of the year": for there's little true originality on offer here, and the claim reveals a lack of ambition that is dreadfully disappointing. 'Five Days' is in fact not rubbish; but it is formulaic, and one would hope that the very best the BBC had to offer would be something a little more innovative and fresh.