| Videos (see all 5) |
| Andrew Howard | ... | Nick West | |
| Pollyanna Rose | ... | Sammy (as Polly Brown) | |
| Olivia Hill | ... | Nurse | |
| Nadja Brand | ... | Dr. Clairebourne | |
| Eric M. Breiman | ... | Asylum Clerk | |
| Gary Mackay | ... | Driver | |
| David Gant | ... | Dr. Willard | |
| Louise Griffiths | ... | Melissa | |
| Elize du Toit | ... | Rachel Fowles | |
| Matt Berry | ... | Brett Wilson | |
| rest of cast listed alphabetically: | |||
| Graham Riddell | ... | Demon (uncredited) | |
Directed by | |||
| Adam Mason | |||
Writing credits(in alphabetical order) | ||
| Simon Boyes | writer | |
| Adam Mason | writer | |
Produced by | |||
| Shaked Berenson | .... | associate producer | |
| Nadja Brand | .... | producer | |
| Eric M. Breiman | .... | producer | |
| Tom Dunbar | .... | line producer | |
| Patrick Ewald | .... | producer | |
| Adam Mason | .... | producer | |
| Steven Paul | .... | executive producer | |
Original Music by | |||
| Zoe Keating | |||
| Mortiis | |||
Cinematography by | |||
| Ole Bratt Birkeland | (as Ole Birkeland) | ||
Film Editing by | |||
| Hasse Billing | |||
| Adam Mason | |||
Casting by | |||
| Nadja Brand | |||
Production Design by | |||
| Neil Jenkins | |||
Art Direction by | |||
| Chris Barber | |||
Set Decoration by | |||
| Melanie Light | |||
Costume Design by | |||
| Katy Howkins | |||
Makeup Department | |||
| Gemma Basger | .... | makeup artist | |
| Selen Hurer | .... | assistant makeup artist | |
| Tristan Versluis | .... | special makeup effects artist | |
| David White | .... | creature makeup effects designer | |
Second Unit Director or Assistant Director | |||
| Simon Boyes | .... | second unit director | |
| Tom Dunbar | .... | assistant director | |
| Alison J. Hopper | .... | second assistant director | |
Sound Department | |||
| Willy Allen | .... | supervising adr editor | |
| Bastien Benkhelil | .... | foley editor | |
| Bastien Benkhelil | .... | foley mixer | |
| Linden Brownbill | .... | adr mixer | |
| Linden Brownbill | .... | sound re-recording mixer | |
| Steve Chaplin | .... | sound recordist | |
| Janie Dahn | .... | sound re-recording mixer | |
| Dominique Deveraux | .... | boom operator | |
| Serge Djang | .... | sound editor | |
| Jeremy Duché | .... | foley mixer | |
| Nick Foley | .... | adr mixer | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Patrick Giraudi | .... | supervising sound editor | |
| Andy Potvin | .... | consultant: Dolby surround | |
| Xavier Sol | .... | sound effects editor | |
| Ted Swanscott | .... | adr mixer | |
| Vanesa Lorena Tate | .... | sound mixer | |
| Cristina Turek | .... | foley artist | |
Special Effects by | |||
| Dan Martin | .... | creature FX mold maker | |
Visual Effects by | |||
| Jonathan Abbas-Klahr | .... | senior effects technician | |
| Bridget Allen | .... | visual effects producer: Barbed Wire FX | |
| Ron R. Anantavara | .... | visual effects coordinator | |
| Kate Baines | .... | digital artist | |
| Alfred Berger | .... | digital compositor: Barbed Wire FX | |
| Fiona Bourne | .... | visual effects production assistant | |
| David Brickley | .... | visual effects animator | |
| Raife Burchill | .... | visual effects coordinator | |
| Minh Huyen Dang | .... | digital effects artist | |
| Avi Das | .... | visual effects supervisor: Barbed Wire FX | |
| Anthony Davis | .... | digital compositor: Barbed Wire FX | |
| Owen Edwards | .... | digital artist | |
| Chales Fewguson Davie | .... | digital artist | |
| Chesley Heymsfield | .... | visual effects producer | |
| Kris Kara | .... | colorist | |
| Nigel Littlewood | .... | digital artist | |
| Jonah Loop | .... | visual effects supervisor | |
| Conleth Maenpaa | .... | colorist | |
| Bobby Maruvada | .... | lead colorist | |
| Richard McMorran | .... | visual effects production assistant | |
| Tristan Redman | .... | digital artist | |
| Sarote Tabcum Jr. | .... | visual effects producer | |
| Stephan Wild | .... | digital artist | |
| Erik Wilson | .... | visual effects technical director | |
Camera and Electrical Department | |||
| Stuart Brereton | .... | camera operator | |
| Stuart Brereton | .... | director of photography: second unit | |
| Emmet Cahill | .... | grip | |
| David Finch | .... | electrician | |
| Stuart Godfrey | .... | grip | |
| Christian Hayes | .... | electrician | |
| Malcolm | .... | crane technician | |
| Julius Ogden | .... | second assistant camera | |
| Michael Onder | .... | gaffer | |
| Pawel Polak | .... | best boy | |
| Andy Sauer | .... | grip | |
| Trevor Speed | .... | assistant camera | |
| Jason Walker | .... | focus puller | |
| Adam Young | .... | crane operator | |
Editorial Department | |||
| Max Hoffmann | .... | assistant editor | |
| Bobby Maruvada | .... | digital intermediate colorist | |
|
|
|
|
|
| The Basketball Diaries | Twelve Monkeys | Kontroll | Sisters | Spider-Man 3 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
| Add this title to MyMovies |
I just got back from seeing this movie at the TIFF and I will start out by saying that if you are the type of person who likes to have everything clearly spelled out for you in a movie, this film is not for you. Likewise, if you are looking for a non-stop gorefest, you are likely to be disappointed. All of that aside, I thought the movie to be very interesting and certainly worth the watch. I've never been a fan of movies with narration, but this one executes it quite nicely. The narrative dialogue is witty and often injects a bit of humor into the film. The main story follows a man (Nick) in a mental facility for the criminally insane after he and his girlfriend enter an abandoned asylum and she dies. Nick insists that she was taken by a demonic chair. 4 years later, a doctor has him released, so that Nick, the doctor and his team can explore the scene of the murder and thing quickly go down hill from there. The cinematography in this film is interesting and the sound effects give the movie a lot more edge considering the gore is minimal aside from the liberal use of blood. Overall, this movie was definitely worth watching and I look forward to its release on DVD so I can watch it again!