| Episode Crew |
Directed by | |||
| Joe Dante | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Sam Hamm | (teleplay) | |
| James Tiptree Jr. | (short story) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Morris Berger | .... | executive producer | |
| Steve Best | .... | associate producer | |
| Ben Browning | .... | co-producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | line producer | |
Original Music by | |||
| Hummie Mann | |||
Cinematography by | |||
| Attila Szalay | (director of photography) | ||
Film Editing by | |||
| Marshall Harvey | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| David Fischer | |||
Art Direction by | |||
| Teresa Weston | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Howard Berger | .... | special effects makeup | |
| Lyne Denomme | .... | first assistant makeup | |
| Mike Fields | .... | on-set key makeup artist (as Michael Fields) | |
| Sarah Graham | .... | on-set key makeup artist | |
| Marcy Hodel | .... | first assistant hair stylist | |
| Gregory Nicotero | .... | special effects makeup | |
| Adina Shore | .... | key hair stylist | |
| Margaret Solomon | .... | key makeup | |
Second Unit Director or Assistant Director | |||
| Ania Musiatowicz | .... | third assistant director | |
| Darren Robson | .... | second assistant director | |
| Ian Samoil | .... | first assistant director | |
Art Department | |||
| Andrei Andrianko | .... | assistant art director | |
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Nathalie Morin | .... | assistant set decorator (as Natalie Morin) | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
| Jean Brophey | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Kevin Belen | .... | re-recording mixer | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | background sound editor | |
| Jacqueline Cristianini | .... | adr supervisor | |
| Jacqueline Cristianini | .... | dialogue supervisor | |
| Kris Fenske | .... | sound designer | |
| Devan Kraushar | .... | sound effects editor | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post-production coordinator | |
| Glen Noseworthy | .... | adr mixer | |
| Iain Pattison | .... | re-recording mixer | |
| Sebastian Salm | .... | sound mixer | |
| Paul A. Sharpe | .... | re-recording mixer (as Paul Sharpe) | |
| Shane Shemko | .... | foley artist | |
| Colin Smith | .... | boom operator | |
| Cam Wagner | .... | foley artist | |
| Matthew Wilson | .... | sound effects editor | |
| Todd R. Mason | .... | sound effects recordist (uncredited) | |
Special Effects by | |||
| Randy Ball | .... | effects crew: K.N.B. EFX Group | |
| Derek Heselton | .... | best boy special effects | |
| Wayne Szybunka | .... | special effects coordinator | |
| Veronica Torres | .... | effects crew: K.N.B. EFX Group | |
| Mike Hyrman | .... | special effects technician (uncredited) | |
| Attila Vaski | .... | lead/fab/asst (uncredited) | |
Visual Effects by | |||
| Derel Babchishin | .... | cg artist (as Derek Babchishin) | |
| Matt Belbin | .... | digital effects editor (as Matthew Belbin) | |
| Sébastien Bergeron | .... | digital effects supervisor | |
| Julie Bergman | .... | cg artist | |
| Andrew Domachowski | .... | cg artist | |
| Annabelle Kent | .... | digital compositor | |
| Todd Liddiard | .... | digital compositor | |
| Adam Marisett | .... | cg artist | |
| Les Quinn | .... | digital compositor | |
| Lisa K. Sepp | .... | visual effects producer (as Lisa Sepp-Wilson) | |
| Jonah West | .... | digital compositor | |
| Lee Wilson | .... | visual effects supervisor | |
| Jayson Castro | .... | visual effects production assistant (uncredited) | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sandy Cooper | .... | first assistant camera | |
| Lane Koch | .... | first assistant camera | |
| Mike Kolafa | .... | gaffer (as Michael Kolafa) | |
| Brock Miller | .... | best boy grip | |
| Steve Sherlock | .... | key grip | |
| Jared Smith | .... | best boy lighting | |
| Peter Wilke | .... | camera operator: "b" camera | |
| Richard Wilson | .... | camera operator: "a" camera | |
| Ian Gariepy | .... | dolly grip (uncredited) | |
| Jeremy Spofford | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Glenna Owen | .... | assistant costume designer | |
| Tyler Tone | .... | set costume supervisor | |
| Debra Torpe | .... | costume truck supervisor (uncredited) | |
Editorial Department | |||
| Nathan Atkins | .... | assistant editor | |
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Asim Matin | .... | assistant editor | |
| Troy Sitter | .... | post-production assistant | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | editorial coordinator | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: main title music (as Edward Shearmur) | |
Transportation Department | |||
| Louie Hausner | .... | transportation captain | |
| John Swetlikoe | .... | transportation coordinator | |
| Duane Shearer | .... | office driver (uncredited) | |
| Jovan Vujatovic | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Christine Barrie | .... | stand-in | |
| Laura Collini | .... | script supervisor (as Laura June Colini) | |
| Genessa Davis | .... | assistant production coordinator | |
| Jim Desroches | .... | production coordinator (as James Desroches) | |
| Annie Doyon | .... | assistant accountant | |
| Scott 'Big Dog' Franklin | .... | assistant location manager (as Scott Franklin) | |
| Cameron Grierson | .... | assistant to producer | |
| Cameron Grierson | .... | script coordinator | |
| Richter Hartig | .... | production auditor: Starz Productions (as Richter Q. Hartig) | |
| Dave Harvey | .... | assistant accountant | |
| Elissa Howarth | .... | production administration manager: Starz Productions | |
| Andrea Kaufman | .... | production coordinator: Starz Productions (as Andrea M. Kaufman) | |
| Katy Lew | .... | executive administrator | |
| Susan Nestibo | .... | location manager | |
| Ross Redhead | .... | assistant to producers | |
| Adrian Salpeter | .... | assistant to producers | |
| Stephen Tibbetts | .... | stand-in (as Stephen Tibbets) | |
| Bill Vigars | .... | unit publicist | |
| Beverly Wiens | .... | production accountant | |
| Stephanie Brown | .... | production assistant (uncredited) | |
| Nancy Heller | .... | office manager: Anthem Visual Effects (uncredited) | |
| Peter Munro | .... | location scout (uncredited) | |
| Simona Pandele | .... | production assistant (uncredited) | |
Thanks | |||
| Dan Walton | .... | thanks (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb Canada section | Add this title to MyMovies |
There exists a way of eliminating insects where the bugs can be tricked into forgetting how to mate, thus lowering the population of harmful species. But what if this method were tried on humans? As humans are wired so that aggression and sexual energy are very close, could they be cross-wired to confuse one with the other? What would the results be?
This episode of "Masters of Horror", starring "Beverly Hills 90210" alumnus Jason Priestley, comes across as more of an "Outer Limits" episode and less of a horror story. More science fiction and less macabre, if you will. But a great story just the same, with some deep themes and plenty of gratuitous violence for the horror buffs. (Nudity, too.) Not surprisingly, this look at culture is coming from Joe Dante, who last season satirized the war in Iraq with "Homecoming"... a film that was of a much more horror nature and less serious than this one, but ultimately more satisfying (I'll get to that in a bit).
We have some heavy issues here: domestic violence, global warming, bird flu, radical Islam, fundamentalist Christianity. They're all tied in to the growing trend of men mass-murdering women the world over. We even have the discussion of how young women should dress, which calls to mind the words of the Australian Muslim leader who compared uncovered women to "rotting meat" recently (I write this February 2007). The clothing designed for younger women is something society should address, I think... though not necessarily for the reasons this film discusses.
Dante and his screenwriter (Sam Hamm) pay a great service to the original Alice Sheldon (aka Raccoona Sheldon aka James Tiptree) story. They have stayed incredibly close, and with good reason: Sheldon has nailed everything one could want: the religious cults ("the Sons of Adam") and even the subplot of the Marine who kills his wife. Sheldon was very much ahead of her time, with 2006 having radical religious people in the news constantly and the threat of new diseases looming like never before. And as far as the idea that man is a germ that destroys the planet -- true more now than ever before, as evidenced in Al Gore's "An Inconvenient Truth".
Screenwriter Sam Hamm quotes Richard Dawkins' new book "The God Delusion" in an interview he did: "Natural selection builds child brains with a tendency to believe whatever their parents and tribal elders tell them. Such trusting obedience is valuable for survival .... But the flip side of trusting obedience is slavish gullibility. The inevitable by-product is vulnerability to infection by mind viruses ... The child cannot know that 'Don't paddle in the crocodile-infested Limpopo' is good advice, but 'you must sacrifice a goat at the time of the full moon, otherwise the rains will fail' is at best a waste of time and goats." Hamm quotes another part of the book where Dawkins says, "Could irrational religion be a by-product of the irrationality mechanisms that were originally built into the brain by selection for falling in love?" Why am I or Hamm quoting Dawkins? Because this film explores that aspect of religion with the Sons of Adam cult Sheldon has cooked up. Not only do we clearly have "mind viruses" where irrational ideas are spread from one person to the next, but we are dealing with a religion that takes something irrational (the mass murder of women) and weaves a story around it to make this something for God. Dawkins surely did not have Sheldon in mind, and Sheldon may not have agreed with Dawkins were she alive today, but the themes cross over very nicely.
With all this praise, you may be wondering why I gave the film a fairly lackluster grade. And the reason is this: while the ideas and writing are superb, the film tends to trail on at the second half. As time passes, the story becomes less interesting and the exploration of the themes pretty much comes to a standstill. The closing scene (which, as usual, I won't discuss) was for me a huge disappointment, inserting aspects into the film which in my opinion really were better left out.
Despite the low rating, I do encourage everyone to see this film and I would consider it better than many of the episodes in Season Two (though still not as gripping as "Pelts" or as endearing as "Family"). Dante has a way with bringing critical issues to the forefront and I hope if he returns for the next season that he continues this... I see no way he could disappoint me with this track record.