| Photos (see all 7 | slideshow) | Videos (see all 5 NEW) |
| John Leguizamo | ... | Felix De La Pena | |
| Tyrese Gibson | ... | Adell Baldwin | |
| Rosie Perez | ... | Marina De La Pena | |
| Bobby Cannavale | ... | Agent Steve Perelli | |
| Matthew Hatchette | ... | Agent Forest Baxter | |
| Yul Vazquez | ... | Marco Ruiz | |
| Carlos Sanz | ... | Det. Victor Martinez | |
| Jake Muxworthy | ... | Jimmy Grannis | |
| Laurence Mason | ... | Curtis Fellows | |
| Roger Guenveur Smith | ... | Dr. Phineas | |
| Jessica Steinbaum | ... | Rosey De La Pena | |
| David Castro | ... | Bartender | |
| Taylor Gray | ... | Javy De La Pena | |
| rest of cast listed alphabetically: | |||
| Tina Adams | ... | Doctor | |
| Nick Rey Angelus | ... | Hospital Homeboy | |
| J. Boss | ... | Security Gaurd | |
| Curt Bouril | ... | Fireman | |
| Cass Alexander Brown | ... | Coroner | |
| Victor Buno | ... | Preacher | |
| Cristos | ... | Barry Munoz | |
| Kevin Dunigan | ... | Ellis Hawk | |
| Bryeon Earle | ... | Surgical nurse | |
| Christian George | ... | Bill White | |
| Pride Grinn | ... | Tony Oppenheimer | |
| Mari Haig | ... | Doctor | |
| Julanne Chidi Hill | ... | Nikki Singletary | |
| Astrelle Johnquest | ... | Nurse | |
| Ray Latulipe | ... | Jim Clark | |
| Joshua LeBar | ... | Officer | |
| Margarita Lugo | ... | Dolores Furcal | |
| Aris Mendoza | ... | Bonnie | |
| James Molina | ... | Antonio Cruz | |
| Juan Pacheco | ... | Manuel Padilla | |
| Jerrod Paige | ... | Cop | |
| Russell Peters | ... | Dr. Sharma | |
| Danielle Sapia | ... | Jimmy's Girlfriend | |
| Greg Siff | ... | Coroner | |
| Sam Upton | ... | Phillip Morrison | |
Directed by | |||
| Brad Furman | |||
Writing credits(WGA) | ||
| Jonas Pate | (written by) & | |
| Josh Pate | (written by) (as Joshua Pate) | |
Produced by | |||
| J. Boss | .... | executive producer | |
| Matthew Hatchette | .... | executive producer | |
| Marco Martinez | .... | consulting producer (as Marco Antonio Martinez) | |
| Braxton Pope | .... | producer | |
| Steven Quarles | .... | executive producer | |
| John Saviano | .... | co-producer | |
| Alexander Tabrizi | .... | executive producer | |
| Andrew Weiner | .... | producer | |
Original Music by | |||
| Chris Hajian | |||
Cinematography by | |||
| Lukas Ettlin | |||
Film Editing by | |||
| Edie Bleiman | |||
| Luis Carballar | |||
Casting by | |||
| Aaron Griffith | |||
Production Design by | |||
| Charisse Cardenas | |||
Art Direction by | |||
| Jenny Sterling | |||
Set Decoration by | |||
| Dorit Oberman | |||
Costume Design by | |||
| Estee Ochoa | |||
Makeup Department | |||
| Megan Graham | .... | makeup artist | |
| James Servera Jr. | .... | hair stylist | |
| Sara Vaughn | .... | key makeup artist | |
Production Management | |||
| David J. Bowler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Craig Borden | .... | first assistant director | |
| Jason Halley | .... | second second assistant director | |
| Jill Hoppy | .... | second assistant director | |
Art Department | |||
| Michael Keith Aleshire | .... | leadman | |
| Steven DeSantis | .... | construction coordinator | |
| Vincent DeSantis | .... | general foreman | |
| Jen Fiedler | .... | set dresser | |
| Maureen Kropf | .... | lead scenic | |
| Doug Schellhase | .... | on-set dresser | |
| Jason Thirlaway | .... | property master | |
| Leon Watkins | .... | assistant property master | |
Sound Department | |||
| Manvel Barsegyan | .... | sound mixer | |
| Thomas Curley | .... | sound mixer: additional photography | |
| Stephen Hodde | .... | additional sound designer | |
| Amy Kane | .... | foley artist | |
| Jeff Knudsen | .... | boom operator | |
| Phillip Perpich | .... | field recordist | |
| Steven Ticknor | .... | sound re-recording mixer | |
| Steven Ticknor | .... | supervising sound editor | |
Special Effects by | |||
| Giuliano Fiumani | .... | special effects coordinator | |
| Jason Thirlaway | .... | special effects | |
| Thad Whitley | .... | dental technician | |
Visual Effects by | |||
| Tom Howard | .... | digital artist | |
Stunts | |||
| Loren Dennis | .... | stunt double | |
| Gary Paul | .... | stunt coordinator | |
| C.C. Taylor | .... | stunt double | |
Camera and Electrical Department | |||
| Jihan Abdalla | .... | photographer | |
| Collin Brink | .... | lighting technician | |
| Matt Calonica | .... | grip | |
| Eddie San Chan | .... | gaffer | |
| Oscar Garcia | .... | key grip | |
| Bryan Haigh | .... | first assistant camera | |
| Brent Hansen | .... | best boy lighting | |
| Jennifer Harville | .... | assistant camera | |
| Tom Holzer | .... | assistant camera | |
| Tom Howard | .... | dolly grip | |
| Kyle Klutz | .... | assistant camera | |
| Robert Lam | .... | lighting technician | |
| Erwin Landau | .... | additional Steadicam operator | |
| BJ McDonnell | .... | Steadicam operator | |
| Stanley Newton | .... | still photographer | |
| Christina Ortiz | .... | film loader | |
| Jon Peter | .... | first assistant camera: second camera | |
| Tom Petrushevich | .... | best boy grip | |
| Joshua Reis | .... | camera operator | |
| Joshua Reis | .... | director of photography: second unit | |
| Sergio Villegas | .... | lighting technician | |
| Annie Wildmoser | .... | second assistant camera | |
| Alexander Yellen | .... | first assistant camera | |
Casting Department | |||
| Irvin Gourgue | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sara Catherine Curran | .... | costumer | |
| Marcia Zigler | .... | set costumer | |
Editorial Department | |||
| Juan Carlos Aguirre | .... | additional editor | |
| Jim Eberle | .... | digital intermediate on-line editor | |
| Vince Filippone | .... | additional editor | |
| Shane Harris | .... | digital intermediate colorist | |
| Nick Monton | .... | digital intermediate producer | |
Music Department | |||
| Seth C. Harris | .... | music supervisor | |
| Yagmur Kaplan | .... | music editor | |
Transportation Department | |||
| Justin Steele | .... | driver: cast | |
Other crew | |||
| Dr. Josh Baron | .... | medical advisor | |
| Tina Betz | .... | assistant: John Saviano | |
| Jacqueline Bransky | .... | production assistant | |
| Belinda Ellis | .... | production accountant | |
| Paola Giordano | .... | office production assistant | |
| Ali Gordon-Goldstein | .... | production secretary | |
| Torrence Hall | .... | armorer | |
| De' Leon Howard III | .... | photo double: Tyrese Gibson | |
| Ross Levine | .... | assistant production coordinator | |
| Jan McWilliams | .... | script supervisor | |
| Kevin Muir | .... | location manager | |
| Andrew Poston | .... | assistant: Brad Furman | |
| Antonia Raftu | .... | assistant: Braxton Pope | |
| Megan Schmidt | .... | production assistant | |
| Kim Siedentopf | .... | assistant location manager | |
| Denise Skinner | .... | location scout | |
| Rob Spence | .... | production coordinator | |
| Danae Teran | .... | office intern | |
| Mike Tristano | .... | armorer | |
| Josh Vignery | .... | location scout | |
| Brandon Zinn | .... | behind the scenes footage | |
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When you have $800,000 to make a film with an actor like Leguizamo and you're on location in a perilous neighborhood and, when you have the passion and integrity that these filmmakers exhibit, it's difficult not to champion the spirit of independent film-making. As opposed to the grossly budgeted wastes that studios constantly call "films", here we have a filmmaker and a cast dedicated to story and to capturing something of the human condition. Hollywood pretends to have the answers and consequently puts out garbage because it makes money and justifies the jobs of bloated, overpaid executives who wouldn't know "art" if it bit them in the ass. Our culture goes to see these movies because their options are limited because of the far reach of the distribution system in place. That is why Soderbergh and others like him have experimented with non-conventional ways of distributing a film, so that money and time, our most valuable resources, are not squandered, but used wisely to reach more people with stories that are told using hearts, not egos.
I was at the premiere of "The Take" in Toronto last year and was very touched by the "Q&A" that followed the screening. To see this filmmaker stand in front of so many people and thank his parents, his cast and crew in a way that shared the adulation instead of hogging it for his own personal gain this was encouraging. To learn of the trials and tribulations on this particular film was eye-opening and gave me a better understanding of what goes on "behind the scenes", particularly with little to no money. I'm learning that to get a film made outside the studio system is next to impossible. Many talk, few dare and even fewer actually do. Mr. Furman should be commended for his work, on screen, of course, but sometimes, where somebody might find a story lacking on the screen, if they look towards what happened off-screen, they may be heartened to know that art and artists are fighting hard everyday to bring their perspective of the world to as many people as possible. Nothing is perfect and a film that has all the answers (as most studio films try to convey) is not doing it's job to present the questions.
"The Take" is dark and bleak at times, but underlying its grit is a story of hope, reconciliation and the fight of the human spirit. It is really easy to judge and critique, but for those who have never made a film, perhaps try before you disparage the work of what I consider to be one of our great, future filmmakers and story tellers.
Oh, on a side, yet important note, the performance of John Leguizamo was one of the most real and heart-breaking of seen of his, and he's a fine actor.