| Photos (see all 3 | slideshow) | Videos |
| Azura Skye | ... | Sara | |
| Joshua Leonard | ... | Michael | |
| Nathan Baesel | ... | David | |
| Reg E. Cathey | ... | Samuel | |
| Diane Salinger | ... | Margaret | |
| rest of cast listed alphabetically: | |||
| Dan Beene | ... | Quincy | |
| Deborah Duke | ... | Mrs. Coday | |
| Shannon Eubanks | ... | Ms. Mynard | |
| Aaron Hendry | ... | Pierre | |
| Khadijah | ... | Delinda | |
| Malika | ... | Dilcy | |
| Amelia Rose Onuszkanycz | ... | Baby sara | |
| Phil Parker | ... | Harvey | |
| Graham Roden | ... | Allen | |
| Charlie Talbert | ... | Janus | |
Directed by | |||
| Jim Torres | |||
Writing credits(in alphabetical order) | ||
| Ron Harris | writer | |
| Jim Torres | writer | |
Produced by | |||
| Anthony Balch | .... | producer | |
| Donna Brower | .... | producer | |
| D. Scott Lumpkin | .... | producer | |
| Holly Murray | .... | line producer | |
| Derek Thornton | .... | executive producer | |
| Derek Thornton | .... | producer | |
| Susannah Torres | .... | associate producer | |
Original Music by | |||
| John Heitzenrater | |||
| Chris Johnson | |||
Cinematography by | |||
| William 'Bill' Sweikart | |||
Film Editing by | |||
| Jim Torres | |||
Casting by | |||
| Donna Brower | |||
Art Direction by | |||
| David Harwell | |||
Costume Design by | |||
| Ron Harris | |||
Makeup Department | |||
| Garnet Burke | .... | makeup department head | |
Production Management | |||
| Holly Murray | .... | unit production manager | |
| Scott Ross | .... | post-production supervisor | |
Art Department | |||
| Shannon Graham | .... | construction coordinator | |
| Matt Markow | .... | swing | |
| Bryan Misfeldt | .... | scenic artist | |
| Olivia Motley | .... | art department production assistant | |
| David Nicholson | .... | assistant property master | |
| Michael Reynolds | .... | leadman | |
Sound Department | |||
| Mary Florian | .... | sound utility | |
| Aron Siegel | .... | sound recordist | |
| Alex Steele | .... | sound utility | |
| Thomas Ward | .... | additional sound mixer: second unit | |
| Thomas Ward | .... | boom operator | |
Special Effects by | |||
| Douglas Cook | .... | special effects assistant | |
| Daniel Mazikowski | .... | special effects makeup | |
Visual Effects by | |||
| Daniel Broadway | .... | visual effects supervisor | |
| Kristian Andi Lemmik | .... | digital matte artist | |
| Tom Miller | .... | effects technical director | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
Camera and Electrical Department | |||
| William Boxx | .... | videographer | |
| Brent Copeland | .... | videographer | |
| Colby Damazio | .... | grip | |
| Robert Duke | .... | gaffer | |
| Eric Fullerton | .... | videographer | |
| Gary Griner | .... | electrician | |
| Howard Hicks | .... | electrician | |
| Jeremy Hudson | .... | electrician | |
| David Jerkins | .... | best boy electric | |
| Chris Lumpkin | .... | key grip | |
| Bryan Misfeldt | .... | grip | |
| Tim Pierce | .... | cinematographer: second unit | |
| Steve Richerson | .... | assistant camera | |
| Darrell Tibbs | .... | electrician | |
| Ernie Wann | .... | dolly grip | |
Casting Department | |||
| Mindy Knapp | .... | casting assistant | |
| Darin Windham | .... | extras casting | |
| Marianne Windham | .... | extras casting | |
Editorial Department | |||
| Scott Ross | .... | assembly editor | |
Transportation Department | |||
| Rick Damazio | .... | transportation coordinator | |
| Mindy Knapp | .... | driver | |
Other crew | |||
| Jacob Bartol | .... | location manager | |
| Douglas Cook | .... | key production assistant | |
| Douglas Matthew Cook | .... | key set production assistant | |
| Julie Engle Hatton | .... | production assistant | |
| Kelly Lee Lamb | .... | assistant location manager | |
| Kayla Schoen | .... | production coordinator | |
| Jacob D. Tober | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
In the last years,there has been an explosion of movies with a post-apocalyptic subject and I think there are two reasons for that : worldwide situation is everyday more dangerous and unpredictable and that inspires to speculate what life is going to be like in the days after our civilization goes down because of its vices and mistakes.The other reason is technical : the easy access to audio and video equipment,accompanied with the edition and digital distribution,makes easier the creation of cheap movies about the future world which will be full of danger (translation : filmmaker aspirants,who have more enthusiasm than talent,call some of their friends,and on their free time,they make a semi-improvised movie using old clothes,artificial blood and a location lent by some member of their family).20 Years After could have been one of that generic movies because of the amateur performances,mistakes on the art direction and an irregular visual style.However,I give credit to this movie because it avoids a lot of clichés from this kind of movies (for example,the zombies)and because it tried to do something deeper,more realistic and meditative about the future world.In other words,the element I mostly appreciated from this movie is its ambition.I also appreciated the deepness put on the characters because,thinking it well,they all represent different aspects of the humanity.I may be giving this movie too much credit but I noticed that behind the various fails from this movie (for example,the screenplay is irregular and there are some boring moments),there are solid concepts and a clear porpoise...although the movie did not completely achieve that.The story from this movie sounds as an ultra-modest version of the film Children of Men and,of course,this film very far away from that brilliant movie.But,inside its limited possibilities,it tries to make us think at the same time it entertains us.20 Years After does not always get that difficult point but I still respect this film because it tried to go a bit more far away.So,I can recommend this movie as a failed but interesting experiment.In summary,what I mostly appreciated from 20 Years After is that it risked to fail for making something more creative and ambitious than what this kind of post-apocalyptic low-budget films usually do.As I have said many times,it's better to see a movie which failed for trying to go beyond its limits than a movie which failed for not risking.So,because of that,20 Years After deserves respect.