The Soloist (2009)

Director:

Joe Wright

Writers (WGA):

Susannah Grant (screenplay)
Steve Lopez (book)

Release Date:

24 April 2009 (USA)

Genre:

Biography | Drama | Music

Tagline:

Life has a mind of its own

Plot:

A Los Angeles journalist befriends a homeless Julliard-trained musician, while looking for a new article for the paper.

Plot Keywords:

Musician | Journalist | Columnist | Los Angeles Times | Reporter

Cast

Jamie Foxx	...	Nathaniel Ayers
Robert Downey Jr.	...	Steve Lopez
Catherine Keener	...	Mary Weston
Tom Hollander	...	Graham Claydon
Lisa Gay Hamilton	...	Jennifer Ayers (as Lisagay Hamilton)
Nelsan Ellis	...	David Carter
Rachael Harris	...	Leslie Bloom
Stephen Root	...	Curt Reynolds
Lorraine Toussaint	...	Flo Ayers
Justin Martin	...	Young Nathaniel
Kokayi Ampah	...	Bernie Carpenter
Patrick Tatten	...	Paul Jr.
Susane Lee	...	Marisa (as Susane E. Lee)
Marcos De Silvas	...	Mayor Antonio Villaraigosa
Ilia Volok	...	Harry Barnoff

Also Known As:

Imagining Beethoven (USA) (working title)

MPAA:

Rated PG-13 for thematic elements, some drug use and language.

Runtime:

117 min

Country:

UK | USA | France

Language:

English

Color:

Color (DeLuxe)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS | DTS

Certification:

Australia:M | USA:PG-13 (certificate #44923) | Netherlands:12 | South Korea:12 | Ireland:12A | Singapore:PG | Portugal:M/12 (Qualidade) | UK:12A | Finland:K-11 | Argentina:13 | Brazil:12

Filming Locations:

Biltmore Hotel - 506 S. Grand Avenue, Downtown, Los Angeles, California, USA

Company:

DreamWorks SKG

Trivia:

The film makers shot on "skid row" in Los Angeles, which is known for being home to one of the largest stable populations of transient persons (homeless) in the United States.

Goofs:

Continuity: When Lopez pulls over in the tunnel after spotting Ayers, his car blocks the right lane. In subsequent shots, cars are seen in the background cruising through that very same lane, one even merges into it, even though Lopez's car is blocking it just a few yards ahead.

Quotes:

Steve Lopez: I've never loved anything the way he loves music.

Movie Connections:

Featured in 81st Annual Academy Awards (2009) (TV)

Uplifting: Finding a Golden Needle in the Haystack of Urban Blight

First off, I should say that I am personally familiar with this story, having worked in downtown L.A. for the last 19 years and seeing Mr Ayers and his cello many a time around 3rd and Hill Sts. I've also read Lopez's columns in the Times for years and followed this one with interest and satisfaction. Making a film about a tale like this restores my belief in Hollywood beyond the mindless bunk it churns out year after year.

Downey Jr and Foxx play a newspaper columnist and homeless man who come together in a most unusual way. Downey is a newspaper columnist looking for something original and interesting to write about. He finds it when he sees Foxx beautifully playing battered stringed instruments along 3rd street in downtown L.A. Foxx has been there for years but on this day grabs the eye of the columnist because the columnist himself is experiencing hardship and doubt related to his own position. He begins to write about this talented but troubled man who fills the stinky air around him with harmony. They become friends but keep in mind this is not fiction. The friendship hits many bumps that continue to this day. Nathaniel Ayers (Foxx's character) may be a brilliant, educated musician, but he suffers from bouts of schizophrenia that manifest at any time. Downey's character accepts this as it adds more intrigue to his columns. Then he accepts it on a personal level. Their friendship ultimately becomes real and meaningful. You sense that Downey's character needs the friendship even more than Foxx's homeless man does. In the end, Downey's Lopez can see the positive effect his work has brought to the plight of the homeless, yet he wonders personally how much better he has made Nathaniel...? His reflections make us think also.

Downey Jr and Foxx play their characters to near perfection and the film masterfully takes its time in developing the relationship between the two. Great to see director Joe Wright telling a contemporary tale just as effectively as he has in previous works. The film makes us wonder how many other Nathaniel Ayers are lurking out there on the streets? Life being what it is, of course we will never know. The beauty of the film is that is shows what can happen when just one Nathaniel Ayers is found after being lost for so many years. There's no sugarcoating; Ayers doesn't magically get better and rejoin mainstream society. Instead, the mainstream accepts him for what he is and what he offers and begins integrating him as best it can. This film will certainly pop up at award time next year.