| Photos (see all 39 | slideshow) | Videos (see all 9 videos) |
| Sam Rockwell | ... | Brad Cairn | |
| Vera Farmiga | ... | Abby Cairn | |
| Celia Weston | ... | Hazel Cairn | |
| Dallas Roberts | ... | Ned Davidoff | |
| Michael McKean | ... | Chester Jenkins | |
| Jacob Kogan | ... | Joshua Cairn | |
| Nancy Giles | ... | Betsy Polsheck | |
| Linda Larkin | ... | Ms. Danforth | |
| Alex Draper | ... | Stewart Slocum | |
| Stephanie Roth Haberle | ... | Pediatrician | |
| Ezra Barnes | ... | Fred Solomon | |
| Jodie Markell | ... | Ruth Solomon | |
| Rufus Collins | ... | Henry Abernathy | |
| Haviland Morris | ... | Monique Abernathy | |
| Tom Bloom | ... | Joe Cairn | |
| Antonia Stout | ... | Museum Staffer | |
| Randy Ryan | ... | Soccer Dad | |
| Evan Seligman | ... | Soccer Teammate | |
| Patrick Henney | ... | Singing Boy | |
| Gurdeep Singh | ... | Cabbie | |
| Nicholas Guidry | ... | Bike Messenger | |
| Darrill Rosen | ... | Homeless Man | |
| Daniel Jenkins | ... | Minister | |
| Erik Solky | ... | Park Patron | |
| Shianne Kolb | ... | Lily Cairn | |
| Lacey Vill | ... | Lily Cairn |
Directed by | |||
| George Ratliff | |||
Writing credits | ||
| David Gilbert | (written by) and | |
| George Ratliff | (written by) | |
Produced by | |||
| Johnathan Dorfman | .... | producer | |
| Thomas Fatone | .... | associate producer | |
| Temple Fennell | .... | executive producer | |
| Dan O'Meara | .... | executive producer | |
| George Paaswell | .... | co-producer | |
Original Music by | |||
| Nico Muhly | |||
Cinematography by | |||
| Benoît Debie | (director of photography) | ||
Film Editing by | |||
| Jacob Craycroft | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
Production Design by | |||
| Roshelle Berliner | |||
Art Direction by | |||
| Katya DeBear | |||
Set Decoration by | |||
| Amanda Carroll | |||
Costume Design by | |||
| Astrid Brucker | |||
Makeup Department | |||
| Colleen Callaghan | .... | hair designer | |
| John Jack Curtin | .... | assistant hair stylist | |
| Joseph Farulla | .... | assistant makeup artist | |
| Sharon Ilson | .... | key makeup artist | |
| Joseph Whitmeyer | .... | hair stylist | |
Production Management | |||
| Bergen Swanson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Thomas Fatone | .... | first assistant director | |
| Patrick Gibbons | .... | second assistant director | |
| Kim Thompson | .... | second second assistant director | |
Art Department | |||
| Shannon Finnerty | .... | on-set dresser | |
| Yolan Fisher | .... | property master | |
| Dan Kajeckas | .... | charge scenic artist | |
| Ronnie Petagna | .... | carpenter | |
| Bentley Wood | .... | assistant property master | |
| Derek J.W. Wybourn | .... | set dresser | |
Sound Department | |||
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | sound supervisor | |
| David Ellinwood | .... | dialogue editor | |
| Anguibe Guindo | .... | additional boom operator | |
| Ken Ishii | .... | sound mixer | |
| John Moros | .... | adr engineer | |
| Abigail Savage | .... | sound effects editor | |
| Craig Spencer | .... | foley editor | |
| Julie Wilde | .... | boom operator | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Abraham Altbuch | .... | grip | |
| Aida Artieda | .... | grip | |
| Mark Beattie | .... | generator operator | |
| Manuel Billeter | .... | camera operator | |
| Luis Colon | .... | best boy grip | |
| Caswell Cooke | .... | key grip | |
| Dylan Crawshay-Williams | .... | grip | |
| Jess Fogel | .... | electrician | |
| Shawn Greene | .... | gaffer | |
| Ludovic Littee | .... | assistant camera | |
| Nick Maczka | .... | additional grip | |
| Matthew Mendelson | .... | electrician | |
| Sebastien Nicolet | .... | camera trainee | |
| Jeff Niggemeyer | .... | electrician | |
| Ray Richards | .... | additional electrician | |
| Daniel D. Sariano | .... | assistant camera | |
| Randy Schwartz | .... | additional assistant camera | |
| Yoshi Sonoda | .... | additional grip | |
| Sean Taylor | .... | electrician | |
| Vance Tucker | .... | third grip | |
| Brett Walters | .... | assistant camera | |
| Trevor Watrous | .... | grip | |
| JoJo Whilden | .... | still photographer | |
| Yueni Zander | .... | assistant camera | |
Casting Department | |||
| Lois J. Drabkin | .... | casting associate | |
| Sylvia Fay | .... | extras casting | |
| Lee Genick | .... | extras casting | |
Costume and Wardrobe Department | |||
| Diana J. Collins | .... | wardrobe supervisor | |
| Jacci Fredenburg | .... | assistant costume designer | |
| Lucia Lettini | .... | set costumer | |
| Jan Finnell | .... | costumer (uncredited) | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Matthew H. Giordano | .... | assistant editor | |
| Stan Sztaba | .... | negative matcher | |
Music Department | |||
| Mikael Carlsson | .... | executive soundtrack producer | |
Thanks | |||
| Ami Armstrong | .... | special thanks | |
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| The Great New Wonderful | Trust the Man | Single White Female | The Omen | Home of the Brave |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Those who hyped "Joshua" prior to its theatrical run bandied about the names of Hitchcock and Polanski in an attempt to sell an art film that, while well-made and rife with fantastic performances, never transcends its own lack of purpose. Yes, this is one of those films that raises its nose at the very notion of "evil kid" flicks while playing into their conventions without shame. Nine-year old Joshua Cairn (Jacob Kogan) is a prodigy who excels at school and is already exhibiting the traits of a master manipulator; when his new baby sister comes home, he sets into motion a plan to erase her from the picture, but not before driving parents Brad (Sam Rockwell) and Abby (Vera Farmiga) off the deep end. While the child's motives are only vaguely hinted at, it's strongly implied that he's enacting vengeance for the affection he never received as an infant (and thus transformed him into an unfeeling pod-kiddie). Director/co-writer George Ratliff shows a flair for mining tension from plot turns that are fairly mechanical, and builds a sense of pervasive unease that, till the thoroughly telegraphed denouement, is a modest echo of Polanski's "apartment trilogy." The adult performers are excellent, with Rockwell ("The Green Mile") and Farmiga ("The Departed") absolutely convincing as the well-meaning parents whose lives descend out of control (even if it's hard to believe they wouldn't have had Joshua committed years before); Rockwell possesses a fine mix of fatherly devotion and paranoia, and Farmiga's psychologically damaged mother is sympathetic and nigh tragic. If there's a problematic performance here, it's Kogan's, whose Joshua is an overly mannered, blank-eyed moppet whose dialog and mannerisms transform him into more of a plot contrivance than a character (since he's the film's pivot point, we have to suffer through his awkward dissertations on death and Egyptian mythology); it's as though Ratliff and co-writer David Gilbert, having already named the film after this "enfant terrible," needed to blare his obvious weirdness in our faces. "Joshua" may be the new kid on the block, but he pales in comparison to "The Omen" and "The Good Son."