| Photos (see all 8 | slideshow) | Videos (see all 2 NEW) |
| Erica Leerhsen | ... | Nina Papas | |
| Henry Rollins | ... | Dale Murphy | |
| Texas Battle | ... | Jake | |
| Daniella Alonso | ... | Amber | |
| Steve Braun | ... | Jonesy | |
| Aleksa Palladino | ... | Mara | |
| Matthew Currie Holmes | ... | Michael | |
| Crystal Lowe | ... | Elena | |
| Kimberly Caldwell | ... | Kimberly | |
| Wayne Robson | ... | Old Man | |
| Ken Kirzinger | ... | Pa | |
| Ashlea Earl | ... | Ma | |
| Clint Carleton | ... | Brother | |
| Rorelee Tio | ... | Sister | |
| Jeff Scrutton | ... | Three Finger | |
| Cedric De Souza | ... | Neil | |
| John Stewart | ... | Wojo | |
| Bro Gilbert | ... | Chris | |
| Patton Oswalt | ... | Tommy (voice) |
Directed by | |||
| Joe Lynch | |||
Writing credits(in alphabetical order) | ||
| Alan B. McElroy | characters (as Alan McElroy) | |
| Turi Meyer | written by | |
| Al Septien | written by | |
Produced by | |||
| Erik Feig | .... | executive producer | |
| Jeff Freilich | .... | producer | |
| Robert Kulzer | .... | executive producer | |
Original Music by | |||
| Bear McCreary | |||
Cinematography by | |||
| Robin Loewen | (director of photography) | ||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Corinne Clark | |||
| Nancy Nayor | |||
| Kelly Wagner | |||
Production Design by | |||
| Brentan Harron | |||
Art Direction by | |||
| Kirsten Franson | |||
Set Decoration by | |||
| George Neuman | |||
Costume Design by | |||
| Hisami Yamamoto | |||
Makeup Department | |||
| Angelina P. Cameron | .... | hair department head | |
| Stan Edmonds | .... | key makeup artist | |
| Vanessa Giles | .... | assistant makeup artist | |
| Brad Hardin | .... | makeup effects technician: Optic Nerve Studios | |
| Keith Lau | .... | special makeup effects artist | |
| Shauna Magrath | .... | special makeup effects artist | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Vicki Syskakis | .... | makeup effects artist | |
| Bill Terezakis | .... | makeup designer | |
| Maureen Terezakis | .... | makeup effects producer | |
| Monique Venier | .... | special makeup effects artist | |
| Vince Yoshida | .... | special makeup effects artist | |
| Elisabeth Jolliffe | .... | special makeup effects technician (uncredited) | |
| J.P. Mass | .... | special makeup effects technician (uncredited) | |
Production Management | |||
| David Dewar | .... | post-production supervisor | |
| Craig Forrest | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Heimbecker | .... | third assistant director | |
| Janine Law | .... | second assistant director | |
| Oliver Lee | .... | trainee assistant director | |
| Ken Shane | .... | first assistant director | |
Art Department | |||
| Perry Battista | .... | lead set dresser | |
| Tim Dagley | .... | on-set dresser | |
| Tracy B. Dunlop | .... | set dresser | |
| Tyler Bishop Harron | .... | assistant art director | |
| Dean McQuillen | .... | construction coordinator | |
| Tasha Moth | .... | props/armourer | |
| Ocea Ringrose | .... | set dresser | |
| Kara Schwandt | .... | assistant set decorator | |
| David Sinclair | .... | property master | |
| Gregory R. Sugg | .... | assistant property master | |
| Ling Yang | .... | storyboard artist | |
Sound Department | |||
| Ken Biehl | .... | background sound effects editor | |
| William Butler | .... | sound mixer | |
| Stephen Cheung | .... | dialogue editor | |
| Ian Emberton | .... | sound effects editor | |
| Ian Emberton | .... | sound re-recording mixer | |
| Ian Emberton | .... | supervising sound editor | |
| Craig George | .... | adr walla editor | |
| Charles O'Shea | .... | boom operator | |
| Greg Stewart | .... | sound re-recording mixer | |
| Clive Turner | .... | sound effects editor | |
| Wayne Williams | .... | sound assistant | |
Special Effects by | |||
| Bob Comer | .... | special effects coordinator | |
| Barry Hebein | .... | fabricator | |
| Dan Keeler | .... | special effects first assistant | |
| Curt Storms | .... | fabricator | |
| Harry Tomsic | .... | fabricator | |
Visual Effects by | |||
| Simon Ager | .... | digital compositing artist | |
| Rachelle Bisson-Montpetit | .... | digital compositor | |
| Landon Bootsma | .... | digital compositor: Technicolor | |
| Pauline Burns | .... | visual effects coordinator | |
| Josh Cole | .... | compositor | |
| Keegan Douglas | .... | lead compositor | |
| Andrew Karr | .... | visual effects supervisor | |
| Tammy Sutton | .... | digital compositor | |
| Dan Walker | .... | digital compositor | |
Stunts | |||
| Laura Lee Connery | .... | stunt driver | |
| Rikki Gagne | .... | stunt double | |
| Jon Kralt | .... | stunt double: Steve Braun | |
| Paul Lazenby | .... | wire technician | |
| Darryl Quon | .... | wire technician | |
| Dan Rizzuto | .... | stunt double | |
| Jacob Rupp | .... | stunt coordinator | |
| Larissa Stadnichuk | .... | stunt double: Erica Leerhsen | |
| Hugo Steele | .... | stunt double | |
| Rorelee Tio | .... | stunt actor | |
Camera and Electrical Department | |||
| Bradley S. Creasser | .... | camera operator | |
| Jesse Deacon | .... | assistant chief lighting technician | |
| Herb DeWaal | .... | key rigging grip | |
| Sean Elliott | .... | first assistant camera: "b" camera | |
| Steve McGuire | .... | rigging grip | |
| Darren McLean | .... | gaffer | |
| Brian Smith | .... | key grip | |
| Keith Woods | .... | rigging gaffer | |
Casting Department | |||
| Celeste Leger | .... | casting associate | |
Costume and Wardrobe Department | |||
| Catherine Church | .... | assistant costume designer | |
Editorial Department | |||
| Cheryl Buckman | .... | assistant editor | |
Music Department | |||
| John Avila | .... | musician: bass | |
| Steve Bartek | .... | musician: guitars | |
| Robert L. Bennett Jr. | .... | composer: additional music | |
| Steve Kaplan | .... | scoring engineer | |
| Doug Lacy | .... | musician: accordion | |
| Brendan McCreary | .... | scoring assistant | |
| Katrina Schiller | .... | music editor | |
| Jonathan Snipes | .... | composer: additional music | |
Transportation Department | |||
| Paul Irvine | .... | driver | |
| Allan Morgan | .... | transportation coordinator (as Al Morgan) | |
Other crew | |||
| Gillian Andrew | .... | production accountant | |
| Mike Atwater | .... | production assistant | |
| Dan Carr | .... | location manager | |
| Kennedy Davey | .... | office production assistant | |
| Kathy Davis | .... | assistant accountant | |
| Brooke Ensign | .... | unit publicist | |
| Mollie Freilich | .... | assistant to producer and director | |
| Craig J. Lane | .... | first assistant production coordinator | |
| Michele MacInnes | .... | production coordinator | |
| Colin McCarthy | .... | assistant location manager | |
| Jenny Oberem | .... | script supervisor | |
| Melyssa Rose | .... | second assistant production coordinator | |
| Marianne Sorensen | .... | payroll | |
| Maureen Terezakis | .... | supervisor: MUFX | |
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| Wrong Turn | Wrong Turn 3: Left for Dead | Friday the 13th | Doomsday | Chôjin densetsu Urotsukidôji |
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"Wrong Turn" had its charms (ick) but "Wrong Turn 2: Dead End", is actually better in many ways. It's still a derivative film, which borrows from TCM, etc., but still, one character has already had her face bitten off & has been lopped in half before the opening credits are finished running, egad! The premise is that a bunch of young folks are out in West Virginia to film a pilot for a "reality TV show" that's one of these survival things, and the gist is that they're supposed to survive off the land & stuff; I doubt there was any mention of having to fend off crazed mutated hill-folks to win the prize, otherwise they'd probably not have chosen to participate. Some participants do happen across some yummy barbecue over an open fire though, mm-mm, those folks sure do know how to cook up a mean barbecue. Warning: never eat found barbecued meat while wandering through the woods. Henry Rollins (former singer for Black Flag, like THIRTY YEARS AGO!) is still a formidable presence, he plays an ex-Marine & the host of our little show. There's lots of gore & mayhem although it's carried out much more imaginatively than your usual "slice & dice" fare. There's even some time for a bit of character development, too. The wooded setting is a much better scenario for rampaging mutant hill folk than the desert too (e.g. Hills Have Eyes). Pretty impressive stuff for direct to video. This should have been released to theaters & not crap like "Hills Have Eyes 2". 7 out of 10.