| Photos (see all 25 | slideshow) | Videos (see all 8) |
Directed by | |||
| C.B. Harding | (as CB Harding) | ||
Writing credits(WGA) | ||
| Bear Aderhold | (written by) & | |
| Tom Sullivan | (written by) (as Thomas F.X. Sullivan) | |
Produced by | |||
| Alan C. Blomquist | .... | producer (as Alan Blomquist) | |
| Maggie Houlehan | .... | associate producer | |
| Jennifer Novak | .... | associate producer | |
| Tom Ortenberg | .... | executive producer | |
| J.P. Williams | .... | producer | |
| Emily Wolfe | .... | executive producer | |
Original Music by | |||
| James S. Levine | |||
Cinematography by | |||
| Tom Priestley Jr. | (director of photography) (as Tom Priestley) | ||
Film Editing by | |||
| Mark Conte | |||
Casting by | |||
| Debbie George | (as Deborah George) | ||
| Lisa Soltau | |||
Production Design by | |||
| Cabot McMullen | |||
Art Direction by | |||
| Dins W.W. Danielsen | (as Dins Danielsen) | ||
Set Decoration by | |||
| Kris Fuller | |||
Costume Design by | |||
| Louise de Teliga | |||
Makeup Department | |||
| Lynn Barber | .... | makeup artist | |
| Jean Castaneda | .... | key hair stylist | |
| Vicki Griffin | .... | makeup artist | |
| Arturo Rojas | .... | hair stylist | |
| Peter Serraino | .... | makeup artist | |
| Tonyia Verna | .... | makeup department head (as Antonyia Verna) | |
| Brandon Waggoner | .... | hair stylist | |
| Soo-Jin Yoon | .... | hair stylist (as Soo Jin Yoon) | |
Production Management | |||
| Alan C. Blomquist | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Chamonix Bosch | .... | second second assistant director | |
| Richard Graves | .... | first assistant director | |
| Eric Sherman | .... | second assistant director | |
Art Department | |||
| Sam Berrini | .... | set dresser | |
| Mike Manasewitsch | .... | set dresser | |
| Troy Myers | .... | leadman | |
| Willy Roberts | .... | on-set dresser | |
| Andrew M. Siegel | .... | property master | |
| Mark Walbaum | .... | art department coordinator (2007) | |
| Kevan Weber | .... | set dresser | |
| Cheree Welsh | .... | art department coordinator | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Gary Boatner | .... | utility sound | |
| Chris David | .... | sound re-recording mixer | |
| Marshall Garlington | .... | sound re-recording mixer | |
| Robert Getty | .... | dialogue editor | |
| Brett Grant-Grierson | .... | sound mixer | |
| David Hingorany | .... | sound mix engineer | |
| Frederick Howard | .... | supervising sound editor | |
| Joe Michalski | .... | sound utility | |
| Donal Nelson | .... | boom operator | |
| Paul Ordonez | .... | temp. sound recordist | |
| Gabriel J. Serrano | .... | sound recordist | |
| Lucy Sustar | .... | foley mixer | |
| Eric Thompson | .... | adr mixer | |
| James Thornton | .... | production sound mixer | |
| Mandell Winter | .... | sound editor | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| George Zamora | .... | pyrotechnician | |
| George Zamora | .... | stunt team | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Michael F. Hoover | .... | digital artist | |
| Peter Kuran | .... | visual effects | |
| Al Magliochetti | .... | visual effects supervisor | |
| Don L. McCoy | .... | digital artist | |
| Michael Mintz | .... | digital film colorist | |
| Scott Wheeler | .... | 3D animation supervisor | |
Stunts | |||
| Bryan Becker | .... | lead stunt double | |
| Mark Bedell | .... | stunts | |
| Richard Bucher | .... | stunts | |
| Jayson Dumenigo | .... | utility stunts | |
| Eddie J. Fernandez | .... | stunts | |
| Dennis Fitzgerald | .... | stunts | |
| Richie Gaona | .... | stunts | |
| Toby Holguin | .... | stunts | |
| Clint Lilley | .... | stunts | |
| Alex Madison | .... | utility stunts | |
| Mark Munoz | .... | stunts: bandito | |
| Joe Ordaz | .... | stunts | |
| Jimmy Ortega | .... | stunts | |
| David Rowden | .... | stunt coordinator | |
| Crystal Santos | .... | stunts | |
| Jose L. Vasquez | .... | stunts | |
| Paul Veluzat | .... | stunt driver | |
| Mark Aaron Wagner | .... | stunt double | |
| Marco Morales | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Ross Addiego | .... | rigging grip | |
| Tony Bendt | .... | grip | |
| Mark 'Boylee' Boyle | .... | first assistant camera | |
| Chris Brow | .... | grip | |
| Barry Gross | .... | rigging gaffer | |
| Daniel R. Haizlip | .... | best boy grip | |
| W.C. 'Chunky' Huse | .... | key grip | |
| Luis Lopez DeVictoria | .... | grip | |
| Joseph M. Lyons | .... | assistant chief lighting technician | |
| David Fred Masselink | .... | digital imaging technician | |
| Brian Minzlaff | .... | lamp operator | |
| Sherri Miranda | .... | assistant camera | |
| David Morenz | .... | first assistant camera | |
| Peter Morenz | .... | film loader | |
| Justin Portwood | .... | rigging best boy grip | |
| Darrell B. Sheldon | .... | dolly grip | |
| Roxanne Stephens | .... | second assistant camera | |
| Keith Talley | .... | key rigging grip | |
| Rick Thomas | .... | gaffer | |
| Sam Urdank | .... | still photographer | |
| Mike Visencio | .... | set lighting technician | |
| Evan Wilhelm | .... | intern assistant camera | |
Costume and Wardrobe Department | |||
| Kathleen Brodbeck | .... | costume supervisor | |
| Robert Iannaccone | .... | set costumer | |
| Stephen Oh | .... | costumer | |
Editorial Department | |||
| George Koran | .... | colorist | |
| Mato | .... | color timer | |
Music Department | |||
| Josh Klein | .... | composer: additional music | |
| Tom Trafalski | .... | music editor | |
Transportation Department | |||
| Bruce Callahan | .... | transportation | |
| Paul Veluzat | .... | tank driver | |
Other crew | |||
| Robin Anderson | .... | script supervisor | |
| Gerard Averill | .... | location manager | |
| Lillian Awa | .... | key set production assistant | |
| Elizabeth C. Camp | .... | set production assistant | |
| Tad Driscoll | .... | production accountant | |
| Mario Gilbert | .... | assistant location manager | |
| Shea Kammer | .... | first assistant accountant | |
| Gavin Kleintop | .... | set production assistant | |
| Ryan Krayser | .... | set production assistant | |
| Jason Kumalo | .... | set production assistant | |
| Adam Palya | .... | set production assistant | |
| Stacy Parker | .... | production coordinator | |
| Will Sandoval | .... | set production assistant | |
| Tara N. Thomson | .... | office production assistant | |
| Philip Wright | .... | production assistant | |
| Yvette Yurcisin | .... | location liaison | |
| Daniel Veluzat | .... | location liaison (uncredited) | |
Thanks | |||
| Libby Goldstein | .... | special thanks | |
| Junie Lowry-Johnson | .... | special thanks (as Junie Lowry Johnson) | |
| Josh Silver | .... | special thanks | |
| Paul Sinor | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Come on! Let's get this thing off the 'Bottom 100' list! | whocareseh |
| Terrible aim | CharlesP2009 |
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This is one of the most horrendous movies I have ever seen. It's supposed to be a comedy but It wasn't very funny at any moment. And I don't know if it has a political message, is it pro Iraq war or anti, either way I couldn't tell. It's just a mess that should be avoided at all cost, it has no original joke and every joke has been told before. More than that, every joke and every situation that's supposed to be funny has been telegraphed and expected.
The movie is about a trio of redneck buddies who are in the Army reserves and are called up to duty to join the fight in Fallujah. Needless to say they did not make it there, but the redneck part is played to the hilt. From the first time they were introduced up to the time they landed at the wrong destination. Everything they do emphasize their ignorance and none of it is particularly funny. It's like the worst of "The Beverly Hillbillies" it's not even ignorance in some cases just stupidity. And it makes the movie more painful to watch than already is.
None of the jokes and situations are original, and most of them are telegraphed and quite very early. The situation with Larry and his girlfriend (Christina Moore) was pretty much where it was going to go. You can't convince me that you didn't know what she was going to say. Even the sight gags were so obvious, sending us endless message that this trio are a bunch of rednecks and they're suppose to do the redneck cliché.
Old jokes can sometimes still work if you have the right people to deliver it. Suffice to say this cast of goofballs just are not the right people. For the most part they know they're delivering a one liner or a punchline. It's been said that the best way to play comedy is to play it straight. These guys know they're in a comedy and what's worse is that they know it's bad comedy. None of the three leads are particularly good actors and what they do isn't create a character but rather create caricatures. Personally I find that that's common with comedians who try their hands at acting.
This movie is an unoriginal, unfunny, clichéd film. The jokes are clichéd and so are the situation. To make matters worse none of the lead are any good as actors.