| Videos |
| Chris Kattan | ... | Luke | |
| James Denton | ... | Elmer | |
| rest of cast listed alphabetically: | |||
| Lew Alexander | ... | Geronimo | |
| Todd Anderson | ... | Kermit | |
| Richard Barela | ... | Drunk Zombie | |
| Matt Besser | ... | Claypool | |
| Brett Brock | ... | Townsman 1 | |
| Richard Bucher | ... | Townsman | |
| Jeff Chase | ... | Zombie | |
| Chris Coppola | ... | Cletus | |
| Gino Crognale | ... | General Store Owner | |
| Jeffrey J. Dashnaw | ... | Townsman (as Jeffrey Dashnaw) | |
| Scott Flick | ... | Zombie Soldier | |
| Michelle Greathouse | ... | Schoolmarm | |
| Patricia Greer | ... | Saloon Girl | |
| Leslie Jordan | ... | Padre | |
| Geoffrey C. Martin | ... | Trap door zombie | |
| Keola Melhorn | ... | Zombie | |
| Tracy Melhorn | ... | Zombie | |
| Michael Patrick Metzdorff | ... | Gunfighter Zombie / Union Soldier Zombie | |
| Cristin Michele | ... | Kate | |
| Christopher Allen Nelson | ... | The Captain | |
| T. Jay O'Brien | ... | Farlow | |
| Brian Posehn | ... | Ben | |
| Navi Rawat | ... | Sue | |
| Chloe Russell | ... | Ruby | |
| Elizabeth Slagsvol | ... | Saloon Girl | |
| Russell Solberg | ... | Townsman | |
| Mia Stallard | ... | Anna | |
| Ben Zeller | ... | Ebeneezer | |
| James Blackburn | ... | Zombie soldier (uncredited) | |
| Brent Lambert | ... | Zombie (uncredited) | |
Directed by | |||
| Glasgow Phillips | |||
Writing credits(WGA) | ||
| Glasgow Phillips | (screenplay) | |
| Scott Pourroy | (story) & | |
| Glasgow Phillips | (story) | |
Produced by | |||
| Deborah Del Prete | .... | producer | |
| David S. Greathouse | .... | producer | |
| Gigi Pritzker | .... | producer | |
| Alton Walpole | .... | line producer | |
Original Music by | |||
| Ivan Koutikov | |||
Cinematography by | |||
| Thomas L. Callaway | |||
Film Editing by | |||
| Larry Madaras | |||
Casting by | |||
| Ron Digman | |||
| Valorie Massalas | |||
Production Design by | |||
| Mark Alan Duran | |||
Art Direction by | |||
| Bjarne Sletteland | |||
Set Decoration by | |||
| Gabrielle Petrissans | |||
Costume Design by | |||
| Barcie Waite | |||
Makeup Department | |||
| Gretchen Bright | .... | makeup department head | |
| Garnet Burke | .... | hair stylist | |
| Connie Cadwell | .... | special makeup effects artist | |
| Brian Demski | .... | special makeup effects artist | |
| Connie Grayson | .... | contact lens technician | |
| David Greathouse | .... | special makeup effects artist | |
| Gary Jones | .... | makeup effects supervisor | |
| Robert Kurtzman | .... | special makeup effects producer | |
| Jolynn Nieto | .... | additional hair stylist | |
| Deidre Parness | .... | makeup artist | |
| Sean Rodgers | .... | special makeup effects artist | |
| Sheila Trujillo | .... | key assistant makeup artist | |
| Alan Tuskes | .... | special makeup effects supervisor | |
Production Management | |||
| Michael Toji | .... | post-production supervisor | |
| Alton Walpole | .... | unit production manager | |
Art Department | |||
| RA Arancio-Parrain | .... | set dresser | |
| Phyllis Detrich | .... | property master | |
| Lyn Gawron | .... | art department coordinator | |
| Lynn A. Johanson | .... | lead scenic | |
| Ester Kim | .... | set dresser | |
| Edward McLoughlin | .... | lead man | |
| Nichole Miller | .... | set dresser | |
| Brooke Peters | .... | art department production assistant | |
| Ian Scroggins | .... | on-set dresser | |
| Ben Zeller | .... | construction coordinator | |
Sound Department | |||
| Michael Becker | .... | boom operator | |
| Bayard Carey | .... | production sound mixer | |
| Jonathan Coomes | .... | sound editor | |
| J. Aloysius Flanagan III | .... | foley editor | |
| Alan Freedman | .... | adr mixer | |
| Steve LeSieur | .... | foley mixer | |
| Derek Marcil | .... | sound re-recording mixer | |
| Chris Navarro | .... | adr mixer | |
| Eric Raber | .... | sound effects editor | |
| Matthew Reale | .... | sound mixing recordist | |
| John Weitz | .... | utility sound | |
Special Effects by | |||
| Kevin Carter | .... | special effects contact lenses | |
| Nicole Hansen | .... | special effects technician | |
| Daniel Holt | .... | special effects technician | |
| Geoffrey C. Martin | .... | special effects coordinator | |
Visual Effects by | |||
| Ulysses Argetta | .... | visual effects supervisor | |
| Robert Kurtzman | .... | visual effects producer | |
| Alan Tuskes | .... | visual effects | |
Stunts | |||
| Brian Brown | .... | stunts | |
| Richard Bucher | .... | stunts | |
| Jeff Chase | .... | stunt double | |
| Jeffrey J. Dashnaw | .... | stunts | |
| Jayson Dumenigo | .... | stunt double | |
| Edward A. Duran | .... | stunt rider | |
| Al Goto | .... | stunt coordinator | |
| Gloria Knight | .... | stunt double: Navi Rawat | |
| John Koyama | .... | co-stunt coordinator | |
| John Koyama | .... | fight choreographer | |
| Bryan Lane | .... | stunt double (as Bryan Stinemetze) | |
| Carrick O'Quinn | .... | stunts | |
| John Robotham | .... | stunt double | |
| David Rowden | .... | stunt double | |
| Karin Silvestri | .... | stunt double: Navi Rawat | |
| Russell Solberg | .... | stunts | |
| Thom Williams | .... | stunt double | |
Camera and Electrical Department | |||
| Jeff Bettis | .... | grip | |
| Chip Byrd | .... | first assistant camera: "a" camera | |
| Beau Chaput | .... | first assistant camera: "b" camera | |
| Edward A. Duran | .... | grip | |
| Leonard E. Hoffman | .... | best boy | |
| Leonard E. Hoffman | .... | electrician | |
| Lewis Jacobs | .... | still photographer | |
| Benjamin Lowell | .... | key second assistant camera | |
| David Jaxx Nagro | .... | grip | |
| Georgia Packard | .... | camera operator: second unit | |
| James R. Powell | .... | assistant camera | |
| Richard Romero | .... | grip | |
| James Lawrence Spencer | .... | gaffer | |
| Michael Warren | .... | key grip | |
Casting Department | |||
| Sally Allen | .... | location casting associate | |
| Hannah Cooper | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Blanca Garcia | .... | costume supervisor | |
Editorial Department | |||
| Joe Fineman | .... | post-production consultant | |
| Scott Pellet | .... | assistant editor | |
| Robert Vertrees | .... | post-production assistant | |
| Nick Wenger | .... | post-production assistant | |
Music Department | |||
| Daniel Hubbert | .... | music supervisor | |
Transportation Department | |||
| J.D. Hicks | .... | driver | |
| Marty Radcliff | .... | transportation captain | |
| Jeff Verdick | .... | transportation captain | |
| Prentis Woods | .... | transportation coordinator | |
Thanks | |||
| Robert Cohen | .... | the producers wish to thank | |
| Trey Parker | .... | the producers wish to thank | |
| Matt Stone | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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Two men, forced to be partners due to an unusual set of circumstances (involving a sheriff and a prostitute), get captured by the niece of Geronimo, but end up on her side when the sheriff and his men acquire Geronimo's curse (making them a zombie-like creature). The men are now on the run, hoping to find either an escape or a cure.
One cannot comment on this film without comparing it to other zombie comedies. The closest is probably "The Quick and the Undead", which I haven't seen. The modern classic is "Shaun of the Dead", which may never be surpassed -- it certainly wasn't by this film. Another entry is "Dead and Deader", which doesn't seem to be popular amongst fans but I have to say is on par with this one -- DAD is heavier on the references (which I like) and UOA is heavier on the slapstick comedy. So, that might help you make your choice if you are going to watch one or the other.
The other deciding factor has to be Chris Kattan. He's less flamboyant here than usual ("Night at the Roxbury") but is still Kattan. If you have some sort of aversion to him, you may want to avoid this film. The other actors are all quite good, although I found it very difficult to believe that Geronimo's niece had any Native American blood in her. But I won't fault her for that.
The gore is decent. Early on the effects are cheesy, but they seem to get better as they go, or I just notice the poor quality less. Not sure which, but you'll get a good share of blood. The nudity, unfortunately, is limited almost entirely to the male bottom. I may be a regular subscriber to "Buns and Ammo" but sometimes I like to see women, too, which this film can't offer.
This film was an impulse rent (it was this or "Day Watch") and I don't regret it. Sure, the plot and acting and everything else is cheesy. But, this film served it's purpose: a light-hearted gore-splattered zombie comedy to watch with friends while drinking the cheapest beer known to man (Mountain Creek). Good times. I highly recommend you repeat the experience.