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| Fri. Nov. 13 | 9:35 AM | MAX |
Directed by | |||
| Phyllida Lloyd | |||
Writing credits | ||
| Catherine Johnson | (screenplay) | |
| Catherine Johnson | (musical book) | |
Original Music by | |||
| Benny Andersson | (score music) | ||
Cinematography by | |||
| Haris Zambarloukos | (director of photography) | ||
Film Editing by | |||
| Lesley Walker | |||
Casting by | |||
| Priscilla John | |||
| Ellen Lewis | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Dean Clegg | |||
| Rebecca Holmes | |||
| Nick Palmer | (supervising art director) | ||
Set Decoration by | |||
| Barbara Herman-Skelding | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Christina Baker | .... | makeup artist | |
| Francesca Crowder | .... | hair stylist (as Fran Crowder) | |
| Polly Earnshaw | .... | makeup artist | |
| Tina Earnshaw | .... | makeup designer | |
| Eithne Fennel | .... | hair stylist (as Eithné Fennel) | |
| J. Roy Helland | .... | hair stylist: Meryl Streep | |
| J. Roy Helland | .... | makeup artist: Meryl Streep | |
| Belinda Hodson | .... | makeup artist | |
| Jessica Needham | .... | makeup artist | |
| Zoe Tahir | .... | key hair designer | |
| Amy Byrne | .... | crowd makeup artist (uncredited) | |
| Louise Coles | .... | makeup daily (uncredited) | |
| Nana Fischer | .... | makeup artist (uncredited) | |
| Dimitra Giatrakou | .... | makeup artist: Greece (uncredited) | |
| Denise Kum | .... | makeup artist (uncredited) | |
| Sophie Slotover | .... | makeup dailies (uncredited) | |
Production Management | |||
| Bruno Cassoni | .... | unit manager | |
| Jeanette Haley | .... | post-production supervisor | |
| Matt Jones | .... | unit manager: Greece (as Matthew Jones) | |
| Nikos Koumandarakis | .... | assistant unit manager: Greece (as Nikos Koumantarakis) | |
| Jenny Panoutsopoulos | .... | production manager: Greece | |
| Lisa Rodgers | .... | post-production supervisor | |
| Kathy Sykes | .... | unit production manager | |
| Ahmed Abounouom | .... | production manager (uncredited) | |
Art Department | |||
| David Ball | .... | chargehand carpenter | |
| John Bohan | .... | construction manager | |
| Dean Coldham | .... | chargehand plasterer | |
| Graham Cole | .... | supervising carpenter | |
| Lee Cummings | .... | greensman | |
| Catharina Curtis | .... | art department coordinator (as Kate Curtis) | |
| Alexandros Dimitriou | .... | art department assistant: Greece | |
| Paul Duff | .... | chargehand carpenter | |
| Colin Ellis | .... | dressing prop | |
| Gill Farr | .... | production buyer | |
| Alan Grenham | .... | supervising painter | |
| Catherine Haugh | .... | construction coordinator | |
| Terry Heggarty | .... | stand-by painter | |
| Nicholas Henderson | .... | junior draughtsman | |
| Leonie Heys-Cerchio | .... | art department assistant (as Leonie Heys Cerchio) | |
| Tara Ilsley | .... | model maker | |
| Patricia Johnson | .... | senior draftsman (as Patsy Johnson) | |
| Gerassimos Karvounis | .... | chargehand dressing props: Greece (as Gerasimos Karvounis) | |
| Helen Koutas | .... | graphic designer | |
| Seeta Lingam | .... | junior draughtsman (as Seeta Lingham) | |
| Steve Macdonald | .... | chargehand stand-by props (as Stephen McDonald) | |
| Bradley Malin | .... | stand-by stagehand | |
| Thomas Martin | .... | assistant construction manager | |
| Bernie Mayor | .... | chargehand carpenter | |
| Richard A. McCarthy | .... | hod plasterer (as Richard McCarthy) | |
| Maxie McDonald | .... | property master | |
| Eamon McLoughlin | .... | hod carpenter | |
| Neil Murrum | .... | chargehand dressing props | |
| Giannis Mylonas | .... | chargehand dressing props: Greece (as Yiannis Mylonas) | |
| John O'Brien | .... | supervising carpenter | |
| Catherine Palmer | .... | junior draughtsman | |
| Richard Payne | .... | head greensman | |
| Sandra Phillips | .... | junior draughtsman | |
| John Roberts | .... | chargehand painter | |
| Andreas Siroyiannis | .... | props buyer: Greece (as Andreas Syrogiannis) | |
| David Smith | .... | chargehand stagehand | |
| Eric Strange | .... | props | |
| Sarah Stuart | .... | stand-by art director | |
| Steve Transfield | .... | supervising plasterer (as Steve Tranfield) | |
| Maria Verdouka | .... | art department assistant: Greece | |
| Tony Vice | .... | plasterer | |
| Clive Ward | .... | hod painter | |
| Paul Whitelock | .... | supervising painter | |
| Derek Whorlow | .... | hod stagehand | |
| Sophie Campbell | .... | assistant props buyer (uncredited) | |
| Graham Caulfield | .... | drapesmaster (uncredited) | |
| Roy Chapman | .... | dressing props (uncredited) | |
| Stephen Conway | .... | stand-by prop (uncredited) | |
| James Gambino | .... | typesetting (uncredited) | |
| Bruce Gordon | .... | art department sculptor (uncredited) | |
| Gavin Gordon | .... | carpenter (uncredited) | |
| Julian Walker | .... | decor and lettering artist (uncredited) | |
Sound Department | |||
| Nick Adams | .... | supervising sound editor | |
| Mark Appleby | .... | adr mixer | |
| Michael Barry | .... | sound re-recording mixer | |
| Ricky Butt | .... | foley artist | |
| Jennie Evans | .... | dialogue editor | |
| Peter Gleaves | .... | adr mixer | |
| Tim Hands | .... | supervising dialogue editor | |
| Simon Hayes | .... | production sound mixer | |
| Harry Higgins | .... | dubbing recordist | |
| Eric Hirsch | .... | dubbing recordist | |
| Robin Johnson | .... | boom operator | |
| Alex Joseph | .... | foley editor | |
| Mark Kenna | .... | sound consultant: Dolby (foreign language versions) | |
| Mark Lafbery | .... | foley recordist | |
| Laura Lovejoy | .... | additional dialogue editor | |
| Conor Mackey | .... | assistant sound editor | |
| Rhys Maitland-Jones | .... | sound mix technician | |
| Michael Minkler | .... | sound re-recording mixer | |
| Alastair Sirkett | .... | sound designer | |
| Sam Southwick | .... | additional sound editor | |
| Ruth Sullivan | .... | foley artist | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Jack Whittaker | .... | additional sound editor | |
| Philip Young | .... | adr recordist | |
| Jeremy Adamson | .... | location sound effects recordist (uncredited) | |
| Simon Bysshe | .... | sound assistant: dailies (uncredited) | |
| Matt Dawson | .... | additional adr mixer (uncredited) | |
| Neel Dhorajiwala | .... | foley editor (uncredited) | |
| Arthur Fenn | .... | boom operator (uncredited) | |
| Jamie Gambell | .... | boom operator: splinter unit (uncredited) | |
| Matthew Haasch | .... | foley editor (uncredited) | |
| John Hayes | .... | sound mixer: splinter unit (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| Mark Sheffield | .... | sound mix technician (uncredited) | |
| Tim Surrey | .... | sound assistant (uncredited) | |
Special Effects by | |||
| Caimin Bourne | .... | special effects technician | |
| Paige Chaytor | .... | special effects coordinator | |
| Chris Corbould | .... | special effects assistant technician | |
| Ian Corbould | .... | special effects floor supervisor | |
| Paul Corbould | .... | special effects supervisor | |
| Jason McCameron | .... | special effects workshop supervisor | |
| Tim Mitchell | .... | senior special effects technician | |
| Ty Senior | .... | special effects modeller | |
| Marie Weston | .... | special effects coordinator | |
| Nigel Sinclair | .... | special effects (uncredited) | |
| Daniel Williams | .... | special effects technician (uncredited) | |
| Gareth Wingrove | .... | special effects senior technician (uncredited) | |
Visual Effects by | |||
| Aaron Barclay | .... | compositor: Framestore | |
| Tom Baskaya | .... | compositor: Framestore | |
| Zachary Bloom | .... | scanning and recording: Framestore | |
| Turea Blyth | .... | visual effects editorial: Framestore | |
| Clare Brody | .... | data operator: Framestore | |
| Andy Burrow | .... | scanning and recording: Framestore | |
| Tim Caplan | .... | visual effects associate producer | |
| Miodrag Colombo | .... | compositor: Framestore | |
| Tabitha Dean | .... | visual effects editorial: Framestore | |
| Jose Fernandez de Castro | .... | compositor: Framestore | |
| Richard Edwards | .... | data operator - framestore | |
| James D. Fleming | .... | compositor: Framestore (as James Fleming) | |
| Jeremy Hume | .... | visual effects editor | |
| Jon Keene | .... | visual effects coordinator: Framestore | |
| Tim Keene | .... | visual effects producer: Framestore | |
| Bryan Lennon | .... | digital paint & roto artist: Framestore | |
| Peter Logarusic | .... | digital paint & roto artist: Framestore | |
| Jesse Morrow | .... | visual effects artist | |
| Mark Nelmes | .... | visual effects supervisor | |
| Gustaf Nilsson | .... | compositor: Framestore | |
| Sirio Quintavalle | .... | compositor: Framestore | |
| James Reed | .... | scanning and recording | |
| Jimmy Saul | .... | scanning and recording: Framestore | |
| Jeremy Sawyer | .... | compositor: Framestore | |
| Denis Scolan | .... | compositor: Framestore | |
| Kristi Valk | .... | digital matte painter: Framestore | |
| Giuliano Dionisio Vigano' | .... | compositor: Framestore (as Giuliano Vigano) | |
| Tim Young | .... | compositor: Framestore | |
| Lindsay Anderson | .... | digital compositor (uncredited) | |
| Ilona Blyth | .... | visual effects editor: Framestore (uncredited) | |
| Paul Burke | .... | scanning and recording: Framestore (uncredited) | |
| Sam Dabbs | .... | end title animator (uncredited) | |
| Alexis Haggar | .... | title supervisor (uncredited) | |
| Karsten Hecker | .... | film mastering engineer: Framestore CFC (uncredited) | |
| Alex Hessler | .... | effects technical director: Framestore (uncredited) | |
| Justin Israel | .... | digital artist (uncredited) | |
| Paulina Kuszta | .... | visual effects coordinator (uncredited) | |
| Veronica Marcano | .... | scanning and recording operator: Framestore (uncredited) | |
| Christophe Meslin | .... | head of systems (uncredited) | |
| Oliver Minchin | .... | digital compositor: opening titles: DEAD (uncredited) | |
| Bruce Nelson | .... | digital compositor: Framestore CFC (uncredited) | |
| Lee Rankin | .... | scanning and recording: Framestore CFC (uncredited) | |
| Matthew Redding | .... | digital compositor: opening titles: DEAD (uncredited) | |
| Dave Robinson | .... | systems engineer (uncredited) | |
| Aatesh Shah | .... | systems engineer: Framestore CFC (uncredited) | |
| Stephen Willey | .... | senior systems engineer (uncredited) | |
Stunts | |||
| David Anders | .... | stunt performer | |
| Marvin Campbell | .... | stunt performer (as Marvin Stewart-Campbell) | |
| Tracey Caudle | .... | stunt performer (as Tracy Caudle) | |
| Nicholas Daines | .... | stunt performer | |
| Aldonio Danny Freitas | .... | stunt performer (as Danny Freitas) | |
| Rick English | .... | stunt performer | |
| Sarah Franzl | .... | stunt double | |
| Steve Griffin | .... | stunt arranger | |
| Ian Kay | .... | stunt performer | |
| Christian Knight | .... | stunt performer | |
| Kai Martin | .... | stunt performer | |
| Kim McGarrity | .... | stunt performer | |
| Andy Merchant | .... | stunt performer | |
| Gareth Milne | .... | stunt coordinator | |
| Justin Pearson | .... | stunt performer | |
| Andy Pilgrim | .... | stunt performer | |
| Willie Ramsey | .... | stunt performer | |
| Seon Rogers | .... | stunt performer (as Séon Rogers) | |
| Roy Taylor | .... | stunt performer | |
| Andy Wareham | .... | stunt performer | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Stephen Crockett | .... | casting associate: ensemble | |
| Louis Elman | .... | adr voice casting | |
| David Grindrod | .... | casting: ensemble | |
| Christos Houliaras | .... | extras casting: Greece | |
| Orla Maxwell | .... | casting associate | |
| Geoffrey Miclat | .... | casting assistant: US | |
| James Orange | .... | csting associate: ensemble | |
| Kevin Riddle | .... | casting assistant: UK | |
| Elizabeth Dionne | .... | casting manager (uncredited) | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator | |
| Lorene Dewett | .... | second assistant editor | |
| Sascha Dhillon | .... | first assistant editor | |
| Jimmy Fusil | .... | digital intermediate producer | |
| Jesse Morrow | .... | smoke editor | |
| John Persichetti | .... | digital colorist | |
| Saska Simpson | .... | assistant editor | |
| Gabrielle Smith | .... | assistant editor | |
| Bridgette Williams | .... | first assistant editor | |
| Alison Carter | .... | assistant editor: Avid (uncredited) | |
| Ollie Gatehouse | .... | editorial assistant (uncredited) | |
| Rob Gordon | .... | on-line editor: preview (uncredited) | |
| Sze-Wun Li | .... | assistant editor (uncredited) | |
| Steve Maguire | .... | assistant editor: Avid (uncredited) | |
| Andrew Melhuish | .... | conforming editor (uncredited) | |
| Mark Neale | .... | assistant editor: Avid (uncredited) | |
| Ben Renton | .... | assistant editor: Avid (uncredited) | |
| Michael P. Whipple | .... | digital intermediate engineer (uncredited) | |
| Lee Wimer | .... | color timer (uncredited) | |
Music Department | |||
| Anna Afzelius | .... | musician: choir | |
| Tobias Ahlsell | .... | musician: choir | |
| Anki Albertsson | .... | musician: choir | |
| Anna Andersson | .... | musician: choie | |
| Benny Andersson | .... | composer: additional score | |
| Benny Andersson | .... | lyrics | |
| Benny Andersson | .... | musician: piano and keyboards | |
| Göran Arnberg | .... | orchestrator | |
| Göran Arnberg | .... | vocal coach | |
| Chris Barrett | .... | additional music recordist | |
| Jan Bengtson | .... | musician: flute, piccolo, baritone saxophone | |
| Becky Bentham | .... | music supervisor | |
| Micke Blomqvist | .... | musician: choir (as Michael Blomqvist) | |
| Magnus Borén | .... | musician: choir | |
| Thomas Bowes | .... | orchestra leader | |
| Lesley Burdett | .... | musician: rehearsal pianist | |
| Robert Carlson | .... | musician: choir | |
| Children from the Italia Conti School | .... | musicians: children's choir (as The Children of the Italia Conti School) | |
| Rupert Christie | .... | additional orchestrator | |
| Sara Dahlgren | .... | musician: choir | |
| Andrew Dudman | .... | additional music recordist (as Andy Dudman) | |
| Carlton Edwards | .... | musician: rehearsal pianist | |
| Mats Englund | .... | musician: bass, Waterloo | |
| Johanna Eriksson | .... | musician: choir | |
| Per Grebacken | .... | musician: recorder, clarinet, saxophone (as Pär Grebacken) | |
| Isobel Griffiths | .... | musicians contractor | |
| Rutger Gunnarsson | .... | musician: bass & bouzouki | |
| Görel Hanser | .... | music coordinator: Sweden | |
| Robert Houston | .... | music editor | |
| Calle Jakobsson | .... | musician: tuba | |
| Hans Johansson | .... | musician: choir | |
| Lasse Jonsson | .... | musician: acoustic guitars | |
| Tony Lewis | .... | supervising music editor | |
| Lotta Lilliestrom Stenberg | .... | assistant music coordinator | |
| Leif Lindvall | .... | musician: trumpet | |
| Per Lindvall | .... | musician: drums | |
| Abbie Lister | .... | assistant music supervisor | |
| Therese Lof | .... | musician: choir (as Thérèse Löf) | |
| Bernard Löhr | .... | music mixer | |
| Bernard Löhr | .... | music recordist | |
| Markus Lönneborg | .... | musician: choir | |
| Martin Lowe | .... | conductor | |
| Martin Lowe | .... | musical director | |
| Martin Lowe | .... | vocal coach | |
| Jenny Miina | .... | musician: choir | |
| Perra Moraeus | .... | musician: alto saxophone | |
| Kalle Moreaus | .... | musician: bouzouki, guitar, violin (as Kalle Moraeus) | |
| Torquil Munro | .... | vocal coach | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Mats Nilsson | .... | musician: choir | |
| Jenny O'Grady | .... | choir contractor: UK | |
| Robin Olson | .... | musician: choir (as Robin Olsson) | |
| Henrik Orwander | .... | musician: choir | |
| Steve Price | .... | additional music recordist | |
| Martin Redhe Nord | .... | musician: choir | |
| Stefan Rundqvist | .... | musician: choir | |
| Anna Rydgren | .... | musician: choir | |
| Jesper Sjölander | .... | musician: choir | |
| Cecilia Skarby | .... | musician: choir | |
| Robert Skowronski | .... | musician: choir | |
| Mia Soteriou | .... | vocal coach | |
| Jörgen Stenberg | .... | musician: drums, Waterloo | |
| Jörgen Stenberg | .... | musician: percussion | |
| Björn Ulvaeus | .... | lyrics | |
| Björn Ulvaeus | .... | musician: guitar, Waterloo | |
| Lasse Welander | .... | musician: guitars and bouzouki (as Lasse Wellander) | |
Transportation Department | |||
| Phil Allchin | .... | transportation captain (as Philip Allchin) | |
| Brian Baverstock | .... | transportation coordinator: location (as Bryan Baverstock) | |
| John Coleman | .... | driver: Meryl Streep | |
| Colin Morris | .... | personal driver (uncredited) | |
Other crew | |||
| Clint Bailey | .... | diver | |
| Daren Bailey | .... | marine supervisor | |
| Katrina Barton | .... | assistant script supervisor | |
| Dimitris Birbilis | .... | location manager: Greece | |
| Mark Birmingham | .... | location accountant | |
| Roy Borrett | .... | stand-in (as Roy Borret) | |
| Mr. Bovoletis | .... | air force officer: aerial crew | |
| Dougal Cadiou | .... | assistant accountant | |
| Morgan Cline | .... | assistant: Mr. Goetzman | |
| Nicola Conlon | .... | assistant: Mr. Brosnan | |
| Nicola Conlon | .... | executive assistant: Pierce Brosnan | |
| Ian Creed | .... | marine co-coordinator | |
| Matt Curtis | .... | title designer | |
| Giorgos Damigos | .... | location assistant: Greece | |
| Elena Dentopoulou | .... | assistant production coordinator: Greece | |
| Jolene Dodson | .... | assistant: Mr. Brosnan | |
| Janie Dowding | .... | assistant: Ms. Craymer | |
| Mina Dreki | .... | assistant accountant: Greece | |
| George Filias | .... | assistant location manager: Greece | |
| Claire Fishenden | .... | stand-in | |
| Panagiotis Galios | .... | assistant location manager: Greece | |
| Samantha Gardner | .... | production assistant | |
| Ashley Grisdale | .... | representative: Littlestar Services | |
| Jim Hajicosta | .... | post-production accountant | |
| Tory Haljun | .... | assistant: Mr. Goetzman | |
| Denise Hanrahan | .... | assistant production coordinator | |
| Denise Hanrahan | .... | location coordinator: Greece | |
| Kirstie Harding | .... | aerial services coordinator | |
| Lisa Heathcote | .... | food stylist | |
| Ali James | .... | location manager: UK | |
| Non Jones | .... | assistant accountant | |
| Sally Jones | .... | script supervisor | |
| Martin Joy | .... | location scout | |
| Giorgos Kalogiannis | .... | location assistant: Greece | |
| Themis Katz | .... | location assistant: Greece (as Themis Katsimihas) | |
| Vlassis Kavouxis | .... | location assistant: Greece | |
| Rachel King | .... | unit nurse | |
| George Litinas | .... | production assistant: Greece (as George Lytanis) | |
| William Loyd-Holmes | .... | floor runner | |
| Iain Mackenzie | .... | production runner | |
| Polly Mallinson | .... | executive: Playtone | |
| Layla Mall | .... | assistant: Mr. Huffam | |
| Stacy Mann | .... | publicist | |
| Liz McGinity | .... | representative: Littlestar Services | |
| Wendy Millyard | .... | assistant: Ms. Lloyd | |
| Sian Milne | .... | stand-in | |
| James Napier | .... | marine safety | |
| Terry Neil | .... | ground support: aerial crew | |
| Babis Nikolis | .... | location assistant: Greece | |
| Chris Norman | .... | assistant accountant | |
| Lance Palmer | .... | marine safety | |
| Ann Pattison-Bingham | .... | assets representative (as Ann Pattison Bingham) | |
| Emma Pill | .... | supervising location manager | |
| Nikos Pitsakis | .... | location assistant: Greece | |
| Kostas Raftopoulos | .... | assistant location manager: Greece | |
| Lisa Reynolds | .... | stand-in | |
| James Richardson | .... | production accountant | |
| Janet Rothermil | .... | dance coach | |
| Georgia Sarantopoulou | .... | accounting clerk: Greece | |
| Theodora Sarli | .... | production assistant: Greece | |
| Rob Seager | .... | post-production accountant | |
| Deryn Stafford | .... | production coordinator | |
| Tim Stanley | .... | assistant choreographer | |
| Jonjo Stickland | .... | marine safety | |
| Michele Tandy | .... | financial controller | |
| Dean Taylor | .... | stand-in | |
| Claire Teare | .... | representative: Littlestar Services | |
| Aurelia Thomas | .... | location scout | |
| Michael Thorpe | .... | marine safety | |
| Achilles Tirekedis | .... | helicopter pilot: aerial crew | |
| Nichola Treherne | .... | associate choreographer | |
| Anthony Van Laast | .... | choreographer | |
| Graham Vick | .... | stand-in | |
| Valie Vousta | .... | accounting clerk: Greece | |
| Jo Wallett | .... | assistant production coordinator | |
| Sara West | .... | stand-in | |
| Betty Williams | .... | location accountant (as Betty Ann Williams) | |
| Kori E. Wilson | .... | assistant: Ms. Streep (as Kori Wilson Griffin) | |
| Katie Wolfryd | .... | representative: Littlestar Services | |
| Duncan Broadfoot | .... | location assistant: Greece (uncredited) | |
| Nicole Chapman | .... | set production assistant: dailies (uncredited) | |
| Christian McWilliams | .... | location scout (uncredited) | |
| Mark Munnelly | .... | auditor (uncredited) | |
| Brieann Rich | .... | rescue diver (uncredited) | |
| Michael Rich | .... | rescue diver (uncredited) | |
| Nicholas Rich | .... | key set medic (uncredited) | |
| Nicholas Rich | .... | rescue diver (uncredited) | |
| Paul Secker | .... | runner: dailies (uncredited) | |
| Andy Stephens | .... | aerial operations manager (uncredited) | |
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I have a confession to make that could land me in serious trouble here. I love this movie with a love bordering on the unnatural. Of course, I hear you saying, that can only mean one thing; you're a gay man of a certain age and if you haven't come out of the closet already. you're coming out now, and wearing sequins at the same time. No straight man, I hear you say, could love this movie with this kind of unbridled passion, so if you have aspirations to being a 100% red-blooded heterosexual male, (is there such a thing?), then keep any fondness for "Mama Mia" to yourself; you will automatically be suspect. Of course, I could just as easily be a teenage girl, (it's a chick flick, after all), and be in equally serious difficulties with my peers, for loving "Mama Mia" would then mean I had already turned into my mother, for this is a chick flick for the older chick and no mistake.
I had avoided it on stage. I have never been a fan of 'juke-box' musicals where a plot is conjured up around a set of songs by a well-known group or artist. And my undiminished love of Abba, (there, I'm out of the closet - happy now?), made me shy away from, rather than run to, a show where their greatest hits were sung, karaoke-style, by others. But something drew me to the movie. Perhaps it was Meryl, (if Meryl liked it, it can't be that bad, I kept saying to myself). Perhaps it was the locations, (it all takes place on a very travelogue Greek isle). Perhaps, ultimately, it was the songs, (who isn't a dancing queen, after all). Nevertheless, going to "Mama Mia", the movie, was still like dipping my toe in the water before deciding if I wanted to do a full length of the pool. The last thing I expected was to fall head over heels, to turn into a blubbering mess, to turn into the oldest dancing queen on the block and into my mother all at the same time. "Mama Mia" is a guilty pleasure, (no self-respecting cineaste should ever admit to even liking this movie, never mind loving it), but as guilty pleasures go, this is the best junk meal you are ever likely to have.
It's director, Phyllida Law, did it on the stage so at least she is familiar with the material, but she is new to movies and after the mess Susan Stroman made of "The Producers" I didn't really expect anything, but while "The Producers" was stagey,(and not in an appealing way), "Mama Mia" is genuinely cinematic. Lloyd's idea of film-making may be to let her camera roam all over the place, (she seems to have an MTV mentality), but she also knows how to build a production number. This is a fully-fledged musical of the old school. And now I am beginning to see the light. It's OK, guys, you can admit to liking "Mama Mia" without worrying too much about revealing your sexuality. Straight men are allowed to like musicals, too, aren't they? Then, of course, there are those songs, the ones we grew up loving. I read somewhere that Abba didn't write great songs because no-one covered them, unlike, say, Lennon and McCartney; that what made Abba's songs 'great' was the Abba sound. There may be something in that; the 'Abba sound' produced some of the greatest pop ever. Arguably, the songs that Abba, (and by Abba, I mean Bjorn Ulvaeus and Benny Andersson), wrote and recorded are the greatest pop songs we've been given. So how do they work coming from the mouths of people who, effectively, aren't singers? (Ok, Meryl, we all know you can sing and act and probably split the atom at the same time, and the girl who plays her daughter, Amanda Seyfried, sounds very pleasant to the ear). Well, the answer is bloody marvelous. Most of these songs sound as if they were written for the film and not the other way round; in other words, they fit the plot in the way that songs in a good musical should and they are good enough to stand on their own.
These are Broadway show-tunes and they aren't wholly reliant on 'the Abba sound'. So what if Julie Walters and Stellan Skarsgard croak their way through 'Take a Chance on Me'; by the time they get around to it I would have taken a chance on anyone. So Pierce Brosnan can't sing? Neither can Tom Waits or Leonard Cohen and yet we love them to bits. (Actually, Brosnan can just about manage to hold a tune and he makes a fairer fist of it than Lee Marvin or Clint Eastwood did in "Paint your Wagon"). And Meryl, of course, is wonderful. Our greatest living actress is having fun here. This is her first fully-fledged musical: I just wondered what took her so long, (her rendition of 'The Winner takes it All' is one of the great solo performances in any musical).
But does any of this justify my over-whelming and totally inexplicable passion? Probably not, which is why it is inexplicable. It's not a 'great' movie, (although it could just be a 'great' musical); it often feels like a bunch of friends' best ever holiday video where they keep bursting into song with fully orchestrated backing, and it gives a totally new meaning to the term 'Greek Chorous'. So, obviously I am a middle-aged gay man with a full wardrobe of seventies gear. (I certainly haven't turned into my mother!). I mean, what other explanation can there be? Oh, I've just thought of one. It is a great movie musical and it's a terrific way to spend an evening. So I can now safely go back into my closet if I can find room among all the sequins and seventies gear.