| Photos (see all 2 | slideshow) | Videos |
Directed by | |||
| Stephen Surjik | |||
Writing credits(in alphabetical order) | ||
| Peter Hewitt | screenwriter | |
| Phil Hughes | writer | |
| Jamie Minoprio | writer | |
| Jonathan M. Stern | writer | |
Cinematography by | |||
| Crighton Bone | |||
Film Editing by | |||
| Alex Mackie | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Tom Brown | |||
Art Direction by | |||
| Mark Swain | |||
Costume Design by | |||
| Stephanie Collie | |||
Makeup Department | |||
| Jane Body | .... | chief hair stylist | |
| Sarah Downes | .... | makeup dailies | |
| Polly Earnshaw | .... | chief makeup artist | |
| Ailie Smith | .... | hair assistant | |
| Ailie Smith | .... | makeup assistant | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Emily Stillman | .... | production manager | |
Art Department | |||
| Philippa Broadhurst | .... | stand-by art director | |
| Lisa Collins | .... | stand-by painter | |
| Stan Cook | .... | storeman | |
| Emma Davis | .... | production buyer | |
| Nicola De Fresnes | .... | set dresser | |
| Dave Dickinson | .... | stand-by carpenter | |
| John Fox | .... | dressing props | |
| Pip Fox | .... | props | |
| Jono Moles | .... | construction manager | |
| Steven Morris | .... | dressing props | |
| Laura Murray | .... | stand-by painter | |
| Barnaby Papworth | .... | chargehand carpenter | |
| Amy Short | .... | art department assistant | |
| Andy Skipsey | .... | dressing props | |
| Howard Weaver | .... | scenic artist | |
| Jamie Wilkinson | .... | property master | |
| Jack Garwood | .... | dressing props (uncredited) | |
Sound Department | |||
| Christian Bourne | .... | boom operator | |
| Steve Browell | .... | dialogue editor | |
| Gareth Bull | .... | sound re-recording mixer | |
| Peter Burgis | .... | foley artist | |
| Graham Day | .... | sound trainee | |
| Mark DeSimone | .... | adr mixer: New York | |
| Susan French | .... | adr editor | |
| James Gibb | .... | FT2 sound trainee | |
| Mark Holding | .... | sound recordist | |
| Max Hoskins | .... | supervising sound editor | |
| Keith Marriner | .... | sound effects editor | |
| Adam Mendez | .... | sound re-recording mixer | |
| Richard Straker | .... | sound re-recording mixer | |
Special Effects by | |||
| Neal Champion | .... | special effects supervisor | |
Visual Effects by | |||
| Simon Allmark | .... | visual effects editor | |
| Paul Beard | .... | visual effects line producer | |
| Emma Clifton | .... | digital effects artist | |
| Graham Day | .... | dustbuster: Men From Mars | |
| Simon Frame | .... | visual effects producer | |
| Lionel Heath | .... | compositor: Men from Mars | |
| Sandro Henriques | .... | compositor: Men From Mars | |
| Tom Pegg | .... | digital effects artist | |
Stunts | |||
| Nick Wilkinson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Eugene Adabari | .... | still photographer | |
| David Ashby | .... | grip (as Dave Ashby) | |
| Rami Bartholdy | .... | second assistant camera | |
| Ann Marie Crotty | .... | camera trainee: FT2 | |
| Lee Godfrey | .... | grip trainee | |
| Victoria Hanna | .... | camera trainee: FT2 (as Victoria Simpson) | |
| Stuart Hurley | .... | electrician | |
| Will Kendal | .... | electrician (as Will Kendall) | |
| Rupert Lloyd-Parry | .... | grip (as Rupert Lloyd Parry) | |
| Paul McGeachan | .... | gaffer | |
| Alan McPherson | .... | electrician | |
| Simon Mills | .... | focus puller | |
| Rupert Power | .... | Steadicam operator | |
| Ang Richards | .... | central loader | |
| Kim Seber | .... | focus puller | |
| Garry Thomson | .... | best boy | |
| Daniel Trapp | .... | first assistant camera | |
| Billy Wilson | .... | stand-by rigger | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Alex Johnson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Eve Rutherford | .... | costume trainee | |
| Dulcie Scott | .... | costume supervisor | |
| Julie Taczanowska | .... | costume assistant | |
| Paul Yeowell | .... | costume stand-by | |
Editorial Department | |||
| Wilmann Bevolley | .... | editor trainee | |
| Anya Dillon | .... | first assistant editor | |
Music Department | |||
| Ben Foster | .... | conductor | |
| Theo Green | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Steve Isles | .... | additional music scoring | |
| Ian Neil | .... | music supervisor | |
| Amanda Street | .... | additional music courtesy of | |
Transportation Department | |||
| Garry Abbott | .... | driver: minibus | |
| Roy Callis | .... | unit driver | |
| Gary Janes | .... | driver: Ms. Electra | |
| Nick White | .... | unit driver | |
|
|
|
|
|
| Imagine Me & You | Trust the Man | 40 Days and 40 Nights | Kisses and Caroms | The Sweetest Thing |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
This is a great British comedy about a couple of film students (Joe and Baggy) who try and get their script "The Love Storm". After going to a few production companies they arrive at an adult film company run by Doug (Eddie Marsan). Joe decides to make the movie into an erotic movie and tries to hire the biggest name in porn - Candy Fiveways (played by Carmen Electra).
Surprisingly there is no nudity in this film but there are quite a few funny scenes. One involves an actor and lets just say thank god for wet wipes. Another involves an Asian babe and ping pong balls. Jimmy Carr and Mackenzie Crook provide some decent scenes between them too.
This is a real British feel good comedy and provides all that is needed for this type of film. I give it 8/10.