| Jeffrey Combs | ... | Edgar Allan Poe | |
| Elyse Levesque | ... | Virginia Poe | |
| Aron Tager | ... | George Graham | |
| Eric Keenleyside | ... | Sgt. Booker | |
| Patrick Gallagher | ... | Barman | |
| Christopher Heyerdahl | ... | Rufus Griswold | |
| Ken Kramer | ... | Doctor | |
| Ian Alexander Martin | ... | Mr. Fordham | |
| Ryan Crocker | ... | Policeman |
| Episode Crew |
Directed by | |||
| Stuart Gordon | |||
| Stuart Ortiz | (additional material) | ||
Writing credits | ||
| Mick Garris | (creator) | |
| Dennis Paoli | (teleplay) & | |
| Stuart Gordon | (teleplay) | |
| Edgar Allan Poe | (short story "The Black Cat") (as Edgar A. Poe) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Morris Berger | .... | executive producer | |
| Steve Best | .... | associate producer | |
| Ben Browning | .... | co-producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | line producer | |
Original Music by | |||
| Rich Ragsdale | (as Richard Ragsdale) | ||
Cinematography by | |||
| Jon Joffin | (director of photography) | ||
Film Editing by | |||
| Marshall Harvey | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| Don Macaulay | |||
Art Direction by | |||
| Margot Ready | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Howard Berger | .... | special effects makeup | |
| Lyne Denomme | .... | first assistant makeup | |
| Mike Fields | .... | on-set key makeup artist (as Michael Fields) | |
| Sarah Graham | .... | on-set key makeup artist | |
| Marcy Hodel | .... | first assistant hair stylist | |
| Harrison Lorenzana | .... | on-set key makeup artist | |
| Gregory Nicotero | .... | special effects makeup | |
| Geoff Redknap | .... | on-set key makeup artist (as Jeff Redknap) | |
| Adina Shore | .... | key hair stylist | |
| Margaret Solomon | .... | key makeup | |
| Elisabeth Jolliffe | .... | key makeup artist: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Alexia S. Droz | .... | second assistant director (as Alexia Droz) | |
| David Markowitz | .... | first assistant director | |
| Ania Musiatowicz | .... | third assistant director | |
| Stuart Ortiz | .... | director: additional imaging | |
| Rob Duncan | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Andrei Andrianko | .... | assistant art director | |
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Nathalie Morin | .... | assistant set decorator (as Natalie Morin) | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
| Rowena O'Connor | .... | assistant on-set props (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | background sound editor | |
| Kelly Cole | .... | re-recording mixer | |
| Jacqueline Cristianini | .... | dialogue/adr supervisor | |
| Hugo DeLaCerda | .... | re-recording mixer | |
| Kris Fenske | .... | sound designer | |
| Devan Kraushar | .... | sound effects editor | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post-production coordinator | |
| Glen Noseworthy | .... | adr mixer | |
| Iain Pattison | .... | re-recording mixer | |
| Sebastian Salm | .... | sound mixer | |
| Shane Shemko | .... | foley artist | |
| Colin Smith | .... | boom operator | |
| Cam Wagner | .... | foley artist | |
| Matthew Wilson | .... | sound effects editor | |
Special Effects by | |||
| Jaremy Aiello | .... | effects crew: K.N.B. EFX Group | |
| Randy Ball | .... | effects crew: K.N.B. EFX Group | |
| Jack Bricker | .... | effects crew: K.N.B. EFX Group | |
| Rob Derry | .... | effects crew: K.N.B. EFX Group | |
| Terri Fluker | .... | effects crew: K.N.B. EFX Group | |
| Derek Heselton | .... | best boy special effects | |
| Steve Katz | .... | effects crew: K.N.B. EFX Group (as Steven Katz) | |
| Lynette Roy | .... | effects crew: K.N.B. EFX Group | |
| Wayne Szybunka | .... | special effects coordinator | |
| Veronica Torres | .... | effects crew: K.N.B. EFX Group | |
| John Wheaton | .... | effects crew: K.N.B. EFX Group | |
| Mike Hyrman | .... | special effects technician (uncredited) | |
| Lino Stavole | .... | special effects technician: mold department (uncredited) | |
| Chris Sturges | .... | special effects technician (uncredited) | |
| Attila Vaski | .... | lead/fab/asst (uncredited) | |
Visual Effects by | |||
| Christopher Ahrens | .... | cg artist | |
| Matt Belbin | .... | digital effects editor (as Matthew Belbin) | |
| Sébastien Bergeron | .... | digital effects supervisor | |
| Julie Bergman | .... | cg artist | |
| Michael Goddard | .... | cg artist (as Mike Goddard) | |
| Gael Hollard | .... | digital compositor | |
| Annabelle Kent | .... | digital compositor | |
| Adam Marisett | .... | cg artist | |
| Stephen Paschke | .... | cg artist | |
| Lisa K. Sepp | .... | visual effects producer (as Lisa Sepp-Wilson) | |
| Lee Wilson | .... | visual effects supervisor | |
| Jayson Castro | .... | visual effects production assistant (uncredited) | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
| Dan Redford | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Sandy Cooper | .... | first assistant camera | |
| Brian Johnson | .... | camera operator: "b" camera | |
| Mike Kolafa | .... | gaffer (as Michael Kolafa) | |
| Brock Miller | .... | best boy grip | |
| Jos Oman | .... | first assistant camera | |
| David Pelletier | .... | additional director of photography | |
| Steve Sherlock | .... | key grip | |
| Jared Smith | .... | best boy lighting | |
| Peter Wilke | .... | camera operator: "a" camera | |
| Ian Gariepy | .... | dolly grip (uncredited) | |
| Aaron Haesler | .... | second assistant camera (uncredited) | |
| Marc Nolet | .... | grip (uncredited) | |
| Jeremy Spofford | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Glenna Owen | .... | assistant costume designer | |
| Tyler Tone | .... | set costume supervisor | |
Editorial Department | |||
| Nathan Atkins | .... | assistant editor | |
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Asim Matin | .... | assistant editor | |
| Troy Sitter | .... | post-production assistant | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | editorial coordinator | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Sean McMahon | .... | orchestrator | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: main title music (as Edward Shearmur) | |
| Casey Stone | .... | scoring mixer | |
| Richard Temple | .... | music preparation | |
| Sean McMahon | .... | musician (uncredited) | |
| Mark Robertson | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Louie Hausner | .... | transportation captain | |
| John Swetlikoe | .... | transportation coordinator | |
| Duane Shearer | .... | office driver (uncredited) | |
| Jovan Vujatovic | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Christine Barrie | .... | stand-in | |
| Genessa Davis | .... | assistant production coordinator | |
| Jim Desroches | .... | production coordinator (as James Desroches) | |
| Annie Doyon | .... | assistant accountant | |
| Cameron Grierson | .... | assistant to producer | |
| Cameron Grierson | .... | script coordinator | |
| Richter Hartig | .... | production auditor: Starz Productions (as Richter Q. Hartig) | |
| Dave Harvey | .... | assistant accountant | |
| Tom Hoeverman | .... | assistant location manager | |
| Elissa Howarth | .... | production administration manager: Starz Productions | |
| Alison Hunter | .... | script supervisor | |
| Andrea Kaufman | .... | production coordinator: Starz Productions (as Andrea M. Kaufman) | |
| Katy Lew | .... | executive administrator | |
| Ross Redhead | .... | assistant to producers | |
| Tracey Renyard | .... | location manager | |
| Adrian Salpeter | .... | producers assistant: Lisa Richardson | |
| Stephen Tibbetts | .... | stand-in (as Stephen Tibbets) | |
| Bill Vigars | .... | unit publicist | |
| Beverly Wiens | .... | production accountant | |
| Anthony Bortolussi | .... | production assistant (uncredited) | |
| Stephanie Brown | .... | production assistant (uncredited) | |
| Nancy Heller | .... | office manager: Anthem Visual Effects (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Stuart Gordon directs Jeffrey Combs as Edgar Allan Poe, who is struggling to write a new story. He becomes borderline insane (and incredibly drunk) with the death of his wife, and he begins an obsession with his black cat, Pluto, that is nothing short of sadistic.
I love Poe, Gordon and Combs... so I will freely admit this was my most anticipated episode of "Master of Horror"'s season 2. And I was not let down. I was attracted by the addition of an interesting film technique where the color was washed out to appear like an old photograph for everything except the blood... like "Sin City", except this was more sepia and less black and white.
And we have young Elyse Levesque as Virginia Poe. I have never heard of this woman before and probably never saw her in anything, but she is a great actress and a beautiful lady (beautiful in the true sense of beautiful, not in the sense of "hot"). I hope she sticks with horror for a bit so I can see more of her. She plays opposite Combs very smoothly.
The pacing of this film is a bit slower and not much happens at times, but I was okay with this, because the focus was on Combs and his slouch into madness. At times I think he stopped being Poe and started being Combs, but overall I was pretty impressed. Some may say Combs and Poe are now the same man, as he will become known for this role.
Some have complained about the animal violence. I didn't find it that offensive. After watching William Lustig's "Maniac" and Stephen King's "Sleepwalkers", both of which feature cat mutilation, I thought this was pretty tame. I can understand being against real animal torture, but if you can watch people being tortured, you can watch animals... it's just a movie.
Loved the blood, especially when Virginia gets her first tuberculosis attack at the piano. (This actually happened in real life, too, as you know if you know the life story of Poe.) This is blood as blood was always meant to look like in a film. Thick, runny and fear-inspiring. That moment was when I knew I hit the jackpot.
A special nod must be given to Lyn Kelly and the prop department. By no means am I an expert in the history of clothing or other objects, but Kelly did a fine job with the wardrobe and the prop guys were sure to make things as authentic as possible. The audio commentary points out the wine glasses and old piano, for example, but really the whole picture has an authentic feel.
I watched this film for the Gordon-Combs-Poe. You will like it, too, if you like these things. And I was pleased Gordon was back to his old ways with special effects, steering clear of the crappy "Dagon" graphics. I think last season's "Dreams in the Witch House" is the more enjoyable film, but this has a more artistic look and certainly deserves a viewing for any fans.