| Photos (see all 10 | slideshow) |
| Johnny Nguyen | ... | Le Van Cuong | |
| Thanh Van Ngo | ... | Vo Thanh Thuy | |
| Dustin Nguyen | ... | Sy | |
| Stephane Gauger | ... | Derue | |
| rest of cast listed alphabetically: | |||
| David Minetti | ... | Tessier | |
| Chanh Tin Nguyen | ... | Cuong's Father | |
| Thang Nguyen | ... | Hua Danh | |
Directed by | |||
| Truc 'Charlie' Nguyen | |||
Writing credits(in alphabetical order) | ||
| Johnny Nguyen | writer | |
| Truc 'Charlie' Nguyen | writer | |
| Dominic Pereira | writer | |
Produced by | |||
| Johnny Nguyen | .... | producer | |
| Thanh Truc 'Tawny' Nguyen | .... | executive producer | |
| Truc 'Charlie' Nguyen | .... | executive producer | |
| Jimmy Pham | .... | producer | |
| Khai Hoang Tran | .... | line producer | |
Original Music by | |||
| Christopher Wong | |||
Cinematography by | |||
| Dominic Pereira | |||
Film Editing by | |||
| Truc 'Charlie' Nguyen | |||
| Ham Tran | |||
Production Design by | |||
| Quy Tung La | |||
Makeup Department | |||
| Gordon Banh | .... | key makeup artist | |
Production Management | |||
| Van Phi Huynh | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jenni Trang Le | .... | first assistant director | |
Sound Department | |||
| Steven Avila | .... | sound designer | |
| Steven Avila | .... | sound effects editor | |
| Trip Brock | .... | supervising sound editor | |
| Adam De Coster | .... | foley artist | |
| Tiffany S. Griffith | .... | supervising sound editor (english version) | |
| Peter D. Lago | .... | sound effects editor | |
| Greg Mauer | .... | foley mixer | |
| Rick Owens | .... | foley artist | |
| Eric Reuveni | .... | sound effects editor | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Steven Utt | .... | sound recordist | |
| Kelly Vandever | .... | sound re-recording mixer | |
| Ben Whitver | .... | first assistant sound editor | |
| Brian S.M. Wroth | .... | dialogue editor | |
Special Effects by | |||
| Kittisak Tancharoen | .... | special effects coordinator | |
Visual Effects by | |||
| Joline Brost | .... | production assistant | |
| Thomas Harbers | .... | post production manager | |
| Tobias Kavelar | .... | digital colorist | |
| Tobias Kavelar | .... | digital online editor | |
| Tobias Kavelar | .... | post production supervisor | |
| Martin Mayer | .... | digital artist | |
| Johannes Nguyen | .... | digital artist | |
| Johannes Nguyen | .... | post production manager | |
| Anh Nguyen-Nhu | .... | visual effects director | |
| Ouan Narudee Panrat | .... | digital transfers | |
| Frieder Roemmelt | .... | digital artist | |
| Hanna Roemmelt | .... | production assistant | |
| Jan Seifried | .... | digital effects artist | |
Stunts | |||
| Matt Berberi | .... | stunts | |
Camera and Electrical Department | |||
| Phuc Yen Dang | .... | camera operator | |
| Hoang Hai Ho | .... | key grip | |
Music Department | |||
| Nicole Garcia | .... | orchestra contractor | |
| Caroline Kung Kowalski | .... | score coordinator | |
| Emily K. Rolph | .... | assistant orchestra contractor | |
| Ryan Rowles | .... | orchestrator | |
Other crew | |||
| Danh Thanh Do Danny | .... | behind-the-scenes | |
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| The Quiet American | San Paolo | Die Stille nach dem Schuß | Lagaan: Once Upon a Time in India | Popiól i diament |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Vietnam section |
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How is this for a change of pace - a martial arts flick from Vietnam! Johnny Nguyen (TOM YUM GOONG) stars as a Lieutenant enforcer for the French occupiers in the 1920s. He ends up sympathizing with the indigenous rebels and helping their cause when he falls for the leader's daughter (Thanh Van Ngo). This is a really entertaining film because it balances fantastic martial arts sequences (choreographed by lead Nguyen) against some good drama. The real standout here is former 21 JUMP STREET-er Dustin Nguyen as the main bad guy. He has a real Simon Yam-like presence and appears to do a lot of his own fighting. My only complaint would be the film does tend to drag during the middle section set in a work camp.