| Meat Loaf | ... | Jake Feldman (as Meat Loaf Aday) | |
| Link Baker | ... | Lou Chinaski | |
| Emilio Salituro | ... | Sergio | |
| Elise Lew | ... | Sue Chin Yao | |
| Shawn Hall | ... | Bouncer | |
| Sylvesta Stuart | ... | Beefy Bouncer | |
| Ellen Ewusie | ... | Shanna | |
| John Saxon | ... | Jeb 'Pa' Jameson | |
| Michal Suchánek | ... | Larry Jameson (as Michal Suchanek) | |
| Brenda McDonald | ... | Mother Mayter | |
| Melissa Gonzalez | ... | Mira | |
| Darren E. Scott | ... | Agent | |
| Chuck Duffy | ... | Detective | |
| Kelvin Lum | ... | Cop | |
| rest of cast listed alphabetically: | |||
| Angela Case | ... | Dancer In Hallway (uncredited) | |
| Ildiko Ferenczi | ... | Attractive Woman (uncredited) | |
| Angela Fong | ... | Dancer (uncredited) | |
| Episode Crew |
Directed by | |||
| Dario Argento | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Matt Venne | (teleplay) | |
| F. Paul Wilson | (short story) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Morris Berger | .... | executive producer | |
| Steve Best | .... | associate producer | |
| Ben Browning | .... | co-producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | line producer | |
Original Music by | |||
| Claudio Simonetti | |||
Cinematography by | |||
| Attila Szalay | (director of photography) | ||
Film Editing by | |||
| Jacqueline Cambas | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| David Fischer | |||
Art Direction by | |||
| Teresa Weston | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Chad Atkinson | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Howard Berger | .... | special effects makeup | |
| Mark Boley | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Chris Cera | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Michael Deak | .... | special effects makeup crew: KNB EFX Group, Inc. (as Mike Deak) | |
| Alex Diaz | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Mike Fields | .... | on-set key makeup artist: KNB EFX Group, Inc. (as Michael Fields) | |
| Sarah Graham | .... | on-set key makeup artist | |
| Terry Hanson | .... | first assistant hair stylist | |
| Steve Hartman | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Jana Hudson | .... | first assistant makeup (as Tanya Hudson) | |
| Akihito Ikeda | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Derek Krout | .... | special effects makeup crew: KNB EFX Group, Inc. (as Derek Krouse) | |
| Jim Leonard | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Gregory Nicotero | .... | special effects makeup | |
| Ben Rittenhouse | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Shannon Shea | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Adina Shore | .... | key hair stylist | |
| Margaret Solomon | .... | key makeup | |
| A.J. Venuto | .... | special effects makeup crew: KNB EFX Group, Inc. (as AJ Venuto) | |
Second Unit Director or Assistant Director | |||
| Ania Musiatowicz | .... | third assistant director | |
| Darren Robson | .... | second assistant director | |
| Ian Samoil | .... | first assistant director | |
Art Department | |||
| Andrei Andrianko | .... | assistant art director | |
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Nathalie Morin | .... | assistant set decorator (as Natalie Morin) | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
| Jean Brophey | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | backgrounds editor | |
| Jacqueline Cristianini | .... | adr supervisor | |
| Jacqueline Cristianini | .... | dialogue supervisor | |
| Kris Fenske | .... | sound designer | |
| Devan Kraushar | .... | sound effects editor | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post-production coordinator | |
| Glen Noseworthy | .... | adr mixer | |
| Iain Pattison | .... | re-recording mixer | |
| Sebastian Salm | .... | sound mixer | |
| Adam Sharpe | .... | re-recording mixer | |
| Paul A. Sharpe | .... | re-recording mixer (as Paul Sharpe) | |
| Shane Shemko | .... | foley artist | |
| Colin Smith | .... | boom operator | |
| Cam Wagner | .... | foley artist | |
| Matthew Wilson | .... | sound effects editor | |
| Todd R. Mason | .... | sound effects recordist (uncredited) | |
Special Effects by | |||
| Derek Heselton | .... | best boy special effects | |
| Wayne Szybunka | .... | special effects coordinator | |
| Mike Hyrman | .... | special effects technician (uncredited) | |
| Lino Stavole | .... | special effects technician: mold department (uncredited) | |
| Chris Sturges | .... | special effects technician (uncredited) | |
| Attila Vaski | .... | lead/fab/asst (uncredited) | |
Visual Effects by | |||
| Steve Au | .... | CG artist | |
| Matt Belbin | .... | digital effects editor (as Matthew Belbin) | |
| Sébastien Bergeron | .... | digital effects supervisor (as Sebastien Bergeron) | |
| Michael Goddard | .... | CG artist (as Mike Goddard) | |
| Annabelle Kent | .... | digital compositing artist | |
| Muzaffer Korkut | .... | cg artist (as Muzzaffer Korkut) | |
| Lionel Lim | .... | digital compositing artist | |
| Adam Marisett | .... | CG artist | |
| Mladen Miholjcic | .... | CG artist | |
| Stephen Paschke | .... | CG artist | |
| Bryce Rieger | .... | digital compositing artist | |
| Lisa K. Sepp | .... | visual effects producer (as Lisa Sepp-Wilson) | |
| Philippe Thibault | .... | digital compositing artist (as Phillipe Thibault) | |
| Jonah West | .... | digital compositing artist | |
| Lee Wilson | .... | visual effects supervisor | |
| Jayson Castro | .... | visual effects production assistant (uncredited) | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sandy Cooper | .... | first assistant camera | |
| Mike Kolafa | .... | gaffer (as Michael Kolafa) | |
| Jos Oman | .... | first assistant camera | |
| Steve Sherlock | .... | key grip | |
| Jared Smith | .... | best boy lighting | |
| Shai Vera | .... | best boy grip (as Shae Vera) | |
| Peter Wilke | .... | camera operator: "b" camera (as Peter Wilkie) | |
| Richard Wilson | .... | camera operator: "a" camera | |
| Ian Gariepy | .... | dolly grip: "b" camera (uncredited) | |
| Aaron Haesler | .... | second assistant camera (uncredited) | |
| Lane Koch | .... | first assistant camera (uncredited) | |
| Jeremy Spofford | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting (as Sandra Ken-Freeman) | |
Costume and Wardrobe Department | |||
| Glenna Owen | .... | assistant costume designer | |
| Tyler Tone | .... | costume set supervisor | |
| Debra Torpe | .... | costume truck supervisor (uncredited) | |
Editorial Department | |||
| Nathan Atkins | .... | assistant editor | |
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | editorial coordinator | |
| Edoardo Brizio | .... | assistant editor (uncredited) | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Silvia Gavarotti | .... | musician: soprano voice | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: main title music (as Edward Shearmur) | |
| Claudio Simonetti | .... | music arranger | |
Transportation Department | |||
| Louie Hausner | .... | transportation captain | |
| John Swetlikoe | .... | transportation coordinator | |
| Duane Shearer | .... | office driver (uncredited) | |
| Jovan Vujatovic | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Christine Barrie | .... | stand-in | |
| Michael Bishop | .... | key production assistant | |
| Genessa Davis | .... | assistant production coordinator | |
| Jim Desroches | .... | production coordinator (as James Desroches) | |
| Annie Doyon | .... | assistant accountant | |
| Dana Dubé | .... | animal wrangler (as Dana Duke) | |
| Scott 'Big Dog' Franklin | .... | assistant location manager (as Scott Franklin) | |
| Cameron Grierson | .... | assistant to producer | |
| Cameron Grierson | .... | script coordinator | |
| Richter Hartig | .... | production auditor: IDT Entertainment (as Richter Q. Hartig) | |
| Dave Harvey | .... | assistant accountant | |
| Elissa Howarth | .... | production administration manager: IDT Entertainment | |
| Alison Hunter | .... | script supervisor | |
| Andrea Kaufman | .... | production coordinator: IDT Entertainment (as Andrea M. Kaufman) | |
| Katy Lew | .... | executive administrator | |
| Susan Nestibo | .... | location manager | |
| Ross Redhead | .... | assistant to producers | |
| Adrian Salpeter | .... | assistant to producers | |
| Stephen Tibbetts | .... | stand-in (as Stephen Tibbets) | |
| Bill Vigars | .... | unit publicist | |
| Beverly Wiens | .... | production accountant | |
| Anthony Bortolussi | .... | on-set key production assistant (uncredited) | |
| Stephanie Brown | .... | production assistant (uncredited) | |
| Nancy Heller | .... | office manager: Anthem Visual Effects (uncredited) | |
| Simona Pandele | .... | production assistant (uncredited) | |
Thanks | |||
| Louis Schwartzberg | .... | acknowledgment: stock footage provided by | |
| Dan Walton | .... | thanks (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb Canada section | Add this title to MyMovies |
Watching a lot of the Season One episodes of MOH, I found myself wincing quite often...from painful embarrassment. Sure, some episodes were extremely gory as a horror buff might expect, but usually it's employed as a distraction to keep the viewer from contemplating how bad the writing is or how uneven the direction on some episodes.
However, the occasional segment has come up that's had me wincing and cringing for all the RIGHT reasons, and it's usually due to a true "Master Of Horror" who deserves to be invited back every season. Now, I've only heard that Takashi Miike's "Imprint" was the episode to raise the bar for sheer, overwhelming horror. But since it was never broadcast, I never got the chance to view it, so I can only go by what I've seen. And for my money, the goriest and most disturbing episode in the entire series was Dario Argento's rendering of the classic horror tale, "Jenifer." This is one director who's shown that he's not afraid of testing the limits of what this series can achieve, not to mention stretching the talents of makeup FX wizards KNB Studios to the very snapping point.
And he's managed to do it again. If anyone not in the know is wondering why Argento is most remembered for his magnum opus, SUSPIRIA, he provides a juicy, shocking reminder by once again kicking it old school with a 'giallo'-styled tale of ancient curses, based on "Pelts," a short story by genre master F. Paul Wilson (THE KEEP.)
Marvin Lee "Meatloaf" Aday plays amoral furrier Jake, who lusts obsessively for Shana (Ellen Ewusie), a beautiful exotic dancer who tauntingly reminds him that unless he can "make her happy", he can never have her. Which means that he has to find a way to become filthy, stinkin' rich or die trying.
Meanwhile, a backwoods fur trapper (John Saxon) and his son have been poaching on someone else's land for their latest haul of raccoon pelts. But this is no ordinary hunting ground, and these are more than just wild animals. The resulting fur pelts from their illegal activities are some of the most beautiful, hypnotically captivating pieces that they've ever seen. Of course, that's the way it works when something is as cursed as these pelts are, and woe to anyone and everyone who comes in contact with them...as the unlucky poachers will soon discover, followed by Jake and his associates...
It's amazing how powerful Argento's command of lighting, angles and cutting is, even now all these years after SUSPIRIA. And even though you can pretty much try to intellectualize about the top-notch quality of Howard Berger and Greg Nicotero's FX work, it's still shot in such a way that you can barely look at the screen without wanting to run out of the room. And I haven't felt that way since...well, SUSPIRIA.
With just two episodes contributed to this series, Argento moves to the front of the line as the predominant "Master Of Horror" amongst his peers. I might have nightmares after watching PELTS (which doesn't happen often), but even so, I hope he'll be invited back for a third season, and I can't wait to see what he comes up with next...