Overview
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Contact:
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Plot:
A series adapting science-fiction stories by well-known authors into 60 minute episodes, introduced by renowned physicist Stephen Hawking...
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Awards:
Nominated for Primetime Emmy.
Another 1 nomination
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| Keith Addis | .... | executive producer (6 episodes, 2007) |
| Ben Browning | .... | co-producer (6 episodes, 2007) |
| Andrew Deane | .... | executive producer (6 episodes, 2007) |
| Brendan Ferguson | .... | co-producer (6 episodes, 2007) |
| Adam Goldworm | .... | co-producer (6 episodes, 2007) |
| Brad Mendelsohn | .... | executive producer (6 episodes, 2007) |
| Sam Egan | .... | co-executive producer (5 episodes, 2007) |
| John W. Hyde | .... | executive producer (5 episodes, 2007) |
| Lisa Richardson | .... | co-executive producer (5 episodes, 2007) |
| Grant Rosenberg | .... | supervising producer (5 episodes, 2007) |
| Lee Wilson | .... | consulting producer (5 episodes, 2007) |
| Mick Garris | .... | co-executive producer (4 episodes, 2007) |
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| Jay Cheetham | .... | background sound editor (6 episodes, 2007) |
| James Fonnyadt | .... | sound designer (6 episodes, 2007) |
| Andre Iwanchuk | .... | dialogue editor (6 episodes, 2007) |
| Glen Noseworthy | .... | adr mixer (6 episodes, 2007) |
| Anke Bakker | .... | sound supervisor (5 episodes, 2007) |
| Kevin Belen | .... | sound re-recording mixer / foley mixer (4 episodes, 2007) |
| Todd R. Mason | .... | sound effects recordist (4 episodes, 2007) |
| David Scott | .... | sound effects editor (4 episodes, 2007) |
| Graeme Hughes | .... | sound re-recording mixer (3 episodes, 2007) |
| Ken Lee | .... | boom operator (3 episodes, 2007) |
| Iain Pattison | .... | sound re-recording mixer (3 episodes, 2007) |
| Paul A. Sharpe | .... | sound re-recording mixer (3 episodes, 2007) |
| Bill Mellow | .... | sound re-recording mixer (2 episodes, 2007) |
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| Dan Rebert | .... | creature effects supervisor / prosthetic supervisor (5 episodes, 2007) |
| Chris Hatchwell | .... | special effects lead fabricator (4 episodes, 2007) |
| Lars Lenander | .... | special effects coordinator (3 episodes, 2007) |
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| Matt Belbin | .... | digital effects editor (6 episodes, 2007) |
| Andrew Domachowski | .... | concept artist (6 episodes, 2007) |
| Michael Goddard | .... | digital artist (6 episodes, 2007) |
| Todd Liddiard | .... | digital compositor (6 episodes, 2007) |
| Mladen Miholjcic | .... | senior CGI artist: Anthem Visual Effects (6 episodes, 2007) |
| Bryce Rieger | .... | digital compositor (6 episodes, 2007) |
| Jonah West | .... | compositor (6 episodes, 2007) |
| Julie Bergman | .... | animator / visual effects (5 episodes, 2007) |
| Jayson Castro | .... | visual effects production assistant (5 episodes, 2007) |
| Bob Dewald | .... | digital effects editor (5 episodes, 2007) |
| Annabelle Kent | .... | digital compositor (5 episodes, 2007) |
| Lionel Lim | .... | digital compositor (5 episodes, 2007) |
| Adam Marisett | .... | visual effects artist (5 episodes, 2007) |
| Lisa K. Sepp | .... | visual effects producer: Anthem Visual Effects (5 episodes, 2007) |
| Philippe Thibault | .... | digital compositor (5 episodes, 2007) |
| Lee Wilson | .... | visual effects supervisor: Anthem Visual Effects (5 episodes, 2007) |
| Adrian Chan | .... | modeler / modeler and texture artist (4 episodes, 2007) |
| Stephen Paschke | .... | digital effects artist (4 episodes, 2007) |
| Christopher Ahrens | .... | visual effects artist (3 episodes, 2007) |
| Sébastien Bergeron | .... | digital effects supervisor: Anthem Visual Effects (3 episodes, 2007) |
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| Andrea Caretta | .... | digital artist: title design (unknown episodes) |
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| Daevina Danyluck | .... | truck costumer (5 episodes, 2007) |
| Allisa Swanson | .... | costume design assistant / assistant costume designer (5 episodes, 2007) |
| Audrey Wong | .... | costume set supervisor (5 episodes, 2007) |
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| Rosmary Conte | .... | post-production coordinator (6 episodes, 2007) |
| Nicholas Sousa | .... | assistant editor / first assistant editor (4 episodes, 2007) |
| Tim Craig | .... | first assistant editor (3 episodes, 2007) |
| Amy Flint | .... | assistant editor (2 episodes, 2007) |
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| Heather Douglas | .... | assistant to producers (6 episodes, 2007) |
| Stephanie Herbert | .... | assistant production coordinator (6 episodes, 2007) |
| Randall Okita | .... | assistant: Keith Addis / script coordinator (6 episodes, 2007) |
| Heather Turner | .... | production secretary (6 episodes, 2007) |
| Erin Dixon | .... | production assistant (5 episodes, 2007) |
| Deborah Loven | .... | assistant accountant (5 episodes, 2007) |
| E. Jeff Olson | .... | assistant: Mr Mendelsohn (5 episodes, 2007) |
| Adrian Salpeter | .... | assistant: Lisa Richardson (5 episodes, 2007) |
| Nicole Oguchi | .... | production coordinator (3 episodes, 2007) |
| Gary Stamford | .... | set wireman (3 episodes, 2007) |
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| Karen Lo | .... | assistant location manager (unknown episodes) |
| Janet D. Munro | .... | script supervisor (unknown episodes) |
| Nicholas Podbrey | .... | puppeteer (unknown episodes) |
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Additional Details
Runtime:
42 min (excluding commercials)
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I don't leave comments very often, but felt compelled to do so to give some counterpoint to very negative comments.
It seems that you will either love or hate the series, and few people are indifferent in the sense that they rate it average.
Such is the case with my rating: 9 out of 10, mostly because the "Masters" is different and tries to go deeper. The fact that ABC discontinued the show after 4 episodes is either a good or a bad sign, depending on your viewpoint.
These are not stories that we have become used to where Science-Fiction is concerned. Obviously, for me, that is a good thing. These stories focus more on characters and character development, in the tradition of the great SF-writers of the sixties, and the casting is excellent - on the whole we have good acting from good actors to support the story, an absolute must in stories which rely on it.
I fear we will see nothing more than the 6 episodes I know at the moment I write this. It's a shame, but I'll content myself with stories published in the great SF-magazines.
In summary, probably only for a particular brand of Science-Fiction fans.