| Videos (see all 3) |
| Mr. Freeze | ... | Mr. Freeze | |
| Luis Mateo | ... | Trac2 | |
| Skwall | ... | Himself | |
| Prince Ken Swift | ... | Ken Swift | |
| Knucklehead Zoo | ... | Themselves |
Directed by | |||
| Benson Lee | |||
Original Music by | |||
| Woody Pak | (original music by) | ||
Cinematography by | |||
| Vasco Nunes | |||
Film Editing by | |||
| Benson Lee | |||
| Jeff Marcello | |||
Production Management | |||
| Thibault Dufour | .... | production manager | |
| Geoffrey Greer | .... | post-production manager | |
| Kellie Hotema | .... | production manager | |
| Nari Eunice Kim | .... | production manager (as Nari Kim) | |
| Jeff Marcello | .... | post-production supervisor | |
| Kozo Okumura | .... | production manager | |
| Dae Gyun Sohn | .... | production manager (as Xris Sohn) | |
Sound Department | |||
| Paul Bercovitch | .... | sound mixer | |
| Paul Bercovitch | .... | sound re-recording mixer | |
| Force Theory | .... | sound designer | |
| Michael Furjanic | .... | supervising sound editor | |
| James Nichols | .... | sound consultant: Dolby | |
| Tony Volante | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Christo Bakalov | .... | additional photography | |
| Gregor Grieshaber | .... | camera assistant | |
| Benson Lee | .... | additional photography | |
| Benson Lee | .... | still photographer | |
| Jae Hyuk Lee | .... | additional photography | |
| Vasco Nunes | .... | still photographer | |
| Hiroo Takaoka | .... | additional photography | |
| Mike Zandlo | .... | additional photography (as Michael Zandlo) | |
Editorial Department | |||
| Maya Bakshani | .... | post-production intern | |
| Andrew Becker | .... | associate editor | |
| Stephanie A. Bello | .... | post-production intern | |
| Jeff Bistrong | .... | post-production intern | |
| Joe Carroll | .... | assistant editor | |
| Sabrina Chemloul | .... | associate editor | |
| Calvin Choi | .... | associate editor | |
| Chi Yoon Chung | .... | associate editor (as Chi-Yoon Chung) | |
| Sophia Coaxum | .... | second assistant editor | |
| Meghan Devine | .... | associate editor | |
| Aziza Elkhati | .... | post-production intern | |
| William J. Holden | .... | second assistant editor | |
| Maria Juranovic | .... | second assistant editor | |
| Christina Kim | .... | editorial translator | |
| Silvia Kim | .... | post-production intern | |
| Eugene Kolb | .... | post-production intern | |
| Elisa Y. Lee | .... | second assistant editor | |
| Michael Lindo | .... | post-production intern | |
| George Manolo | .... | post-production intern | |
| David Panfili | .... | assistant editor | |
| Jane Tolmachyov | .... | color correction | |
| Hyun-Joon Yoon | .... | assistant editor | |
| So Young Yoo | .... | second assistant editor | |
| Christin Yu | .... | post-production intern | |
| Jesse Zakarin | .... | post-production intern | |
| Mike Zandlo | .... | co-editor (as Michael Zandlo) | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| Willard Dyson | .... | musician: drums | |
| G.I. Joe | .... | musician | |
| Ilya Eli Lishinsky | .... | music recording engineer | |
| Mowg | .... | composer: additional music | |
| Hutson Rapier | .... | music editor | |
| Hutson Rapier | .... | music mixer | |
Other crew | |||
| Nanae Abe | .... | translator | |
| Sam Young An | .... | subtitler | |
| Shinobu Azuma | .... | translator | |
| Yumi Bae | .... | production assistant | |
| Helen Cho | .... | translator | |
| Jenn Chung | .... | translator | |
| Marie-Pierre Cravedi | .... | translator | |
| Nina Diedrich | .... | production assistant | |
| Aaron Dunsay | .... | subtitler | |
| Jillian Elizabeth | .... | archival researcher (as Jillian E. O'Connor) | |
| Yasmine Ghoraschi | .... | production assistant | |
| Jin Gwon | .... | transcriber | |
| Randy Havens | .... | translator | |
| Masaaki Hidaka | .... | translator | |
| Brian Hulse | .... | production assistant | |
| Jason Huynh | .... | transcriber (as Jason Hyunh) | |
| Miyako Inoue-Herrera | .... | translator | |
| Timothy Kang | .... | translator | |
| Mitsumi Kawamura | .... | translator | |
| Sung-Un Kim | .... | transcriber | |
| Gloria Lee | .... | translator | |
| Sanghyun Lee | .... | transcriber | |
| David Magdael | .... | publicist | |
| Hideyuki Mako | .... | production assistant | |
| Emma Mankey Hidem | .... | transcriber | |
| Yuko Sanaga McHugh | .... | translator | |
| Amber Minogue | .... | production assistant | |
| Angela Moon | .... | transcriber | |
| Mika Mori | .... | transcriber | |
| Mark Moskowitz | .... | accountant | |
| Tyler Neuendorffer | .... | digitizing | |
| Yujin Nomura | .... | subtitler | |
| Dan O'Meara | .... | sales representative | |
| David Panfili | .... | assistant: producer and director | |
| Otto Porrazzo | .... | insurance broker | |
| German Ramos | .... | archival photos | |
| Koe Rodriguez | .... | archival photos | |
| Mel Rosenthal | .... | archival photos | |
| Yukiko Sato | .... | translator | |
| Robert L. Seigel | .... | production legal services | |
| Jamel Shabazz | .... | archival photos | |
| Nahoko Sugiyama | .... | translator | |
| Joung Hee Sup | .... | production assistant | |
| Mari Takeuchi | .... | subtitler | |
| Sho Tsuchiya | .... | transcriber | |
| Dan Weaver | .... | translator | |
| Eduardo Wong | .... | digitizing | |
| Young S. Yang | .... | transcriber | |
| Soo-Jin Yun | .... | transcriber | |
| Anne Stulz | .... | publicist (uncredited) | |
Thanks | |||
| Travis Call | .... | special thanks | |
| Yamiah Kaliz Concepcion | .... | in memory of | |
| Blake McKenzie Rapier | .... | in memory of | |
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| Underground Dance Masters: Final History of a Forgotten Era | Turn It Loose | Beat Street | Le défi | All Quiet on the Western Front |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
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There is an underground culture of performing arts that often goes overlooked or under-appreciated. The artists that dedicate their entire lives to the art form often come from meager lifestyles and impoverished conditions. But when they perform, whether it lasts for ten minutes or thirty seconds, they have the power to captivate your entire soul. Planet Bboy takes place during the Battle of the Year competition in 2005 and documents the culture that originated in the urban streets of New York City and spread like wildfire all over the world. Crews from all over the world strive to be the best, and to be the best they must grace the center stage of the entire world of b-boying, "Battle of the Year." One crew represents each of the participating countries to compete in the grandest bboy battle in the entire world. The prize money is close to nothing. The true prize is to create a name for yourself, to earn respect and recognition, and most of all to be the best in the world. The documentary focuses primarily on five different crews, Knucklehead Zoo from Las Vegas, Ichigeki from Japan, Phase-T from France, Last for One from Korea, and the reigning champions the Gamblerz also from Korea.
Each crew possesses their own unique style and presence, and the documentary shows the strong bond within each crew. The power moves and stunts are crazy! However, the heart of the film lies in the individual life stories. Bboys who want nothing more in life but to dance often come in conflict with the interests of the families, especially those who live in poverty.
Planet Bboy is powerful, raw with emotions, not to mention hilarious. The interactions between the bboys and their families provide moments of heartfelt emotion and moments of true hilarity as the facial expressions on the bboys say that they've heard these lectures their whole lives. We feel for them when the pursuit of their dreams is rejected, and cheer for them when they are appreciated. Great moments also arise when the bboy crews from different countries finally get together and experience a culture shock that is both threatening and awkward.
The film has the same heart and passion as the bboys have for their artistic outlet of dance. I can't remember the last time a movie made me cry. Planet Bboy was the first film in a long time I had to pretend there was something in my eye.
I left the film feeling a deeper appreciation for dance as well as the quality of life. Life is not worth living unless you dare to dream.